VALUTAZIONE IMDb
6,7/10
31.074
LA TUA VALUTAZIONE
Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.
- Regia
- Sceneggiatura
- Star
- Vincitore di 5 Oscar
- 15 vittorie e 5 candidature totali
John Gielgud
- Foster - Fogg's Ex-Valet
- (as Sir John Gielgud)
José Greco
- Flamenco Dancer
- (as Jose Greco and Troupe)
Luis Miguel Dominguín
- Bullfighter
- (as Luis Dominguin)
Recensioni in evidenza
Except for the horrible miscasting of Shirley MacLaine as a Hindu princess, Around the World in 80 Days comes close to being a perfect film. The rest of the cast paints to perfection the portrait of Jules Verne's odyssey about a very anal retentive man driven by a wager to complete a global circumnavigation in 80 days in the mid nineteenth century.
Jules Verne unlike in a lot of his other stories makes one of his main characters here a Frenchman. Normally the international minded Mr. Verne never had any of his protagonists come from his native France. In this case the valet Passepartout accompanies English gentleman Phileas Fogg on the journey and comes close to wrecking it a couple of times.
Michael Todd had to settle for second choices for both of his leads. The part was originally offered to Cary Grant who turned it down and Todd settled happily for David Niven. And even though Fernandel offered to learn English to play Passepartout, the process would have taken too long so the Mexican comic star Cantinfas got the part. Fernandel did have a small role as a Parisian hansom cab driver.
It's still a mystery to me as to why Cantinflas on the strength of this and Pepe did not break out of the Latin American market where he was nothing short of a demi-god of the cinema. Certainly his presence in this film opened up a huge market of viewers in the Spanish speaking parts of the world.
Also consider that the probably no other performer in the history of the cinema ever got as good supporting casts as Cantinflas did in both Around the World in 80 Days and Pepe. Maybe he didn't break into the English speaking cinema fan world, but it was no accident that all the stars who appeared in both wanted to be associated with him.
Shirley MacLaine would have to wait until Some Came Running for a real break out role. She's just not the type to play a Hindu princess. Someone like Jean Simmons who played one in Black Narcissus would have been far better.
David Niven however got on the crest of a big career wave that wouldn't reach maximum until his Oscar two years later in Separate Tables. This was one of his best career roles and nice that for once he would not have to carry a mediocre picture on the strength of his considerable charm.
Mr. Niven sadly recalls in his memoirs that Robert Newton was already dying when he made Around the World in 80 Days. The doctors had told the screen's most celebrated alcoholic that he had only a short time left when he did this film, his liver was failing. Newton does a grand job as the unctuous conniving detective Fix who gets it into his head that Niven robbed the Bank of England.
Around the World in 80 Days won for Best Picture in 1956 and four other Oscars including best musical score. Oddly enough the song Around the World was not nominated in that category even though it was a big hit that year. Bing Crosby for Decca and Eddie Fisher for RCA Victor had the big hit records of it, Frank Sinatra also did it for Capitol. It was a great tribute to its composer Victor Young and lyricist Harold Adamson. Young died in 1956 and the Oscar for Best Scoring was given to him posthumously.
Producer Michael Todd and Director Michael Anderson did a first rate job in casting all the small bit roles with major players. A lot of these names are unfamiliar to today's generation, but if they see the film it's a chance to see a lot of great cinema names at one time doing real characters instead of just walking on as themselves.
The film holds up well today and can still be enjoyed. Maybe someone will actually try to make it in the transportation mode of the Victorian era. Can it be done in 80 Days?
Jules Verne unlike in a lot of his other stories makes one of his main characters here a Frenchman. Normally the international minded Mr. Verne never had any of his protagonists come from his native France. In this case the valet Passepartout accompanies English gentleman Phileas Fogg on the journey and comes close to wrecking it a couple of times.
Michael Todd had to settle for second choices for both of his leads. The part was originally offered to Cary Grant who turned it down and Todd settled happily for David Niven. And even though Fernandel offered to learn English to play Passepartout, the process would have taken too long so the Mexican comic star Cantinfas got the part. Fernandel did have a small role as a Parisian hansom cab driver.
It's still a mystery to me as to why Cantinflas on the strength of this and Pepe did not break out of the Latin American market where he was nothing short of a demi-god of the cinema. Certainly his presence in this film opened up a huge market of viewers in the Spanish speaking parts of the world.
