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Mia moglie preferisce suo marito

Titolo originale: Three for the Show
  • 1955
  • Approved
  • 1h 33min
VALUTAZIONE IMDb
6,1/10
513
LA TUA VALUTAZIONE
Mia moglie preferisce suo marito (1955)
Musicale

Aggiungi una trama nella tua linguaA widowed singer marries her deceased husband's songwriting partner which leads to trouble when her former husband turns up very much alive.A widowed singer marries her deceased husband's songwriting partner which leads to trouble when her former husband turns up very much alive.A widowed singer marries her deceased husband's songwriting partner which leads to trouble when her former husband turns up very much alive.

  • Regia
    • H.C. Potter
  • Sceneggiatura
    • Edward Hope
    • Leonard Stern
    • W. Somerset Maugham
  • Star
    • Betty Grable
    • Marge Champion
    • Gower Champion
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    513
    LA TUA VALUTAZIONE
    • Regia
      • H.C. Potter
    • Sceneggiatura
      • Edward Hope
      • Leonard Stern
      • W. Somerset Maugham
    • Star
      • Betty Grable
      • Marge Champion
      • Gower Champion
    • 16Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto11

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    + 5
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    Interpreti principali68

    Modifica
    Betty Grable
    Betty Grable
    • Julie Lowndes
    Marge Champion
    Marge Champion
    • Gwen Howard
    Gower Champion
    Gower Champion
    • Vernon Lowndes
    Jack Lemmon
    Jack Lemmon
    • Martin 'Marty' Stewart
    Myron McCormick
    Myron McCormick
    • Mike Hudson
    David Ahdar
    • Male Harem Dancer
    • (non citato nei titoli originali)
    Leon Alton
    Leon Alton
    • Stage Manager
    • (non citato nei titoli originali)
    Tom Anthony
    • Bit Role
    • (non citato nei titoli originali)
    Robert Bice
    Robert Bice
    • Sgt. Charlie O'Hallihan
    • (non citato nei titoli originali)
    Bill Boes
    • Male Harem Dancer
    • (non citato nei titoli originali)
    Eugene Borden
    • Costume Designer
    • (non citato nei titoli originali)
    Johnny Brazil
    • Male Harem Dancer
    • (non citato nei titoli originali)
    Eddie Brown
    • Male Harem Dancer
    • (non citato nei titoli originali)
    George Bruggeman
    George Bruggeman
    • Male Harem Dancer
    • (non citato nei titoli originali)
    Aileen Carlyle
    • Mother
    • (non citato nei titoli originali)
    Beulah Christian
    • Wardrobe Woman
    • (non citato nei titoli originali)
    Gene Dailey
    • Male Harem Dancer
    • (non citato nei titoli originali)
    John David
    • Male Harem Dancer
    • (non citato nei titoli originali)
    • Regia
      • H.C. Potter
    • Sceneggiatura
      • Edward Hope
      • Leonard Stern
      • W. Somerset Maugham
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti16

    6,1513
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    Recensioni in evidenza

    Richard-23

    ....Betty Grable's last full scale musical

    ..and with Marge and Gower Champion and Jack Lemmon...it is lots of fun. Fun is what Betty Grable was about...and this film is at its best during those sequences aimed at amusing. ...These days people do not understand Betty Grable very well. In her day she was everyman's and every womans ideal. Indeed no woman has broken Betty's box office record (eleven years in the top ten). And, in the forties and early fifties, women still dominated the box office to an amazing degree--Mom chose the films the family was going out to see. Though it was a bit early to be obvious, Betty in many ways represented a manifestation of what we would now call a liberated woman. She was nearly always working (in revealing clothing!), and she was self supporting. In real life she was a very successful working mother--and particularly during WWII she was an inspiration to women manning the homefront as much as an inspiration to the armed forces fighting overseas. She was pretty, talented, popular, and the highest salaried woman in the United States. Now she is remembered primarily as a 'pin up'--which she also was, but the title tends to diminish the many other factors that created her popularity. One thing is certain, in "Three for the Show" or any other of her starring films--she will entertain you royally within the limitations of the material she was given.
    6David-240

    Sad to see Grable doing a Monroe.

    Betty Grable was 39 when she made this film, her last to be released, and her constant references to herself as a girl seem peculiar. Even more disturbing is the way she imitates the singing style of Marilyn Monroe in her numbers. She had just made "How To Marry a Millionaire" with Monroe and had commented that she felt she was handing her crown on to Monroe. But to see the great star Grable trying to be Monroe is a little sad.

