Sfida a Green Valley

There is a lot going on in this little low budget western drama, and there is absolutely NO WASTE OF TALENT! Lyon plays the sheriff, who's father and grandfather were both gunned down while wearing a badge. It seems that he has just taken over from Buchanan, who has let a lot slide during the 15 years he was wearing the badge.

I think that many viewers, especially immature ones, will have a tough time with this tale...it deals with the fear of cowardice. All men and women experience it at some time, however it is not considered macho to talk about it, hence we have more movies with Cooper and Wayne portraying the fearless, card board cut-out protagonist, rather than real life characters.

The scene where Windsor and Buchanan berate and grind Lyon into action is unforgettable.

The movie could have benefited from a more rugged realistic conclusion, however after all these years, this one remains a minor classic.

The Silver Star is one of that slew of westerns that came out after High Noon about the job of a sheriff and the responsibilities and risks that go with it. Although done on a C picture budget The Silver Star is not a bad film with a nice ensemble cast brought together by producer/directors Earle Lyon and Richard Bartlett who also star in the film as the hero and one of three gunfighters looking to take him out.

Old sheriff Edgar Buchanan has retired and the town mostly on his say so has chosen young Lyon who has a law enforcement pedigree from his father and grandfather gets the job over Lon Chaney, Jr. who ran against him. Then three killers headed by Bartlett ride into town and plant themselves in Morris Ankrum's and Marie Windsor's saloon and said they're here to kill the sheriff whom they've never met.

Poor Lyon just doesn't feel he's up to a job that killed both his father and grandfather and it takes a lot to prod him into action. But when the action does come it's explosive.

In the tradition of High Noon which had a former movie cowboy and country/western singer Tex Ritter do the immortal ballad associated with the film, The Silver Star has Jimmy Wakely singing the title song which serves the same function as Do Not Forsake Me Oh My Darling. The song moves the story narrative along quite nicely.

Although this kind of stuff was being seen on the small screen more than the big by this time, The Silver Star is a nice no frills B western like they don't make any more.

If you have seen Joseph Pevney's THE PLUNDERERS, starring a terrific Jeff Chandler, you'll find many similarities with this one, where a sheriff is alone against a bunch of hoodlums. In the Pevney's film, Chandler was a war vet and one armed guy; here the sheriff is an actor whom I have never heard of nor seen anywhere before, and that's very surprising. He has to face and fight against outlaws, show his courage. This is a pretty cute western, full of charm, as the other films from Richard Bartlett as a director. Some kind of personal touch that I appreciate. Try it please, you'll won't regret it.

A dour, offbeat western with some good acting and some not so good acting. A seasoned director and a slightly larger budget might have made this really click. Still, if you like 50s B westerns, it's worth seeing.

A favorite scene of mine goes directly to the low budget of the film and the offbeat quality of the film. When Edgar Buchanan is thrown out of the bar across the the wood platform and onto the dirt street, we hear breaking glass as a sound effect! But then....he continues to grab his arm (the assumption is that is was hurt when he was thrown onto the street). I liked that. Very realistic. Something you almost never see in an old low budget film.

This may have been the worst Western ever made. Edgar Buchanan must have been embarrassed to be a part of this disaster - he alone gave this movie what little professionalism it possessed. From a faulty storyline to a horrible script - it was painful to watch.

Lon Chaney Jr. Must also have been desperate to participate in this fiasco give the many films he completed that were classics.

The plot line was so paltry, that the viewer is actually puzzled as to the purpose of the conflict. The Sheriff's cowardice was well done - but the plot line dissolved it by simply changing scenes. The sheriff goes from coward to hero in seconds - and even when he finally acts like a sheriff he appears to be a bungling amateur.

One star is too much for a movie that throws a shadow on the two actors (Chaney and Buchanan) who were outstanding in many other films.