Non siamo angeli

I stumbled upon We're No Angels one night on AMC. I found that I couldn't leave the TV. I enjoyed the three likeable convicts and discovered that Humphrey Bogart has a knack for light comedy. Peter Ustinov is very deadpan and as a result, some of the best lines come from his character. Aldo Ray is the sweet dumb guy with a heart of gold and a rather dangerous pet. Basil Rathbone is great as the guy you love to hate. A great cast, a good script and good direction by Michael Curtiz makes this a classic.

A rare Humphrey Bogart comedy, and it works perfectly!

Seeing Bogart in the lead role, and the movie being about a jailbreak, I was expecting an adventure-drama. Instead I got a comedy, and a very good one at that.

Incredibly sharp dialogue and some devilishly clever and funny sub-plots make this an hilarious movie. Add in the fact that it is set at Christmas, and there is a great amount of Christmas sentimentality and fun involved too.

The other things that carry the movie are the performances of Bogart and, especially, Peter Ustinov. Bogart delivers his lines well and cannot be faulted, but Ustinov has a perfect sense of comedic timing. Plus his Englishness makes him seem so much funnier.

Aldo Ray is a bit hit-and-miss as the third non-angel. Sometimes you feel he is just reciting his lines without any sense of timing or tone, but others then hit the mark well.

Good support from Joan Bennett, Basil Rathbone, Leo Carroll and Gloria Talbott.

A must-see, especially at Christmas.

The film combines the witty nuttiness of Marx Brothers humor with some of the slapstick style of the Three Stooges and comes up as a wonderful comedy.

The whole cast is great, but Bogart is the real star in every respect. He shows that he is really a grand comedian. Rathbone is appropriately evil and nasty as the villain.

Don't confuse this movie with the other one of the same title. This one delivers real comedy.

The humor is understated and quite droll with some brilliant moments. Peter Ustinov's expressions and nuances are priceless and Humphrey Bogart is very funny because he plays it straight. The last half hour is hysterical.

We're No Angels is adapted from a French play La Cuisine de Anges which was written by Albert Husson and ran a nice, respectable 344 performances on Broadway 1953-1954. In the roles of those unlikely angel/convicts on Broadway were Walter Slezak, Jerome Cowan, and Darren McGavin.

Our three in this film are Humphrey Bogart, Peter Ustinov, and Aldo Ray who escape from Devil's Island and are now among hundreds of other paroled convicts in the French West Indies at the turn of the last century. This was around the time Alfred Dreyfus was in Devil's Island so we know it was no fun place to be.

But these three seem to have a light hearted take life as it comes attitude. There's no whining from any of them about them being innocent of what got them there. But they want out and make it.

Fate puts them in the hands of a family they first would like to rob for some getaway loot. But hearing and seeing the sad plight they're in they can't bring themselves to do it. Then of course comes the Christmas visit of a tyrannical cousin played with relish by Basil Rathbone whom they work for and the convicts work becomes a pleasure.

They are aided of course by a pet coral snake named Adolph that Ray keeps in a straw basket. In many ways Adolph is almost divinely driven to do his duty.

Humphrey Bogart who was an unsuccessful embezzler in the film has a nice light touch for deadpan comedy. Too bad he didn't use it more often in films. This was a nice blend of comedy together with Bogey's gangster persona which we see more of in his films. On stage before he came to Hollywood, Bogart actually did a lot of light comedy.

This was also Bogart's final film with Director Michael Curtiz with whom he worked often and well back at Warner Brothers. Most particularly in Casablanca which was Curtiz's Oscar winning film for himself and for the film. A lot consider that film the one that firmly cemented Humphrey Bogart as a top box office draw.

Leo G. Carroll, Joan Bennett, and Gloria Talbott are the family who get some help on Christmas. The film itself is a great indication how the Deity or the fates do indeed move in mysterious ways.