L'amore è una cosa meravigliosa

This film always hits me hard emotionally at the end. Though the issues of the film - interracial romance and adultery - were controversial at the time, this film goes way beyond those narrow parameters and instead penetrates into ground-breaking novelty and trail-blazing uniqueness. Here we have a true love story, as written by the woman involved in this love affair, told in a brilliant aggressive style that extols the virtues and glory of mad passionate love. I "love" this endorsement of the only emotion that makes life truly worth living. Jennifer Jones is full of grace and William Holden is simply magnificent in his role as a reporter. A wonderful film that only people who have been in this kind of love can really appreciate and understand. And for those who haven't yet been in love, even just the hope that one day lightning can strike for you makes life worth living - because love is worth having even if but for a short time - even if you lose - because love is the "stuff" - the essence - of life. This film works for me. A warmly felt experience!

Some movies just stands up to the changes of time. This is one such movie. Why it never gets old is because it's a quality production, with good settings and story.

I really love this movie, although the story is kind of simple, the situation is not. Jennifer Jones plays an Eurasian woman from Chung King, and William Holden a reporter from Singapore. Two people from a very different background meet in one of the most international city in the world - Hong Kong - where old Chinese culture and new capitalism meet. Now that would be confusing to anyone who's trying to sort out their relationship.

The movie combines all these elements well, and exotic Hong Kong location adds to the beauty of the story. It's interesting to see Hong Kong in 1955, comparing it to Hong Kong of today. Some places looks similar like the Victoria Peak (although it has no high rise buildings), but Aberdeen was much less crowded.

Music score is a real tear jerker.

If you like romance, this is one of the best movie you can watch.

Han Suyin's autobiographical novel "A Many-Splendored Thing" becomes glossy, unconvincingly clean and luxurious romance set in Hong Kong, 1949, wherein a widowed female doctor of Chinese-English descent falls for an American correspondent stuck in a loveless marriage. John Patrick adapted Suyin's story, apparently turning her heartfelt remembrances into swooning romantic dross complete with poor dialogue exchanges (He: "I can't believe you're a doctor." .. She: "Too bad we don't have a scalpel, I could make a small incision."). Dark-haired, pale-skinned Jennifer Jones meets handsome, smiling William Holden at a party and immediately feigns indignance, as if widowed women bury their sexuality (or feel they must appear to) once a man takes an interest in them. Henry King directs the proceedings with a gentle touch, bringing it all to a misty-eyed flourish, yet Jones' character is never an embraceable one. Constantly referring to her heritage (and the fact she's "Eurasian"), this lady is forthright in all the wrong ways (she'd be more likely to turn off Holden's reporter rather than keep him around). Jones (who got an Oscar nomination) and Holden do create a loving rapport which becomes sweeter once Jennifer loosens up. This hard-working woman curiously puts a great deal of stock into superstitions (omens, Proverbs, butterflies), which seems out of step with such a no-nonsense lady; the sequence where she travels back home to Chunking to visit relatives is also odd (it doesn't take shape, it just appears as though she's running away). Holden performs in a low, easy key and glides through rather unperturbed (nothing ruffles this guy, but there's nothing to explain his devotion either; the man is obviously touched by this woman, but that doesn't tell us much about him). Alfred Newman's Oscar-winning music (and the memorable, Oscar-winning theme song by Sammy Fain and Paul Francis Webster) are lovely, and the locations are gorgeous, though the obvious studio shots are too tidy--even the hospital where Jones works seems overly opulent. A nice-enough weeper for soap fans, though one without the substance to entice a wider audience. **1/2 from ****

In the book The Films of William Holden, the author says the film does not wear well and its popularity is due to the hit title song from the film that you could not get away from hearing in 1955. How well I remember, though I was only eight years old back then. I disagree, the film is a tremendous romance for those who like that and the location photography in Hong Kong is fabulous.

A few things struck me. Since Burt Lancaster and Deborah Kerr had their famous romantic swimming scene in From Here to Eternity, I think that Harry Cohn was trying to one up Darryl Zanuck with having Bill Holden and Jennifer Jones do the same.

I also think and I could cite other film examples from 20th Century Fox that Zanuck acquired the film rights for the original novel with Tyrone Power in mind for the male lead. Holden is fine in the part, but try and picture Power in it. Not to mention the fact that Power's favorite director Henry King is at the helm.

But it is true that the song is the real star of the film. It really carries the romantic plot along. One of the great examples of the right music making a good film.

Ironically both the stars dealt with a lot of heartache in their lives. Holden with his alcoholism and Jones with the various marriages and deaths of people close to her. But when you see them high on that windy hill in Hong Kong they are a pair of the most romantic lovers ever filmed.

RIP Bill Holden and Jennifer Jones. Both of you dealt with so much bad karma in your lives.

I just watched this film for the first time as an adult. I still have tears in my eyes. I wish they made movies like this now, without all the crass "sex stuff", that seems to be required all too often. Obviously, Jennifer Jones and William Holden (perfect casting) have great passion, but they have true to the mark tenderness. My favorite line is "The greatest strength is gentleness", and William Holden portrays an intelligent, gentleman. He and Jones looked fantastic in their swimsuits, and when she asked him to bring her a cigarrette behind the rocks, I thought for sure they were going to have a torrid make out scene. (Or at least torrid by 1955 standards.) But no, she makes him wait! Also, a woman physician, who is Eurasian, was quite an idea back then. This movie was way ahead of it's time in many respects. I intend to get it on DVD, so it will last forever, just like their love!