    The film itself is a mess of a thing - some good dance numbers featuring Marge and Gower Champion (Marge's fantasy sequence is very fine) and some good songs ("I've Got a Crush On You", "Someone to Watch Over Me")sit uncomfortably with the plot and the director never seems sure which style he is aiming for. It looks like an attempt to cover the breezy free style of the Gene Kelly/Stanley Donen musicals, with characters bursting into song all over the place and elaborate dance dream sequences. But the result is a confusion of styles and a plodding pace.

    The plot concerns married Grable discovering her presumed dead first husband is still alive. She must then choose between new husband Gower Champion and old husband Jack Lemmon (who also happen to be a show writing team). This potentially serious situation, that probably occurred a lot after the war, is treated completely flippantly - and with Gower's real life wife hanging around it's not hard to guess how things will turn out. Lemmon is good, but looks uncomfortable singing and dancing. See this for the numbers - but make sure you see it in Cinemascope.
    6moonspinner55

    Betty Grable working for Columbia in her last year of making movies: results tolerable if lacking in zest...

    Musical version of 1940's "Too Many Husbands", via W. Somerset Maugham's play "Home and Beauty" (which the author said he wrote as a lark), has widowed--and remarried--Broadway star in a marital quandary: her first husband's death overseas was misreported by the US Air Force (he was actually marooned on an island), and now she has two husbands...and both marriages legal! Betty Grable toys with the possibilities--she even fantasizes a musical number with dozens of suitors housed in cages, climaxing with she and her two husbands under the sheets smoking a hookah! But, this being 1955, we instead have Betty ordering both her husbands out of her boudoir come bedtime. The plot predicament, not surprisingly, doesn't come to much, but in the interim we have some bright moments, not the least of which is Grable's Marilyn Monroe-like delivery in the final number, "How Come You Do Me Like You Do" (which sounds a lot like MM's "Lazy" with a design resembling her "Heat Wave"). Director H. C. Potter opens the picture with a berserk pantomime number danced to "Someone To Watch Over Me" (in harlequin costumes!), but he gets good performances from both Grable and Jack Lemmon (who also sings a little and dances a bit). As the second couple, Marge and Gower Champion dance nicely together but don't have much pizzazz, much like the rest of "Three For the Show". A pleasant marquee-filler but hardly a headliner. **1/2 from ****
    10davidallen-84122

    My taste may be questionable but there you have it.

    Much has been said to deride this film, it's stars, it's musical format and general premise but I enjoy it from start to finish. Another musical (from Britain) also released in the mid-fifties ; "Let's Be Happy" was equally dismissed by critics and public and both films are remembered by devotees only. It's a pity that both of these musicals brought to a cruel halt the film careers of Betty Grable and Vera-Ellen respectively ; two of filmdom's brightest and loveliest ladies still in their prime.

    The above mentioned musicals are two of my favourites and how overjoyed I am that they have both been preserved on DVD in wide-screen and glorious colour. I'm one very satisfied customer.
    10lindalahughs

    betty grable queen of technicolor

    Betty grable was 39 when she made Three For The Show, She looked fabulous, sung wonderful songs and outdanced the reigning blonde Marilyn Monroe who Grable handed the Fox Blonde crown to in 1953, this movie made in 1955 shows what a glamorous movie queen Grable could have continued to be. this movie was made at Columbia and Grable should have put down roots there, she was offered Pal Joey but turned it down, silly Grable . anyway as movie historys most successful moneymaker Grable reigns supreme. she outperformed Marge Champion and her then husband Gower, who 10 years later ignored Grable when she headlined in Broadways Hello Dolly his show, he sent his assistant to oversee Grables rendition of Dolly Levi. shame Gower! Grable the No.1 Star! No Columbia did not cheaply hire Grable, they paid her $200,000 for this movie, marilyn was still getting her $125,000 per film at fox.Other comments about being old and fat are vicious, Betty was stunning in this movie check youtube and see the clips from "Three for the Show".

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Mercury Records issued a 10-inch LP of the soundtrack, which would be the only contemporary soundtrack album released from a Betty Grable film.
    • Blooper
      Martin 'Marty' Stewart appears in a U. S. Air Force uniform, yet several times in the movie various characters refer to him being in the U. S. Army.
    • Citazioni

      Gwen Howard: I wonder what kind of champagne I should order.

      Vernon Lowndes: Depends what you're launching.

    • Connessioni
      Featured in Hollywood: The Gift of Laughter (1982)
    • Colonne sonore
      How Come you Do Me Like You Do
      Words and Music by Gene Austin and Ray Bergere

      Performed by Betty Grable (uncredited)

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    • How long is Three for the Show?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 24 febbraio 1955 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Three for the Show
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 33min(93 min)
    • Proporzioni
      • 2:55 : 1

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