Sette secondi più tardi

The science fiction gimmick in this "B" British mystery is a man who after his highly radioactive body is fished out of the Thames, comes to life. After he awakes it is discovered that his brief death and exposure to radiation causes his consciousness to be 7 seconds into the future. This film soon drifts into a typical "wise cracking reporter" mystery after a reel or two and the "timeslip" gimmick is forgotten. Most of the film deals with a male and female reporter trying to prove the mysterious man is actually a famous scientist who is now being impersonated by an enemy agent. The script written by Charles Eric Maine, based on his novel, is typical of most of Maines screen/published science fiction; he comes up with an interesting science fiction gimmick and works it into a mundane plot. In this case a typical "wise cracking reporter" mystery. Another of example of this is the film THE ELECTRONIC MONSTER aka ESCAPEMENT from a script by Maine based on his published novel. An historical note; American actor Gene Nelson was dancer and singer who starred in many musicals. He was in an accident about a year before this film was made and it prevented him from dancing.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Gene Nelson and Faith Domergue star in a fascinating story of unlawful scientific tampering and a man who is temporally out of phase with the rest of humanity. The original British title emphasizes that point: "Time Slip". Ken Hughes directed, and 15 years later had graduated to making an expensive, major studio important motion picture, "Cromwell", which starred Richard Harris and Alec Guinness.

Like many British films of the time, the two leading players were American actors, plus a local supporting cast including Joseph Tomelty, Peter Arne, Donald Gray and William Lucas.

This early Merton Park production is no relation to the children's TV sci-fi adventure of the same name made fifteen years later. The sci-fi component is novel but ends up taking a back seat to a conventional Cold War thriller about saboteurs, atmospherically photographed by A. T. Dinsdale and briskly directed by Ken Hughes, soon to graduate to 'A' features.

Gene Nelson makes a whimsical hero, while Faith Domergue, newly returned from Metaluna, is here buttoned up in an overcoat against the London cold. Also in an overcoat, plus a trilby, rather than playing one of the scientists Joseph Tomelty is here unusually cast as the inspector following the case.

When nuclear scientist, Dr. Stephen Rayner (Peter Arne) seems to return from the dead after being murdered, the mystery begins. Reporter, Mike Delaney (Gene Nelson) and his photographer girlfriend, Jill Robowski (Faith Domergue) are on the case.

THE ATOMIC MAN is one of the lesser-known of the 1950s sci-fi films. As such, it has a nice Cold War / espionage angle to it. It also has Dr. Rayner suffering from a rather novel side effect of his inexplicable resurrection. This doesn't emerge until after the halfway mark.

Mr. Nelson and Ms. Domergue play their roles in similar fashion to those fast-talking reporters from the 1930s-40s, complete with unhelpful cops and a screaming boss!

Not a bad movie for a Saturday afternoon...

A wounded atomic scientist is found to be 7 1/2 seconds ahead of time and has a radioactive halo about his body that can only be seen in photographs. Unfortunately, it is more of a cops, robbers and gangsters picture with a scientific twist than a true sci fi picture. It is intriguing at first, but it fails to live up to its promise, although it does eventually explain the time slip. However, the acting is solid and the subplots are fine but the film misses the mark overall.