Canne infuocate

Shotgun is directed by Leslie Selander and collectively written by Clark E. Reynolds, Rory Calhoun and John C. Champion. It stars Sterling Hayden, Yvonne DeCarlo, Zachary Scott and Guy Prescott. A Technicolor production with music by Carl Brandt and cinematography by Ellsworth Fredricks.

Standard revenge themed Oater set amongst the beautiful back drop of Sedona in Arizona. Story follows a familiar trajectory. Ben Thompson (Prescott) hits town after a long stint in jail, he's after the blood of the lawmen who put him there. When tragedy strikes during this act of revenge, Marshal Clay Hardin (Hayden) sets off in pursuit. Out on the trail he will acquire companionship in the form of saddle tramp Abby (DeCarlo) and bounty hunter Reb Carlton (Scott). A pressure cooker atmosphere is generated between the three of them as we head towards the finale where the Apache join the fray and truth, justice and consequence will out.

Selander was an old pro at the Western game, unfortunately in this instance his inexperience with "tougher" themed Oaters shows. It is all very workmanlike and he fails to rein in DeCarlo's overacting and ignite a flame in Hayden who is in one of his "I'm only doing it for the money" moods. However, spurts of violence are handled efficiently enough to liven up the middle third when the picture threatens to sink into a boorish pot of beans. There's also a nice twist on the duel formula at film's end, with machismo and tricks showing a hand to reward the patient. It isn't a must see for Western fans, and frustrations reside within, but there's enough to keep it above average. Sometimes beautiful scenery and Sterling Hayden riding into an Apache camp with muscles flexed is enough to pass the time of day with. And so it proves here. 6.5/10

Sterling Hayden really just goes through the motions in this rather static western adventure. He is "Marshal Hardin", determined to avenge the death of his boss at the hands of the "Thompson" gang. On the trail of their leader, he alights upon a staked-out bounty hunter and his gal, and together the three pursue their quarry. Of course he falls for the gal (Yvonne de Carlo) so there is a little hostility with "Jeb" (Zachary Scott) as they travel, but the search for "Thompson" (Guy Prescott) proves to be pretty routine, as do the concluding scenes - despite the best efforts of some marauding Apache. Some nice photography though, but the writing and characters offers us little memorable.

Shotgun is one of the best directorial efforts of Lesley Selander who has his name on about a gazillion B westerns, a large percentage of them the Hopalong Cassidy series. He brings a love of the genre to this ambitious Allied Artists films shot on location in Arizona with a fine trio of stars, Sterling Hayden, Yvonne DeCarlo, and Zachary Scott.

Guy Presscott should have left well enough alone because he decided to gun down marshal Lane Chandler on the street of his town. He also had his deputy Sterling Hayden in mind, but Hayden got one of Presscott's henchmen instead. After that Presscott goes about his usual villainy which includes selling guns to the Apaches.

Presscott took on the first mission because he blamed Chandler and Hayden for a stretch in prison. He should have nailed Hayden when he had a chance because now Hayden has a mission, to avenge the killing of the man who had rescued him from outlaw life.

Along the way Hayden picks up as traveling companions mixed racial Yvonne DeCarlo and cynical bounty hunter Zachary Scott. It's not a harmonious trio by any means. Scott has some really good lines in this film and gives one of his best screen performances.

The film has some beautiful Arizona scenery as it was shot in the desert country of Sedona. The final encounter with Hayden and Presscott features something I've never seen before or since in a western, a duel with shotguns. Really unique and original.

Try not to miss this one if it's broadcast.

There are very few westerns that aren't built up mainly on a theme of revenge, the western avengers on films must be innumerable, and they are always bold cold-blooded heroes, and there is always some beautiful girl waiting for them. Yvonne de Carlo here though has plenty of skin on her nose, and although Sterling Hayden doesn't exactly treat her as a gentleman, she is after all a good match for him, after all the obligatory fights, fisticuffs and gunfights, including a formidable bunch of Apaches. Any western fan will buy all this and enjoy it even with relish, because of the splendid photo and equally splendid music by Carl Brandt, but it is still a rather conventional piece of routine very far from the more hardcore rough settlements of for example Sam Peckinpah. This is all right, you will enjoy the three great leading actors and their issues, you will even more enjoy the landscapes and the music, but it is hardly a film you would need to watch another time.

One need only check out the poster to see why Yvonne was in this film. The acting was acceptable, but basically it was everyone playing their stereotype. Zachary Scott again plays a weasel, which made me wonder at the loss to our film heritage by the failure to develop the talent he showed in The Southerner and Mildred Pierce. In the film I saw, there were major and multiple continuity problems, and the lighting of several scenes went from daylight to night, to twilight. And I wonder at whether Apaches would set up an inherently ludicrous "duel" in which more than one horse would likely be injured or killed.