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L'invitto

Titolo originale: Aparajito
  • 1956
  • T
  • 1h 50min
VALUTAZIONE IMDb
8,2/10
16.933
LA TUA VALUTAZIONE
Smaran Ghosal in L'invitto (1956)
Apu Trilogy
Riproduci trailer2: 03
1 video
67 foto
Coming-of-AgeTragedyDrama

Dopo la morte del padre, un ragazzo lascia la casa per studiare a Calcutta, mentre sua madre deve affrontare una vita da sola.Dopo la morte del padre, un ragazzo lascia la casa per studiare a Calcutta, mentre sua madre deve affrontare una vita da sola.Dopo la morte del padre, un ragazzo lascia la casa per studiare a Calcutta, mentre sua madre deve affrontare una vita da sola.

  • Regia
    • Satyajit Ray
  • Sceneggiatura
    • Bibhutibhushan Bandyopadhyay
    • Satyajit Ray
    • Kanailal Basu
  • Star
    • Pinaki Sengupta
    • Smaran Ghosal
    • Kamala Adhikari
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    16.933
    LA TUA VALUTAZIONE
    • Regia
      • Satyajit Ray
    • Sceneggiatura
      • Bibhutibhushan Bandyopadhyay
      • Satyajit Ray
      • Kanailal Basu
    • Star
      • Pinaki Sengupta
      • Smaran Ghosal
      • Kamala Adhikari
    • 64Recensioni degli utenti
    • 64Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 2 BAFTA Award
      • 6 vittorie e 2 candidature totali

    Video1

    Apu Trilogy
    Trailer 2:03
    Apu Trilogy

    Foto67

    Visualizza poster
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    Interpreti principali28

    Modifica
    Pinaki Sengupta
    Pinaki Sengupta
    • Apu (young)
    Smaran Ghosal
    Smaran Ghosal
    • Apu - adolescent
    • (as Smarankumar Ghoshal, Smaran Ghosal in subtitles)
    Kamala Adhikari
    • Mokshada
    Rani Bala
    • Teliginni
    • (as Ranibala)
    Lalchand Banerjee
    • Lahiri
    • (as Lalchand Bandyopadhyay)
    Kali Bannerjee
    Kali Bannerjee
    • Kathak
    • (as Kalipada Bandyopadhyay)
    Kanu Bannerjee
    • Harihar Ray
    • (as Kanu Bandyopadhyay, Kanu Banerji in subtitles)
    Karuna Bannerjee
    Karuna Bannerjee
    • Sarbojaya Ray
    • (as Karuna Bandyopadhyay, Karuna Banerji in subtitles)
    Panchanan Bhattacharya
    Debabrata Chakraborty
    Harendrakumar Chakravarti
    • Doctor
    Hemanta Chatterjee
    • Professor
    • (as Hemanta Chattopadhyay)
    Meenakshi Devi
    • Pandey's wife
    Subodh Ganguli
    • Headmaster
    Charuprakash Ghosh
    • Nanda
    Santi Gupta
    • Ginnima
    • (as Shanti Gupta in subtitles)
    Ajay Mitra
    • Anil
    Anil Mukherjee
    • Abinash
    • (as Anil Mukhopadhyay)
    • Regia
      • Satyajit Ray
    • Sceneggiatura
      • Bibhutibhushan Bandyopadhyay
      • Satyajit Ray
      • Kanailal Basu
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti64

    8,216.9K
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    10

    Recensioni in evidenza

    8wildbluething

    Ray's finest film?

    I am always a bit dismayed by the attention that Pather Panchali and Charulata command in discussions on Ray because while they are fine films, they do not account for Ray's cinema as a whole. In fact, I would resist from picking one or even three films that 'speak for Ray'- but I would be lying if I said I didn't have a favourite. Aparajito is a wonderful work of art, an extremely moving melodrama and a remarkably accurate portrayal of adolescence. Of course, it would be shameful to give all the credit to Ray. Bibhuti Bhusan Bandhyopadhaya's novels (Aparajito is adapted from the last part of Pather Panchali and the first half of Aparajito) are meticulously descriptive and Ray's success with the film owes much to the simplicity and honesty of his source. But there is something in Aparajito that belongs exclusively to the cinema - something that has to do with the the mixture of distance and intimacy in the movies, of identification and unfamiliarity. You want to feel like Aparajito is a film about you, but you secretly admit that it isn't, it cannot be - because you experience it outside yourself, in Ravi Shankar's beautiful music, in the photography that oscillates between banality and the deeply metaphoric, in the wonderful performances (especially by Karuna Bannerjee), and finally in Ray's masterful vision in putting it all together. I couldn't say much else - you must experience it for yourself!
    10tc707

    continuation of a masterpiece

    Ray's 'Aparajito' continues with its second installment as we see the beautiful but harsh world through the eyes of 'Apu'. Ray's portrayal of Apu's innocence and curiosity during his maturation into adolescence was spectacular. However, the pinnacle of the film is heart wretching performance of Apu's Mother, whose portrayal of fretfulness, nurturing, and loneliness pulled at this reviewer's heart strings. Although this film is filled with moments of sadness and despair, this film is about Apu weathering the seemingly endless storm of personal tragedy and eventually reaching maturation.
    9utpal-61109

