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I have no idea what anyone was thinking when this film was done. I am a huge fan of Tyrone Power but I can't say he was very good in this. I honestly don't think it was his fault. The script was rotten.

First of all, the beginning scenes, showing the romance between Katie and Paul, seemed totally like they were from another film and just slapped on at the beginning. Incredibly disjointed. I could never figure Katie out, nor did I want to. People compare the role to Scarlett O'Hara, and I guess there were similarities.

I think one of the problems is that we didn't see enough of their characters before they hit South Africa so the love story could really develop for the audience. He kissed her on the staircase. Okay, so what then? "Was I just some girl you kiss and leave?" she asks. Is that all he did? Or did he have sex with her and leave? Hello, it makes a big difference.

It seemed to me that all she did was throw herself at him, and I never got the impression that he loved her. Good case in point was the scene where her neck and shoulders were sore and she was stretching, etc. It took him about an hour to take the hint.

Her abuse of the Richard Egan character was ridiculous. One ends up losing respect for both of them.

Henry King usually does a great job, and of course, the action scenes are very stirring, but the characters all seemed remote.

It's possible Fox did this movie to use blocked funds in Africa. I can't think of any other reason. I read on this board that Victor Mature was supposed to play Kurt. Well, Robert Mitchum was supposed to play Paul, but he wisely never showed up and the studio got Power, who was in a hurry to finish up his contract with that place. Filming had already started.

Mitchum would have seemed even less interested in Katie, and Victor Mature would have come off as even more of a fool, so it probably worked out for the best. Well, it did for those actors, anyway.

I love "Untamed," but not in the same way as previous commentators. It is arguably the dumb-funniest piece of Hollywood formulaic crap every produced. Basically, Henry King remade "Gone With The Wind," set it in South Africa using standard Western gimmicks. Christ, they must have raided "Gunfight at OK Corral's" wardrobe, and cocked every cowboy hat on one side. But the joke's on them because it is such overwrought camp that I can't stop laughing. It's great! I especially love the way Susan Hayward keeps dumping, picking up, and re-dumping every sap who comes along. Plus, this chick's got to be the luckiest woman on the face of the earth. Nevermind the nasty image of her swindling starving natives by trading her worthless junk for their precious metals. Who else but a "Wild Irish Rose" stumbles upon a diamond the size of a goose-egg? And when the money runs out (no one knows why), she intrepidly sets off with her brood to mine for more gems, murderous claim-jumpers notwithstanding. Tyrone Power used this film as a practice session for "The Sun Also Rises." He's limp throughout. Richard Egan, however, is hilarious as Hayward's ubiquitous dumpee. He defends her against attacking Zulus. She dumps him. He offers to marry her. She dumps him. He plows her fields, plants her crops and builds her house. She not only dumps him again, but amputates his leg! In the end, Egan turns outlaw, still carrying a torch for Hayward. It is here that Rita Morena, the long-suffering half-breed wench, delivers the coup de grace: "...WHAT'S LEFT OF HIM IS MINE!"

A stirring movie set in South Africa in the turbulent late 19th century , this is an African colossal with top-drawer cast . Stars Susan Hayward that in ¨I Want to live¨ , ¨The Snows of Kilimanjaro¨ and Tyrone Power that in ¨King of the Khyber Rifles¨, ¨Witness for prosecution¨ both of whom caused sensation , here in their most exciting roles . The story of a love that was greater than honor and race ; and a courage that stood alone against the fury of native rebellion on the veldt . Set in South Africa , half-legend , half-land ...alive and wondrous thanks to spectacular outdoors through the magic of sterophonic sound , big screen , and anamorphic lens . The great African landscapes , thundering path of empire, the fanatic rebels and the hordes of hundreds of Zulus . And the crowning spectacle of the woman who carved a saga of battle and love across the impressive African savannah . In 1847, when the great potato famine hits Ireland , due to this an Irish diaspora takes place , as hundreds emigrate other countries as America and South Africa . That's why among those leaving the Emerald Isle are Katie O'Neill (Susan Hayward) and her husband (Jon Justin) forced to flee and deciding that the promised land is South Africa and make their way there . Once there, they aboard a wagon train with several travellers fighting to establish the Dutch Free State . Along the way , they find out the hardships that are the reality of the homesteader experience on the veldt .Things go wrong and to complicate matters , Katie meets up with the love of her life , her old flame called Paul van Riebeck (Tyrone Power) who results to be the leader of a Dutch commando group .

An overwhelming period adventure with a cast of thousands and breathtaking battles . It is a rousing , moving , romantic tale , but rough-edged fare in ¨soap opera¨ treatment . Dealing with interesting issues , such as emigration to the troubled South Africa , imperialism , colonialism , racism and a loving triangle among an intimate trio : Tyrone Power/SusanHayward/Richard Egan . In a way , the flick is similar in vein to a Western , but transplanted in a South Africa setting . Susan Hayward outstands in an overacting , as usual ; she excelled herself in all kinds of melodrama , here is outrageously superb as what one critic wrote : a kind of Scarlett O'Hara on the veldt . Co-starts Tyrone Power as her love interest , being one of Tyrone's later movies , a bit later on , he would die while shooting in Spain : ¨Salomon and Queen Sabah¨ directed by King Vidor , being replaced by Yul Brynner , but still within his tradition of making adventure movies which spanned around the world . Power plays with some sensitivity and bravura the tough captain who commands a group of rebel Dutch . Tyrone Power gives a nice acting , as always .Tyrone seems to be more serious than the Swashbucklers or pirate movies he played when his good looks and swordmanship were both at their peak and much competition with Errol Flynn in the adventure stakes , such as : ¨Black Swan , The Zorro , Prince of Foxes , Captain from Castile and The Black Rose¨ . These enjoyable films were all well played by Power who was nearly at his most agile and deft style , as he starred various ¨Sword and Swagger¨ films and was superstar of Hollywood swashbucklers . Main starring are well accompanied by a frankly good support cast giving strong but brief performances from : Richard Egan , John Justin , Agnes Moorehead , Rita Moreno , Hope Emerson, Brad Dexter, Henry O'Neill , Robert Adler , Kevin Corcoran , among others .