Also consider that the probably no other performer in the history of the cinema ever got as good supporting casts as Cantinflas did in both Around the World in 80 Days and Pepe. Maybe he didn't break into the English speaking cinema fan world, but it was no accident that all the stars who appeared in both wanted to be associated with him.
Shirley MacLaine would have to wait until Some Came Running for a real break out role. She's just not the type to play a Hindu princess. Someone like Jean Simmons who played one in Black Narcissus would have been far better.
David Niven however got on the crest of a big career wave that wouldn't reach maximum until his Oscar two years later in Separate Tables. This was one of his best career roles and nice that for once he would not have to carry a mediocre picture on the strength of his considerable charm.
Mr. Niven sadly recalls in his memoirs that Robert Newton was already dying when he made Around the World in 80 Days. The doctors had told the screen's most celebrated alcoholic that he had only a short time left when he did this film, his liver was failing. Newton does a grand job as the unctuous conniving detective Fix who gets it into his head that Niven robbed the Bank of England.
Around the World in 80 Days won for Best Picture in 1956 and four other Oscars including best musical score. Oddly enough the song Around the World was not nominated in that category even though it was a big hit that year. Bing Crosby for Decca and Eddie Fisher for RCA Victor had the big hit records of it, Frank Sinatra also did it for Capitol. It was a great tribute to its composer Victor Young and lyricist Harold Adamson. Young died in 1956 and the Oscar for Best Scoring was given to him posthumously.
Producer Michael Todd and Director Michael Anderson did a first rate job in casting all the small bit roles with major players. A lot of these names are unfamiliar to today's generation, but if they see the film it's a chance to see a lot of great cinema names at one time doing real characters instead of just walking on as themselves.
The film holds up well today and can still be enjoyed. Maybe someone will actually try to make it in the transportation mode of the Victorian era. Can it be done in 80 Days?
1956 was a big year in Hollywood with "Around the World in 80 Days" and "Giant" and "The Ten Commandments"."Around the World in 80 Days" won Best Picture for its global cinematography and insightful editing that transformed this travelogue into a great movie as the characters played by David Niven and Cantinflas do take us around the world just getting back to London to win their bet after they thought they lost. The BIG movie started to take shape in Hollywood for many years to come after Cinemascope started in and "Around the World" and how producer Michael Todd did all this was amazing. 7/10
This fun picture deals with known story about gentleman Phineas Fogg wagers he can circumnavigate the earth and he sets off on spectacular journey . Lavish rendition with all-star cast , it finds Victorian gentleman wagering that he can circle the globe in 80 days . Classic adaptation based on Jules Verne novel with a marvelous duo , David Niven and his faithful butler well played by Cantinflas who confront much excitement and a lot of adventures along the way . The film provides ample amusement and entertainment , it concerns about a Victorian English gentleman named Phileas Fogg (David Niven always professed that Phileas Fogg was his favorite role) and his manservant named Passapart (Cantinflas, in the mid-50s, he was the wealthiest movie star in the world, and was given top billing in Latin countries) . He takes a wager with various gentlemen from 'The Reform Club' that he can circle the globe around the world in 80 days . Just before the time they leave , a valuable lot of money is robbed and the authorities and president of Bank of England believe that unflappable Fogg is the guilty and a Detective set out after him . Later on , they save a damsel in distress, a gorgeous Indian girl (Shirley MacLaine to this day contends that she was miscast in this, her third film) . Using various means of transport as balloon , trains , steamer , flying machine and following a way , Fogg along with Passepart go to Dover , Paris , Spain , Calcuta , Burma jungle , Hong Kong , Yokohama , Forbidden city of Pekin , San Francisco , Omaha and New York , as they are trying back to London . Meanwhile , they are chased by an Inspector named Fix (Robert Newton) who suspects him of a daring bank theft .