    Classic Masterpiece

    This is so much heart touching movie with extra ordinary acting. The acting of the mother of apurba by Karuna Bannerjee is marvelous. The relationship between mother and son, showing in the film is so much heart touching. I watched with my friend at 7 pm and before complete the movie i called the mom and again after completing i calling her twice. She wondered what happened to me ! Not only me, my friend also call his home now regularly. That's the effect of the Aparajito. Satyajit Ray is the greatest director of India. There have no mistake in this classic play. Apu, his father, the principal, everyone is perfect. If you still not watching this movie, you missing something in your life. Enjoy and feel it, still hurting me.
    Jag85

    My favourite film of all time

    After watching Pather Panchali, I watched the sequel Aparajito the next day. My only criticism with the first film was the slow pace, but it looks like Satyajit Ray improved on this aspect for the sequel and thus eliminated any pacing issues I may have had with the original. This time the story moved along at a fairly quick pace, as we see months and sometimes years go by in a matter of minutes.

    Although I often hear about Pather Panchali being regarded as the best in the Apu Trilogy, I personally liked Aparajito even better than the first. The story was gripping throughout the entire film, Karuna Bannerjee gave a truly Oscar-worthy performance as Apu's mother (even though it was only her second film) and the ending was just as powerful as the original (although Pather Panchali had a more powerful theme music). In fact, I might even go as far as saying Aparajito could possibly be my favourite film of all time.

    10/10
    10Tetsel

    Another Masterpiece from Ray

    'Aparajito', the second film of Satyajit Ray's brilliant 'Apu Trilogy', is one of the great masterpieces of film. The gritty realism melds expertly with the beautiful shot selection and cinematography. In fact, I would say Ray's India is presented at least as well as John Ford's American West. What is essentially a simple tale of one particular family turns into an epic of emotion and the difficulties of growing up. Truly amazing.

    Altri elementi simili

    Il mondo di Apu
    8,4
    Il mondo di Apu
    Il lamento sul sentiero
    8,2
    Il lamento sul sentiero
    Nayak
    8,3
    Nayak
    La moglie sola
    8,1
    La moglie sola
    La sala da musica
    7,8
    La sala da musica
    La grande città
    8,3
    La grande città
    Teen Kanya
    7,9
    Teen Kanya
    Agantuk
    8,0
    Agantuk
    La dea
    7,7
    La dea
    Parash Pathar
    7,6
    Parash Pathar
    Il codardo
    7,6
    Il codardo
    Jana Aranya
    8,3
    Jana Aranya

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The first Indian film to win the Golden Lion at the Venice Film Festival. Ray, who was attending the festival, was utterly flabbergasted as he felt that the film contained some serious flaws.
    • Citazioni

      Sarbojaya Ray: What is there at Keoratola?

      Apu: [sleepily] Burning hot...

      Sarbojaya Ray: What?

      Apu: They have cremations.

      Sarbojaya Ray: I see... I hope you're careful on the roads. When are your finals? After that you can get a job and I'll stay with you. Will you have me? Will that ever be, I wonder? Who knows how long one has to live? Suppose I fall seriously ill... I'm not so well as I used to be. In the evenings I'm often feverish, I've no appetite. I thought of telling you... but I couldn't. I don't suppose you'd leave college to look after me, would you? Would you use your earnings to pay for me to have treatment? Why don't you answer me... Apu!

    • Versioni alternative
      There is an Italian edition of this film on DVD, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Connessioni
      Featured in Century of Cinema: And the Show Goes On: Indian Chapter (1996)

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    Dettagli

    Modifica
    • Data di uscita
      • 20 maggio 1959 (Italia)
    • Paese di origine
      • India
    • Sito ufficiale
      • Watch on KLiKK
    • Lingua
      • Bengalese
    • Celebre anche come
      • The Unvanquished
    • Luoghi delle riprese
      • Calcutta, Bengala Occidentale, India
    • Azienda produttrice
      • Epic Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 134.241 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 16.064 USD
      • 10 mag 2015
    • Lordo in tutto il mondo
      • 134.241 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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