Le colline bruciano

Louis L'Amour wrote well-structured western stories that were very entertaining. Usually, there's a hero who never goes out of his way to hurt anyone. And the force(s) of villainy are clearly defined. But Hollywood wanted to pair Natalie Wood and Tab Hunter, so the love story in this film includes some amorous un-L'Amourous scenes to cater to young viewers.

The first couple of scenes establish who our hero is (Tab Hunter as Trace Jordan) and how bad the villains are. Natalie plays Maria, a strong-willed young woman who is also victimized by the gang of gunslingers who enforce the evil dictates of one Joe Sutton (Ray Teal). After Trace attempts to bring the bad guys to justice, they chase him over the countryside. Maria tries to help him.

Members of the gang include Claude Akins, who also appeared in "The Sea Chase" with Tab Hunter in 1955. One of the orneriest gang members is played by Earl Holliman. After this film, he would appear consecutively in "Giant", "The Rainmaker" and "Gunfight at the O.K. Corral". Talk about being in the right places at the right time.

Unfortunately, certain scenes are marred by some very corny lines. The result is a great L'Amour story burdened by Hollywood "enhancements". You can judge for yourself if Natalie Wood's accent is horrible or not. She surely took a lot of criticism for Maria's accent in "West Side Story", which would follow in five years.

Soon after his brother has been shot to death, handsome Tab Hunter (as Trace Jordan) arrives in the western town of "Esperanza". Along with Mr. Hunter, we quickly learn the man responsible for murdering brother is young cigar-stomping Skip Homeier (as Jack Sutton). As it turns out, Mr. Homeier and his gang have run the sheriff out of town; they also shoot anyone who tries to stake a claim in the area. Hunter is advised to leave town immediately, but refuses. With his muscular frame and quick draw, Hunter easily infiltrates the Sutton ranch, to demand justice.

Wounded in a shoot-out, Hunter barely escapes from the ranch. He collapses near the home of sexy sheepherder Natalie Wood (as Maria Colton). Taunted by the "Sutton Gang" due to her mixed heritage (English father, Mexican mother) and preference for dresses that accentuate her beautifully-shaped breasts, Ms. Wood hides Hunter from Homeier, and nurses him back to health. Hunter and Wood are mutually attracted to each other. Hunter hopes to report Homeier and his gang to the United States Cavalry at nearby Fort Stockwell. Will he get there?

Warner Bros. must have known putting popular but unproven Hunter in this high-budgeted CinemaScope western would be a gamble - but, it pays off. He always fit the genre like a glove, and it's too bad a long string of Hunter westerns wasn't forthcoming. Hunter's greatest asset, herein, isn't really his handsomeness; rather, it's that he adds a muscular athleticism to the usual western antics. As you'll plainly see, there was no need to fear Hunter would snap a girdle, or slip a toupee. Trying on a Spanish accent, Wood is tightly outfitted, and highly arousing.

Homeier turns in a wonderfully nasty supporting performance. Mixed-raced "Indian" tracker Eduard Franz (as Jacob Lantz), limping liquor-soaked Earl Holliman (as Mort Bayliss), and foreman Claude Akins (as Ben Hindeman) lead a strong supporting cast. With sexless romance and Spanish stereotypes, writer Louis L'Amour (book) and Irving Wallace (script) break no new ground, but you know how these western stories go. Director Stuart Heisler corrals the young stars well; he left feature films for dependable work on episodic western television.

******** The Burning Hills (8/23/56) Stuart Heisler ~ Tab Hunter, Natalie Wood, Skip Homeier, Earl Holliman

Louis L'Amour novels make good reading and fine western cinema and The Burning Hills is no exception. Tab Hunter and Natalie Wood who were a screen team and studio public relations created off screen romance star in this film which has Tab Hunter on the run and Natalie Wood helping him.

Hunter's got plenty of reason to run, his brother was killed and he shoots Ray Teal who is the overlord of the local Ponderosa. The wounded Teal who really doesn't have title to a lot of the land he runs roughshod over and he sends his rotten son Skip Homeier and foreman Claude Akins with some of his riders after him. At no time are they a legally constituted posse and Homeier and Akins can't stand each other and have many issues between them.

Skip Homeier ever since he shot Gregory Peck in the back in The Gunfighter made a good career of playing some really nasty punk villains and he's certainly at his nastiest here. Eduard Franz has a strange and interesting part also as a mixed race tracker that Akins insists on having in the posse. He's a person of interesting and shifting loyalties.

Wood and Hunter were certainly an attractive pair and the teens and Tweens in the audience got some thrills as Hunter had to appear topless as Wood nursed him with his injuries. The Burning Hills has a lot of tension in it as the posse closes in and Hunter is a pretty resourceful man. Wood has a few tricks of her own to baffle the posse and not all of them involve sex.

The Burning Hills is a nicely constructed western that I'm sure Louis L'Amour took some pride in the screen version of his work.

I was waiting to see some hills burning. Didn't appen.

Bubblegum western marketed at the time as if it were "Rebel Without a Cause" on the range (one of the tag lines read: "People would say, 'But they're only kids!'"). Half-breed girl (Natalie Wood, heavily pancaked and miscast, but still not bad) shelters a cowboy (Tab Hunter) embroiled in a vengeful feud with a scurrilous gang. Good, trashy fun; supporting cast including Earl Holliman and Claude Akins is solid, direction by Stuart Heisler fast-paced. The screenplay adaptation (by Irving Wallace, of all people) slants Louis L'Amour's story in favor of showcasing the teen heartthrobs of the day, but it has good action scenes and a satisfying wrap-up. **1/2 from ****