It packs a colorful photography in Technicolor , in color de Luxe. Lavishly produced by Twentieth Century Fox Film Company , being enhanced by brilliant and glimmer cinematography by Leo Tover . Thrilling as well as sensitive musical score by maestro Franz Waxman . The motion picture was well directed by Henry King who was for many years associated with 20th Century Fox . He was an expert on adventure genre , a really versatile and reliable filmmaker of general entertainment movies . As Henry made ¨Stanley and Livingstone¨ , assisted uncredited in ¨Son of Fury¨ , directed the masterpiece : ¨The black swan¨ , and ¨Prince of Foxes¨ , the Biblical : ¨David and Bathseba¨ , ¨The snows of Kilimanjaro¨ and ¨Untamed¨ . As well as ¨Lloyd's of London¨ and ¨In old Chicago¨ .Rating : Decent adventure 6,5/10 . The flick will appeal to Susan Hayward and Tyrone Power fans .

Some rugged pioneer adventurers, headed by TYRONE POWER, SUSAN HAYWARD, JOHN JUSTIN and RICHARD EGAN, end up in South Africa fighting Zulus after fleeing Ireland because of the potato famine. This is one of those big sprawling Technicolor epics designed to lure patrons away from their TV sets in the mid '50s to watch spectacular action unfold against handsome landscapes.

Susan Hayward is the feisty Irish heroine who marries John Justin but has her eyes set on following her true love--Tyrone Power--to South Africa. When hubby Justin is killed in a Zulu attack, she sets her mind on winning Tyrone's hand in marriage. She has to cope with Richard Egan, who is also lusting after her. There's a very realistically staged fight with a bull whip between Power and Egan--and you know who wins. But the script has her mistreating both men, enough so to make you wonder what makes her tick. It's an oddly defined role.

The story is a sprawling one and Henry King has directed some of it with his usual skill. The supporting cast includes HOPE EMERSON and AGNES MOOREHEAD, so obviously the studio treated this one as a big epic adventure story that would look handsomely rugged on the big screen.

Hayward faces all her hardships in Scarlett O'Hara manner. "Then we'll plough and seed. And then we'll come back," she says at one point to Agnes Moorehead after the latest catastrophe. Tyrone Power spends much of his time off camera but you know he's going to be the hero who returns to help her begin a new life. She becomes a wealthy woman after bartering with a native for a hefty diamond, and meets Power again years later at the Governor's Ball. But she and Power have another stormy disagreement and the story goes on and on.

It's basically an unrewarding mixture of adventure and romance with poor character motivations and a muddled script that lacks a strong focus. Hayward does some extravagant overacting as the ill-tempered heroine, Egan has the strongest male role and Power is totally wasted.

'Untamed' could and should have been good. Have always loved adventure films, with splashes of drama and romance. All the cast members have been great in other things, having seen a number of Tyrone Power films recently. Henry King did a fair share of good and more films, cannot sing my praises of 'Song of Bernadette' enough. Have always loved Franz Waxman as a composer, both his film scores and his concert music arrangements.

Although there is a good deal to like here, 'Untamed' came up rather short and was something of a disappointment. It looks wonderful and has some great scenes, but the cast are mixed, the characters never really connected with me and it does suffer badly from trying to do too much. 'Untamed' can never be accused of not trying, if anything it tries too hard and everything that sounded so interesting on paper is not done enough with.

There are a fair share of good things here. The production values are truly lavish with all of the photography leaving me in awe, the best of it is absolutely stunning, and the settings certainly looked as though a lot of time and money went into them. Waxman's score has a lot of rousing character and sweeping lushness without being over-bearing. King's direction has some inspired moments.

Namely in the well-staged action-oriented sequences. The zulu attack stuck with me. The cast were mixed, but some come off well. Richard Egan is charismatic and feisty, as is Rita Moreno, and John Justin is imposing. Ever the consummate scene stealer, Agnes Moorehead is always guaranteed to make any film she appeared in better and that's the case here.

It is a shame that Tyrone Power doesn't have an awful lot to work with and is quite bland. Susan Hayward overplays her role and comes over as very annoying. As said the characters didn't connect with me in that none are interesting or worth getting behind, plus they are ones with muddled and under-explored character motivations that don't ring true. Hayward's character writing and acting was so overdone that it was hard to believe that anybody saw anything in her, Power's has so little to it and although Egan does do a fine job in his role his character's too much of an idiot.

While King's direction has moments, it could have done with more tension and urgency in other places. The script came over as both over-stuffed, from trying to cram too much in, and undernourished, from not doing anywhere enough with the material. Which was true for the story too, really liked the action but generally it fails to excite or charm, the romantic chemistry is off because of not being able to care for the characters and there is too much content and too much of it glossed over.

Not bad overall, but a disappointment. 5/10