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Clint Tollinger arrives in a small western town looking for his estranged wife, who left him and now runs the local show saloon. His presence is greeting by suspicion but when the town leaders discover the nature of Tollinger's business they propose that they employ him to clean up the town of the problem of Dade Holman's violent influence. The solution may be just as bad as the problem but they take the risk.

With a nice dark character with a lot of anger and pain in the front of the film this western is enjoyable tough. Although the plot is fairly typical of a western b-movie, the tone and edge to it means that it comes over as much more. The basic story sees Tollinger taking on the rule of Holman but it has undercurrents of pain and anger as the lead confronts his wife. We meet Tollinger as a gentle, quiet man but gradually we see him to be violent, heartless and full of bitterness; it is solid development that is at the heart of the film's dark tone. Of course it still follows the genre traditions and will appeal to fans of such while also having enough else going on to make it differ from the Technicolor westerns of the same period.

Wilson is responsible for the dark tone as both writer and director; shot is stark black and white he frames some interesting shots and is not afraid to be aggressive or shocking considering the period. Mitchum takes to his character well and always seemed to enjoy the darker more complex characters that some of his westerns would serve him up with. Sterling does well with her firm character until near the end where she becomes more of a genre staple. Support behind these two is roundly good but the film is very much Mitchum's and he knows it.

Overall it is a solid western that gradually gets down to just going where you expect it to. However for the vast majority it has a dark tone and feel to it that makes it much more interesting and more likely to appeal beyond the limitations of those that like the colourful b-movie westerns of the period.

In Man With the Gun Robert Mitchum plays Clint Tollinger, a man who hires his gun out to clean out lawless towns in the west of which there seems to be a never ending supply. But he comes to this particular town in search of his estranged wife, Jan Sterling who since she left him has taken up the occupation as Madam of the local bordello. Of course the girls which include Barbara Lawrence and the still unknown Angie Dickinson are still called dance hall girls, but the Code was slowly cracking.

It's by chance he gets drawn into the town politics involving a big cattle baron who runs roughshod over every thing and every one in the general vicinity. The town council hires him to clean out the place of gunmen and sheriff Henry Hull makes it official by making him his deputy and giving him a free hand as per Mitchum's terms. The results ain't pretty.

Mitchum's a grim, bitter man heading the cast of a grim and bitter western. Part of his bitterness is the estrangement between him and Sterling. There's quite a history behind it as the movie shows.

Man With a Gun is a good western, but I have to say I was let down by the climatic gunfight at the end. It takes place on a deserted town street while most of the cast is at a town council meeting. James Westerfield plays a part similar to J. Edward Bromberg's role in Jesse James. He sets up a nasty ambush for Mitchum. But I think the plan fell flat in the writing. If Mitchum didn't suspect he was being set up before he did with gunman Leo Gordon following him, he was not the smart guy we'd been led to believe.

Of course if you want to see what I'm talking about then by all means see Man With a Gun.

there should be a sub-genre in the Western called 'the Robert Mitchum Western'. Mitchum's brilliant, idiosyncratic, usually undervalued Westerns import his film noir persona to etch some compellingly dark character sketches, and bring an elegiac world-weariness more familiar from the films of Sam Peckinpah. 'Man with the gun' is one of his best. Directed by Orson Welles protege Richard Wilson, it is a stark, monochrome beauty, full of chilling silhouettes and terrifying outbursts of savage violence, as Mitchum comes to tame a town terrorised by a monopolist with a private army. Mitchum's regression from soft-spoken stranger to deranged murderer, with a host of dark emotions in between, is a marvel of expressive, physical acting.

This is an OK film. Yes, each cliché arrives on schedule, each caricature is present and correct, mostly with the recognisable face of a character actor you cannot quite name. Never mind, this is a western. Generally speaking most westerns conform to a formula that pretty much approximates a morality play. Whatever the ingredients good, in the form of a rugged individual, will overcome bad. The women may be innocent and young, world weary and embittered or careworn and wise (or desperate) but most, will fall in love with the hero and one will ride off with him. Robert Mitchum, 'The Town Tamer', is as effective as always. Jan Sterling with the severely styled makeup and hairdo, over sized eyes and turned down mouth is oddly beautiful. Angie Dickinson is strikingly pretty in a small part. The fat baddie appears in child size buggy and duly meets his fate along with and his evil henchman. There are no surprises but it's a satisfying film for a lazy afternoon.

I don't remember ever seeing this one before tonight, probably the title sounded so ordinary it kept passing me by. But it is a well crafted b Western, with an interestingly brooding storyline complemented by acting veering from the good to corny.

Robert Mitchum slopes into wide open town looking for his wife and news of their daughter, and stays for a time as town-tamer. As usual the good business folk have mixed emotions - they want to get rid of the baddies but like the business they bring. It still applies: relax drink and gambling laws and encourage the industries but pretend to deplore the seedy effects it can have on ordinary people. What's fascinating about this film is Mitchum's cynically intense portrayal in going about cleaning the town of baddies, and the townsfolk's acceptance that his violent methods were the only ones. Favourite bit: the sudden demise of 2 of the baddies in the Red Dog saloon. The firing of the main saloon bordered on nasty, but it was an effective way to combat the spread of poison.

Overall a very good film with its only fault tending to be a little hokeyness - not so good for Do-Gooders who would probably prefer a lifetime of negotiation with Evil rather than end it.