Napoleone Bonaparte

i'm sorry but for such a big fan of hist(e)orical accuracy i think, and it is just a honest opinion that you should have made a spell check on your post. Then you would have acknowledged the fact that the word "emporor" written with a capital E does not restore the Emperor's honor not even when compared to Sacha Guitry's terrible attempt...But your little spelling error tells us more about the "type of cat" you are more then it tells us about Guitry's failure to satisfy your taste in historical re- enactments. I'ts not like you had to direct a whole movie...you just made a small comment on it...and look how it turned out...well good chance in finding something better then Abel Gance's silly re-enactment...as if artistic films should do just that...re-enact things as close as possible to your own petty little view...and i see that you are not only an expert in historical movies and how they should be done, but that you are also an expert in type casting, movie business and what not...it's good to see that people like you are still around, so the whole thing doesn't crumble to pieces... keep up the good work of being you, and long live the Emporor...right right?

This poorly made inexcusable film tries to be too sympathetic to Napoleon and is loaded with innumerable historical inaccuracies. Talleyrand doing the narration is absurd to begin with since he continually back stabbed Napoleon at every turn. Whether one loves the Emperor or loathes him, this movie will only bore you to tears. The acting is wooden and monotonous with the characters all indistinguishable from each other. The famous Battle of Waterloo is given all of one minute without even mentioning Napoleon's opposition and the retreat from Moscow isn't even shown at all. Anything worthwhile that Napoleon did in his lifetime is also completely left out. Lastly, Orson Welles as Sir Hudson Lowe (Napoleon's jailer on St. Helena) is the most incredible case of miscasting I've ever seen in any movie. It just shows how far Welles' stock had fallen in Hollywood to be involved in this farce just for a paycheck. Abel Gance's "Napoleon" from 1927 is still the film to see if one is interested in the life of the Emporer. Napoleon was at least an entertaining and animated conqueror/dictator. In this 1955 version starring Daniel Gelin, he is merely a glaring monosyllabic moron.

It appears that most of the comments here are based on viewing of the ridiculous Showtime American edition, which cuts out, if I am not mistaken, more than half the film, is dubbed and, apparently substitutes narration for dialogue, of which there is plenty, as well as the narration, ostensibly Talleyrand relating Napoleon's story on the day of his death, framing the historical episodes. At a little over three hours, this is a spectacular epic, and I recommend heartily seeing the French edition (an excellent print in gorgeous color, if a little dirty by American re-mastering standards). It looks gorgeous -- much more interestingly shot, designed and lighted than Guitry's other color epics, "Si Versailles m'etait conte" and "Si Paris nous etait conte," both of which have a very disappointing, glaring flat look. Many interesting star turns, notably a weird Beethoven by Erich von Stroheim and Orson Welles as Napoleon's jailer on St. Helena, but also some excellent more sustained performances, particularly Michele Morgan as Josephine and Daniel Gelin as the young Napoleon. (As in his earlier "Le destin fabuleux de Desiree Clary", Guitry -- who insists that after Austerlitz Bonaparte became Napoleon, another man entirely -- casts the younger and older Napoleon with two radically different-looking actors.) It's a very enjoyable film, and, if you know French, well worth seeking out in the French edition (no subtitles, unfortunately). The American one is a complete waste of time and money.

Among the historical works of Mister Guitry who epitomizes French humor,French wit and French spirit ,"Napoleon" is to my eyes the least interesting:it lacks the sweep of "Si Versailles M'Etait Conté " the absurd humor of the underrated "Si Paris M'Etait Conté" ,the madness of the "Perles de la Couronne ".Well and there is also "En remontant les Champs Elysees "....

These big budgets works-there were only a few in France of the fifties ,foreign users would be surprised if they were told that only a very small percentage of movies were shot in color - have all something in common: the main character,Napoleon or La Fayette is played by not-very-famous actors (Here Raymond Pellegrin,in Gance's "Austerlitz " (not to be mistaken for his silent movie of 1927),it's Pierre Mondy ,and in Dreville's "La Fayette" ,it's Michel Le Royer,whereas the supporting cast includes all the who's who of the FRench cinema (not only ,Orson Welles shows up from time to time).

For instance,in "Napoleon" there are plenty of stars:Michèle Morgan ,Danielle Darrieux,Jean-Pierre Aumont,Henri Vidal,Jean Gabin,Michel Simon,Jean Marais,Serge Reggiani,Pierre Brasseur,Daniel Gélin (as a young long-haired Napo) etc etc etc

The film when you watch it in FRench is obviously desperately in need of humor,Guitry's forte.It looks like a beautiful pictures book which could be summarized as "Napoleon was a great man.Period".The less glorious episodes are almost passed over in silence ,like the Trafalgar disaster or the Russian retreat.Only Montand's song and Lannes ,now a legless cripple,pointing to the ambulance full of dying men and screaming "Enough!" have some emotional power.

The crowning in Notre Dame is botched (Abel Gance found a better treatment of that scene in his own "Austerlitz ")

Get the follow -up "Si Paris M'Etait Conté" instead !This was to be Guitry's testament

The poorly dubbed English version is appropriately available on a poor, slightly-out-of-focus and somewhat-drained-of-color Hollywood Classics DVD. Produced on a lavish budget with a galaxy of famous players as long as your arm, this is an egocentric production in which most of the famous stars – buried under loads of make-up – are totally unrecognizable. Robbing them of their voices doesn't help either. Daniel Gélin plays the young Napoleon, but the role is soon taken over by Raymond Pellegrin – who looks nothing like Gélin but bears a remarkable similarity to Charles Boyer's Nappy in Clarence Brown's 1937 Conquest. The movie is directed by Sacha Guitry as an almost endless series of boring tableaux which may have been reasonably effective in the original French production, but look old-fashioned and stagey in the carelessly dubbed DVD (which gives no indication of its length but is most obviously NOT 3 hours and 10 minutes, and I seriously doubt that it is even 105 minutes).