La principessa Sissi

There was a time, about thirty years ago, when Marischka's SISSI trilogy was considered kitschy by many critics. Fortunately, these times are gone and again we all can see these beautiful films without being influenced by the critics and their politics.

I must admit that Sissi has always been one of my favorite movies. Romy Schneider, her acting, gestures and her face are almost identical with real Sissi. Marischka could not make a better choice. However, I heard that this role had such an impact on Romy's life that she was associated with Sissi throughout her career. As a result, some people consider SISSI films the deepest insight into Romy's life. Hasn't she got through the terrible sorrows similarly as empress Elizabeth did?...

Other cast are also very, very good. Magda Schneider, Romy's mother, gives a fine performance as Ludovika, Karlheinz Bohm (Franz Josef) does an excellent job. Vilma Degischer is particularly memorable as a cruel Sophie. Only Gustav Knuth's portrayal of Duke Max is a historical travesty. He was not so much attached to family life...

Another reason why I like these films is the fact that despite its historical inaccuracies (their love did not look like that), these movies are very gentle, show the value of love between a man and a woman and as a result, they can be watched even by small children without harm done to their psyche.

Some say that Sissi is for sentimental girls and old women. This viewpoint is absolutely wrong. I am a 25 year old man and come back to these films with great pleasure and so do a lot of my friends. See it and you will not regret. Make your personal judgments, not being influenced by the unexplained criticism.

I have seen these films over and over again, probably already more than fifty times. This is the first of a series of three Austrian films, produced in 1954 ("Sissi"), 1955 ("Sissi-die junge Kaiserin") and 1956 ("Sissi-Schicksalsjahre einer Kaiserin"), directed by Ernst Marishka, and are the epitome of total kitsch and enormously campy. I know that these films are almost unknown outside of continental Europe, but still, they are worth seeing! Played by a very young Romy Schneider - a role that stuck to her, much to her chagrin in later years. The trilogy is about the life of the Austrian Empress and Hungarian Queen Elizabeth (1837-1898) - or "Sissi" - in the first years of her marriage to the Austrian Emperor and 'Apostolic' King of Hungary Franz-Joseph I (1830-1916) - played by Karl-Heinz Böhm. Although the writers did fib frightfully with the historical truths (read for those "Elisabeth", the biography written by Brigitte Hamann), still, the sugar sweetness, the crinolines, the music and the grandeur of the scenes is breathtaking. However, my favourite character in the film is "Sissi's" mother-in-law, archduchess Sophie, played very ably by Vilma Degischer. Sophie is portrayed as a complete bitch of a woman (which in reality she was, after she managed to save the Habsburg monarchy single-handedly from the revolutionary mobs in 1848), something Joan Collins would be able to take lessons from... My most favourite scene is the closing scene of the third movie: "E viva la mama!" - where Sissi is reunited with her daughter on Venice's Piazza San Marco. Watch it, and have lots of handkerchiefs ready for use (if you're a closeted romantic like myself, that is!).

Maybe because this isn't an american film, there were so few comments and votes, and there isn't a photograph. But this is one of the greatest bavarian classics for all time, and maybe is the sweetest and famous films for all the family of the golden period (forget little women or Gigi. If this movie was made in America maybe today will be even more famous than the wizard of Oz). Even that this movie today is too cursi and all fashion, Romy Schneider beauty and precoz talent still shine (she was 16 when she made SISSI). She had chemistry with her the emperor.the movie has three sequels, Magda Schenider shines in the third part (with an excellent chemistry with her daughter in film and real life), but in this are the "battle scenes" between Sissi and her mother in Law that are grate to see again Too sweet but a classic

"Sissi" is the first part of a trilogy about the Austrian princess/empress Elisabeth in Bavaria, aka Sissi (Romy Schneider). The teenage princess lives happily in Bavaria with her parents, Duke Max (Gustav Knuth) and Duchess Ludovika (Magda Schneider, Romy's real life mother), and siblings. When Ludovika is invited by her sister, Archduchess Sophie (Vilma Degischer), to take Helene, Sissi's older sister, to the Austrian court in Ischl, in order to arrange a royal engagement for Helene and the young emperor Franz Joseph (Karlheinz Böhm), Sissi goes along. However, nobody could imagine that Franz would fall in love with the spontaneous, childish Sissi, instead of the sophisticated Helene.

"Sissi" is nothing more than a naïve, romantic matinée – but a very well done romantic matinée! Romy Schneider shines as the young princess, she's the heart of the movie. It's impossible not to fall in love with her gorgeous smile and sweet manners.

Released in the same year as another unforgettable romance ("Picnic", with William Holden, Kim Novak and Rosalind Russell), "Sissi" may not be called a masterpiece. However, I cannot give anything less than a "10" to a movie that makes you feel good and smile even during the hardest times.

In one of those fictional Mitteleuropean kingdoms that Victorian writers were so fond of -- Graustark, Ruritania, Scythia-Pannonia-Transbalkania, but here called Austria-Hungary -- the Emperor's mother arranges for her son to marry her sister's eldest daughter. When he meets her second daughter wandering in the woods, however, they fall in love.

The charming anti-Cinderella tale of Sissi is based on history, sort of, but it is brought to the screen in its fairy-tale glory with shots of Schonbrunn Castle, Bad Ischl, lavish sets and costumes and 15-year-old Romy Schneider. Its nostalgia for the dead glories of a lavish court life, stuffed-shirt bureaucrats -- Josef Meinrad has a very funny turn as the incompetent major in charge of security -- is certainly fun to look at, so long as we remember that it's just as unreal as any Disney feature cartoon, even if there are no singing mice. If only the characters in this one didn't look so real.....