This funny picture is plenty of adventures , humor , action , rip-roaring and spectacular outdoors . From start to finish the entertainment and amusement is continued . The bullfighting sequence filmed in Chinchon , Spain , was added because Cantinflas had bullfighting experience , he actually was in the ring with the bull, eschewing the use of a stunt doublé ; this was one of the first sequences to be shot. The film features the longest closing credits sequence up to that time and for many years afterward - six minutes and twenty-one seconds , splendidly realized by Saul Bass ; all of the film's credits are shown only at the end, and the very last credit to be shown is the film's title . Big-budgeted take on by two great producers , Michael Todd and William Cameron Menzies , as the film used 140 sets built at six Hollywood studios, as well as in England, Hong Kong and Japan , 74,685 costumes were designed, made or rented for use ; the cast and crew flew over 4,000,000 miles ; 68,894 extras were used while shooting the film in 13 countries ; 90 animal handlers managed the record 8,552 animals used . Michael Todd's original estimate for the film's budget was $3 million ; the film ended up costing nearly double that, largely thanks to Todd's demands for verisimilitude and location shooting. There appears a variety of cameos , the star-gazers will particularly enjoy several known actors by many Hollywood's biggest names with more than thirty cameos for buffs such as Marlene Dietrich , Robert Newton , John Carradine , Noel Coward , Ronald Colman, Ronald Squire, Cedric Hardwicke, John Gielgud, Trevor Howard , Victor McLaglen and John Mills , Robert Morley who repeat in a 1989 TV version , among others ; in fact , the term "cameo", meaning in this case a small part by a famous person, was popularized by the many "cameo appearances" in this film. The colorfully cinematography by Lionel Lindon is well showed on sensational landscapes ; being second Todd-AO production , the first was Oklahoma!. Unforgettable and lively music by Victor Young including catching leitmotif .
This classic ¨Mike Todd's Around the world in 80 days¨ that hasn't lost its charm over the years was compellingly directed by Michael Anderson and generally considered the single largest film project ever undertaken in Hollywood . However , the movie began shooting with John Farrow as director, and Emmett Emerson as the first assistant director in London ; both were replaced. Filming was completed in 75 shooting days . Other versions are the followings : , Australian retelling titled ¨Around the world in 89 days (1986)¨ by Stephen MacLean and recent adaptation (2004) offering full of entertainment directed by Frank Coraci with Jackie Chan , Steve Coogan , Cecile De France , Mark Addy , Owen Wilson , Luke Wilson and many others . And a TV version (1989) with by Buzz Kulik with Pierce Brosnan , Eric Idle , Julia Nickson , John Mills, Robert Morley , among others .
This funny picture is plenty of adventures , humor , action , rip-roaring and spectacular outdoors . From start to finish the entertainment and amusement is continued . The bullfighting sequence filmed in Chinchon , Spain , was added because Cantinflas had bullfighting experience , he actually was in the ring with the bull, eschewing the use of a stunt doublé ; this was one of the first sequences to be shot. The film features the longest closing credits sequence up to that time and for many years afterward - six minutes and twenty-one seconds , splendidly realized by Saul Bass ; all of the film's credits are shown only at the end, and the very last credit to be shown is the film's title . Big-budgeted take on by two great producers , Michael Todd and William Cameron Menzies , as the film used 140 sets built at six Hollywood studios, as well as in England, Hong Kong and Japan , 74,685 costumes were designed, made or rented for use ; the cast and crew flew over 4,000,000 miles ; 68,894 extras were used while shooting the film in 13 countries ; 90 animal handlers managed the record 8,552 animals used . Michael Todd's original estimate for the film's budget was $3 million ; the film ended up costing nearly double that, largely thanks to Todd's demands for verisimilitude and location shooting. There appears a variety of cameos , the star-gazers will particularly enjoy several known actors by many Hollywood's biggest names with more than thirty cameos for buffs such as Marlene Dietrich , Robert Newton , John Carradine , Noel Coward , Ronald Colman, Ronald Squire, Cedric Hardwicke, John Gielgud, Trevor Howard , Victor McLaglen and John Mills , Robert Morley who repeat in a 1989 TV version , among others ; in fact , the term "cameo", meaning in this case a small part by a famous person, was popularized by the many "cameo appearances" in this film. The colorfully cinematography by Lionel Lindon is well showed on sensational landscapes ; being second Todd-AO production , the first was Oklahoma!. Unforgettable and lively music by Victor Young including catching leitmotif .
