Wichita

Up front I must tell you that I usually HATE westerns featuring folks like Jesse James, Billy the Kid and other real life folk. This is because very rarely do the filmmakers get it right--and completely fictionalize these lives to make minor characters seem far, far more important and interesting than they really were. So, when I saw that Joel McCrea stars as Wyatt Earp, I was NOT pleased. And, to make it worse, Bat Masterson apparently is in the film as well. The only reason I forced myself to watch it is because even a bad McCrea western is still usually worth seeing. Plus, it did help that folks like Lloyd Bridges, Peter Graves, Edgar Buchanan, Wallace Ford, Vera Miles and Jack Elam also were in the film.

To set the record straight, I used to teach US History and much of what's in this film is crap. While it is true that Wyatt Earp and Bat Masterson did work together for a bit, it was in Texas, not Kansas. Also, Earp WAS a deputy in Wichita--never the marshall or sheriff. And, although Bat Masterson DID become a newspaper man, that was later--after he was a lawman. I sure wish they'd kept the script and just changed the names--it would have improved it immensely. That's because it really is a very, very good film apart from all the historical confabulations!

In this story, Wyatt is a peace-loving and patient man. He's headed into Wichita to open a business and live a normal life. Unfortunately, the town is pretty lawless--especially when the cattlemen and their hands arrive in town. During one of these times, the guys shoot up the town--and kill a little kid. So, Wyatt is quickly sworn in as sheriff and he takes on these drunken rowdies with only the assistance of young Bat Masterson. You'd think the town would be thrilled, right? Well, this is NOT the case of the rich guys in town who own the saloons and stockyards! They want the sheriff to turn a blind eye to the outrages of the cattlemen because their fortunes depend on cattle. However, Wyatt will only do it his way--the RIGHT way! What's to happen next? See the film for yourself.

Excellent acting, lots of action and a terrific take on the myth of the old west. Yes, I do mean myth as gunfights and much of what we think of as common stuff in the west rarely ever occurred--and more often than not, it was just some guy shooting another guy in the back!

Joel McCrea delivers the goods once again in "Wichita". McCrea gives a solid performance in this movie. The rest of the cast is also strong. The movie looks great too. The story is well told and quite exciting at times. "Wichita" is a rock solid 1950s western. I can't wait until I see it again. Honorable mention: a never dreamier Vera Miles.

Wichita is a western that again focuses on a life and deeds of legendary Wyatt Earp, only this time without gunfight at the OK Corral. The action doesn't take place at Tombstone, but in a small cattle town of Wichita where our hero (this time played by Joel McCrea) arrives and very soon is offered a post of a Marshall due to his strong persona and skills in using the gun.

In a very short time he manages to change completely the life of the town from a very dangerous place where one could be killed or robbed at any moment to the most peaceful town in the wild west.

An interesting western directed by Jacques Tourneur, that revisits some of the used western's cliches, but also contains some spectacular action sequences and some personal Tourneur touches in directing which rise the film little above the average and turn it into a pleasurable viewing experience. 7/10

Superior McCrea western thanks to an intelligent script that also plays up the actor's penchant for steely resolve. How much law and order is too much. That's the question the town council of Wichita must decide. Too much will drive away the fun-starved cowboys coming to town after a long trail drive. Too little and the town gets shot up. Newly installed Sheriff Earp (McCrea) is on the side of strict law and order, forbidding the cowboys from bringing their guns to town. This upsets powerful businessmen and saloon owners. So Earp must contend not only with rowdy cowboys but with town politics as well.

McCrea is perfect for the quietly resolute sheriff. As expected there's no swagger or bravado in his grim determination to keep other townspeople from being accidentally killed by busting-loose cowhands. When he stands alone, you believe it. It's also a well-stocked production from lowly Allied Artists, with enough extras to make the crowded town scenes credible. Of course, there's a romantic angle with a lovely but heavily made-up Vera Miles (soon to come under the wing of Hitchcock in such thrillers as The Wrong Man {1956} and Psycho {1960}). But the romance is pretty well integrated into the plot, without dangling like a distractive add-on.

All in all, it's a good western drama woven around the quietly powerful Joel McCrea.

The now-familiar and evergreen story of Wyatt Earp's maverick attempts (& succeeding) at ridding all guns from the Western frontier town of Wichita, is again shown here, directed with some style by Jacques Tourneur, from 1955.

Joel Mc Crea - not quite a superstar of Westerns, is suitably refrained but still somehow imposing as the law enforcement officer Earp. There's good action at the start, as bands of outlaws ride in, guns blazing, fights in Saloon bars and general terrorising of the residents.

Mc Crea is good, Vera Miles lovely and a turn from Lloyd Bridges is always welcome. The colour and clarity are also good, though the Technicolor less vibrant and saturated than is often the case, making the film look more natural.

Though I'm no expert on the Western, I do enjoy a good one and whilst this was entertaining enough, it didn't strike me as one to particularly remember. It didn't drag, wasn't boring and is probably better than average, but not quite enough for 7/10.