Nubi fluttuanti

Ot the three senior directors who dominated the golden age of Japanese cinema, Mikio Naruse is the least known in the West. This could be partly due to the fact that unlike his contemporaries, Mizoguchi and Ozu, his cinematic language was more conventional and less innovative. And yet, if one looks long and hard, it becomes possible to identify stylistic trademarks that could be uniquely his, characters that are forever walking and interiors that are often shot from the centre of a room looking towards a corner. The very title is a metaphor for characters that are drifting their lives away with very little sense of purpose. The tragic couple, Yukiko and Kengo, who met in French Indo-China during the second world war when they were engaged on a forestry project find themselves drifting when they meet up again in a post-war Japan soured with defeat and despair. Generally when we see them they are walking, often through urban landscapes of a Tokyo desolate and scarred by the immediate past. They are always on the move in the manner almost of characters in a road movie to wherever they can travel, be it to a sad holiday resort out of season or a remote island drenched by rain that hardly ever stops. But their relationship is doomed partly because whatever passion they may feel for one another is always curiously out of sync with each other's. Their personalities are also deeply flawed to the extent that neither is able to cope with the social disadvantages of being part of a defeated nation. It has been said that defeat left many professional Japanese men feeling emotionally emasculated. This is certainly true of Kengo. As for Yukika, she has none of the stoicism of Mizoguchi's long suffering female protagonists. Dissatisfaction with her lot has left her whingeing with self pity. ""Floating Clouds" is a deeply pessimistic film in a way that Kurosawa's "The Silent Duel", which deals with a pair of lovers living through the similar period of the immediate aftermath of war, is not. Ultimately Kurosawa's characters come to terms with misfortune in a way that presages a future of some hope. Both films no doubt reflect their directors' widely different temperaments.

If you're looking for a movie that deals with clingy relationships, then Floating Clouds is without a doubt a movie that fits the bill to a T. Directed by Naruse Mikio and based upon the novel by Fumiko Hayashi, the female character in the movie will bring back memories of those who have had to deal with such stifling clinging, and well, for those who do act as such, a stark and accurate portrayal that would be akin to holding up a mirror and looking at oneself.

Hideko Takamine put up a commendable, if not personally what I deem as a remarkably irritating performance as Yukiko Koda, a woman perhaps with little self-esteem and respect, who decided to sacrifice an entire forest for one singular tree. Being sent to Indochina during WWII, she chances upon Kengo Tomioka (Masayuki Mori), and while he seemed to be prim and proper, and not giving her a second glance, soon they fall in love with each other, one despite having a wife back home, and the other, knowingly being the other woman.

But when the war ends and they get repatriated back to Japan, she looks him up, only to discover that he will not leave his wife, nor to rekindle their passion started in a foreign land. To make things worse, she discovers he's quite the cad, and to compound the problem, her insecurities and her paranoia makes you wonder why she can't afford to sever ties. It's one thing being made to suffer from unrequited love, but it's another if you are made to suffer deliberately, and bear witness to the insincerity of the other party. Running slightly over 2 hours, it does take its time to showcase the sorry state that Yukiko undergoes.

You can't really find fault with Naruse Mikio's direction of the movie - the handling of the narrative structure in the first act was deft, with the transition of time seamless, and the actors do their job to allow you to connect with their characters. However, like I mentioned, perhaps Yukiko Koda did such a fine job, that for me I found her to be a tad too irritating, even for my liking.

This at first appears to be a riveting study of human relationships, and it is entertaining. But ultimately it never gets beyond the level of a high class soaper, and it goes on far too long. Calling it a soaper is by no means pejorative; I am a dedicated fan of Douglas Sirk. But Sirk never took himself as seriously as the makers of this film appear to, and that makes it all the more ponderous. Worth seeing, however.

This is a story about a couple who met in French Indo-China working for the Forestry Department for Japan. The story is ultimately about the time they spend once they return to Japan, which is somewhat tumultuous, as her is married. They do not spend the whole film together, at times Tomioka is with his wife and he even leaves Yukiko for another still younger woman, Osei. If this sounds like a tear-jerking soap opera, it kind of is. However, the movie is a powerful tale of love, betrayal and obsession. The beautiful Hideko Takamine (at times, I don't think she was ever more beautiful in a film) is excellent in a very challenging role, conjuring raw emotions often. At times you are torn between them even wanting to be together and I think that is what gives the film its compelling nature. If you are not fond of heavy drama, this is not your film. I feel the acting is superb (again, especially Ms. Takamine) and the story very watchable. Another great film by Mikio Naruse.

Another Mikio Naruse film, which means it's kind of long and very slow throughout... but also features great acting, plenty of technical skill behind the camera, and some quietly affecting emotional scenes.

Part of me wonders whether his films about regret, growing old, and feeling despondent will hit harder when I'm older and am more plagued with wasting time when I was younger; time I'll never get back. Time wasted on watching movies and then spewing out words than form messy opinions on them, for example.

If this app is still a thing in 20-30 years, maybe I'll revisit this and provide an update then lol.