This classic ¨Mike Todd's Around the world in 80 days¨ that hasn't lost its charm over the years was compellingly directed by Michael Anderson and generally considered the single largest film project ever undertaken in Hollywood . However , the movie began shooting with John Farrow as director, and Emmett Emerson as the first assistant director in London ; both were replaced. Filming was completed in 75 shooting days . Other versions are the followings : , Australian retelling titled ¨Around the world in 89 days (1986)¨ by Stephen MacLean and recent adaptation (2004) offering full of entertainment directed by Frank Coraci with Jackie Chan , Steve Coogan , Cecile De France , Mark Addy , Owen Wilson , Luke Wilson and many others . And a TV version (1989) with by Buzz Kulik with Pierce Brosnan , Eric Idle , Julia Nickson , John Mills, Robert Morley , among others .
As I watched "Around the World in Eighty Days" tonight, I noticde that it is a beautiful and spectacular film. The first time I tried seeing it was on a 25" TV--this time it's on a 58" one and the beauty is much more obvious. Too bad I couldn't have seen this on the big screen using the amazing 70mm cameras. And, if they brought it back to the theaters, I might be tempted to see it that way--even though the film does have many shortcomings.
I've got to be honest here, I tried watching this film years ago and gave up on it. The only reason I am watching it through to the end now is that I would like to eventually see all the Best Picture winners--even the incredibly overblown ones. This brings me to a pet peeve I have. I HATE films that feature a bazillion cameos. I find that often the plethora of stars tend to get in the way of the story and often soak up a huge portion of the budget--leaving precious little for writing. Some of the stars in the film are very international in flavor and I never would have recognized them the first time I tried to see this movie 25 years ago. Now, after having seen and reviewed a ridiculous number of films, I was actually excited by some of these casting decisions. Catinflas, though completely unknown in America did some marvelous little comedies in Mexico--and he is the other reason I chose to try watching the movie again. I was to see Fernandel (who also made many wonderful films--in France and Italy). But, I was also maddened because his cameo as a hack driver was so short and unfunny--completely wasting his wonderful comedic talents. And this trend continued for several more of the cameo--wonderful actors who really have nothing to do and are pretty much wasted.
At least 30 minutes could have and should have been cut from the film. I am NOT against long films...if they are well-paced. Too many times in this movie, however, scenes just unfold way too slowly--such as when the balloon is going over the Alps. A VERY LONG period of nice music and shots of the balloon are shown--when it really seemed interminably long. This reminded me of the major problem with "Star Trek: The Motion Picture"--too many unnecessarily long shots which killed the film's momentum. The bullfighting scene is also one that goes on and on and on and could have been 1/3 as long. Many other such examples followed.
So is it a great film? No. I agree with another reviewer who felt the movie got an Oscar for Best Picture simply because it was such a spectacle--not because it was especially good. It's one of the weaker Best Picture films of the era, in my opinion. However, I must give the film its due. The movie is beautiful in every way--great costumes, amazing locations and sets, breathtaking cinematography and a scope that cannot really be matched. But, it is also very, very , very long with poor pacing, suffers from an overuse and wasting of cameos and just isn't that interesting. Catinflas was a very gifted and funny man--here you don't get a great sense of that at all. Likewise, David Niven was a very fine actor--but here he's more like set dressing and you don't get to see him at his best.
Before I conclude, let's talk about the cameos. With all the many cameos, why did they pick Shirley MacLaine to play an Indian princess?! Talk about bizarre casting! And why have Frank Sinatra in a cameo that takes two seconds and he just turns and smiles at the camera?! I don't get it. And what was with John Carradine?! Even for him he over-acted horribly.
I've got to be honest here, I tried watching this film years ago and gave up on it. The only reason I am watching it through to the end now is that I would like to eventually see all the Best Picture winners--even the incredibly overblown ones. This brings me to a pet peeve I have. I HATE films that feature a bazillion cameos. I find that often the plethora of stars tend to get in the way of the story and often soak up a huge portion of the budget--leaving precious little for writing. Some of the stars in the film are very international in flavor and I never would have recognized them the first time I tried to see this movie 25 years ago. Now, after having seen and reviewed a ridiculous number of films, I was actually excited by some of these casting decisions. Catinflas, though completely unknown in America did some marvelous little comedies in Mexico--and he is the other reason I chose to try watching the movie again. I was to see Fernandel (who also made many wonderful films--in France and Italy). But, I was also maddened because his cameo as a hack driver was so short and unfunny--completely wasting his wonderful comedic talents. And this trend continued for several more of the cameo--wonderful actors who really have nothing to do and are pretty much wasted.
At least 30 minutes could have and should have been cut from the film. I am NOT against long films...if they are well-paced. Too many times in this movie, however, scenes just unfold way too slowly--such as when the balloon is going over the Alps. A VERY LONG period of nice music and shots of the balloon are shown--when it really seemed interminably long. This reminded me of the major problem with "Star Trek: The Motion Picture"--too many unnecessarily long shots which killed the film's momentum. The bullfighting scene is also one that goes on and on and on and could have been 1/3 as long. Many other such examples followed.
So is it a great film? No. I agree with another reviewer who felt the movie got an Oscar for Best Picture simply because it was such a spectacle--not because it was especially good. It's one of the weaker Best Picture films of the era, in my opinion. However, I must give the film its due. The movie is beautiful in every way--great costumes, amazing locations and sets, breathtaking cinematography and a scope that cannot really be matched. But, it is also very, very , very long with poor pacing, suffers from an overuse and wasting of cameos and just isn't that interesting. Catinflas was a very gifted and funny man--here you don't get a great sense of that at all. Likewise, David Niven was a very fine actor--but here he's more like set dressing and you don't get to see him at his best.
Before I conclude, let's talk about the cameos. With all the many cameos, why did they pick Shirley MacLaine to play an Indian princess?! Talk about bizarre casting! And why have Frank Sinatra in a cameo that takes two seconds and he just turns and smiles at the camera?! I don't get it. And what was with John Carradine?! Even for him he over-acted horribly.
Well before ditching in this movie I had a glimpse of the book and I feel very delighted about the extraordinary vision of Jules Verne. He had predicted many inventions and innovations before the time, but I felt more delighted after seeing this movie. The true essence of Jules Verne's literal work is flawlessly captured by director Michael Anderson. This movie is true extravaganza with some special acting by veteran actor David Niven. His portrayal of arrogant, time-table stricken rich innovator was immaculate. This movie also has handful of cameos played by great actors like Frank Sinatra and others. Only one thing that can bother viewers is its immense length where some scenes are monotonous and make you feel loitered. Over all it's a great movie and best motional version of Jules Verne's finest work. The movie won five Oscars including best picture of 1956.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Lo sapevi?
- QuizThis movie created the idea of "cameo roles" as a way to invite established stars to participate in a production.
- BlooperIn 1872, the American flag at the Fort Kearney station would've had 37 stars. Colorado became the 38th state in 1877.
- Citazioni
Princess Aouda: Have there been any women in his life?
Passepartout: I assume he had a mother, but I am not certain.
- Curiosità sui creditiThe last line of dialogue is "This is the end". The closing credits then begin with the words WHO WAS SEEN IN WHAT SCENE ... AND WHO DID WHAT. The story is then recapped in 6 minutes of simple, minimally animated cartoon images, allowing the names of the many cast members who each appeared in just one scene to be shown in relation to that scene, often adjacent to a cartoon image of their character. The cast is therein listed in order of appearance. The character names don't appear. Some of the crew credits (WHO DID WHAT) are interspersed with the cast credits, with the remainder at the end. The very last thing shown is the film's title.
- Versioni alternativeWhen Warner Bros. bought the rights to this film from Elizabeth Taylor (to whom United Artists lost control of the film in the 1970s) for its later re-releases, some prints were heavily edited. An uncut print of the 35mm version has been shown on cable TV.
- ConnessioniEdited into I Monkees: Monkees Mind Their Manor (1968)
- Colonne sonoreRock-a-Bye Baby
(uncredited)
Arranged by Victor Young
[In the score: When the scientists go to sleep in the "Trip to the Moon" sequence.]
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La vuelta al mundo en 80 días
- Luoghi delle riprese
- Sylhet, Bangladesh(train trip)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 42.000.000 USD
- Lordo in tutto il mondo
- 42.009.549 USD
- Tempo di esecuzione2 ore 47 minuti
- Proporzioni
- 2.20 : 1
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By what name was Il giro del mondo in 80 giorni (1956) officially released in India in Hindi?
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