Lord of the Jungle

This is the only Bomba film in which Johnny Sheffield shares top billing with another actor namely chain smoking, overweight, disillusioned Wayne Morris. It is the only one of the series which does not have a human villain. Instead there is a rogue elephant who is leading the rest of the herd to commit mayhem. The crux of the drama is conflict between Bomba who is full of bombast and only wants to shoot the rogue elephant and Wayne Morris who is head of a government licensed group of hunters ordered to shoot the entire herd. The last few of the series injected a sliver of sex by inventing an excuse for the comely heroine,in this case Nancy Hale, to go for a dip with Bomba. They also share a couple of chaste kisses. The budget of this film must have been trimmed more than usual because much of the action is talked about or described rather than seen, but the climax packs a little excitement. Stock footage of wild animals abounds. The rest of the film is padded out with aimless trekking through the jungle in pursuit of the rogue elephant. The script contains gaps in logic and continuity and most of the characters display a lack of common sense. Sheffield fits the role and his loin cloth comfortably. On the strength of Wayne Morris's appearance in this film, the title could have been changed to "Lard of the Jungle". After viewing this effort, it is doubtful if anyone exclaimed, "We could be talking Oscars here!"

The last in the Bomba series starring Johnny Sheffield. This also happens to be the last film of Sheffield's career, as he wisely retired after this. The plot to this one has Bomba trying to stop a rogue elephant in order to prevent an entire herd from being slaughtered by government-sanctioned hunters. The idea that one elephant can essentially lead a herd of them into doing things they don't want to do seems pretty out there but it's best to just go with it. Also this movie introduces the fact that Bomba OWNS the African jungle he inhabits, apparently because his birth father bought it. How this was never mentioned in any of the other movies is beyond me but, again, just go with it.

In addition to Sheffield and regulars Leonard Mudie and Smoki Whitfield, there's a portly Wayne Morris as one of the hunters and Nancy Hale as the niece of Bomba's friend Andy Barnes. She has an obligatory swimming scene, as most of the girls in this series did. Wayne Morris is far removed from his days as a leading man for Warner Bros. If it weren't for his distinctive voice, I might have mistaken him for George Kennedy here. There's even more stock footage than usual in this entry. It's used well and the action scenes with the elephants are good. There are also more scenes of Bomba swinging through the jungle than normal. The Bomba series is not one of my favorites and it is certainly far below the quality of the Tarzan movies Sheffield co-starred in with Johnny Weissmuller. Still, most of them are enjoyable enough and this is a good end to the series.

LORD OF THE JUNGLE (Allied Artists, 1955), Written, produced and directed by Ford Beebe, might have been a more fitting title for any one of the "Tarzan" adventures starring Johnny Weissmuller a decade or so ago. Instead, the title is used for what's not only become the twelfth and final installment to the "Bomba, the Jungle Boy" movie series, but the final screen appearance to its originator, Johnny Sheffield (1931-2010). After many years in jungle adventures starting with his debut role of Boy in TARZAN FINDS A SON (MGM, 1939) starring "lord of the jungle" Johnny Weissmuller at his fourth go-round in his signature role, it was rather fitting that after growing out of playing Boy 1947, that the teen-age Sheffield was offered another jungle character portrayal. As often credited, "based on the character created by Roy Rockwell in the "Bomba" books," who else but Sheffield could play the part of a teenage Tarzan named Bomba? Debuting in the part in BOMBA THE JUNGLE BOY (Monogram, 1949), unlike the long-running Tarzan franchise, nobody but Sheffield was Bomba. It would be a matter of time before Sheffield outgrew his teen character considering by this time he was already approaching his mid-twenties. Whether it was the intent to end the series here or not, at least it didn't conclude with an unwatchable or unbearable item as with some series finales.

Following its fade in as the camera tracking through the jungle, Bomba is immediately viewed swinging on a vine. Next scene introduces new assortment of characters, that of Mona Andrews (Nancy Hale) and her fiancé, Paul Gavin (Paul Picerni) in a private airplane. It is later revealed that Gavin intends on moving to Africa to work as a missionary doctor, something Mona would rather he not do. Mona in turn happens to be the niece of Bomba's closest friend, Deputy Commissioner Andy Barnes (Leonard Mudie). Enter Jeff Wood (Wayne Morris), a hunter hired by the government to shoot a herd of rogue elephants destroying villages and killing natives. Bomba prevents Wood from doing so, and intends on proving his theory of only one bad elephant being the responsible one and the one to be shot and killed, not the entire herd. Because Bomba actually owns the property formerly owned by his now deceased parents, the Hastings, does the jungle boy resume his protection of his animal friends from extinction. During the course of the story, Bomba helps with Mona's dilemma and ends up in troubles of his own when later tied and bound by one of the hunters he had earlier rescued, thus, leaving the helpless Bomba to face an oncoming elephant stampede heading his way.

Somewhat reminiscent to the earlier Weissmuller/Tarzan adventures where jungle lord pits himself against hunters invading his territory and out to eliminate his wildlife friends. There's also some footage capturing some underwater swimming between Bomba and Mona, the sort of scenes commonly depicted by Tarzan and his mate, Jane. Other story extensions as sending messages through drum pounding and lifted stock animal footage of giraffes and elephants roaming about add to its jungle feel, even with obvious rear projection footage noticeable here and there.

For the only time in the series, Sheffield shares equal billing above the title with co-star Wayne Morris. Though the Morris share might have meant something for movie audiences during his brief prime in motion pictures for Warner Brothers (1937-1940), by 1955, ranging from older to a younger generation of theater attendees, Morris was just another name on the motion picture screen. Oddly enough, in spite of their equal status billing, Sheffield and Morris are not constantly together from start to finish as what one may assume. In fact, Sheffield has more screen time with Nancy Hale (quite obvious by the writer's point of view by using her as a female influence on the jungle boy now jungle man). Although Hale gets by with her fine looks, the only setback happens to be on her somewhat amateurish acting in certain scenes. Others featured in the cast are William Phipps (Kenny Balou); series regular Smoki Whitfield (Eli); James Adamson (Elisha); Harry Lauter (The Pilot); Joel Fluellen (Mulu); and Juanita Moore (Mulu's Wife).

Presented on commercial television since the 1960s, better known as my own introduction to the Bomba series when it played part of its weekly Saturday morning line-up of "Jungle Adventure" on WOR-TV, Channel 9, in New York City (1977-1979), LORD OF THE JUNGLE, along with the previous "Bomba" adventures, have turned up on cable television, notably Turner Classic Movies (TCM premiere: March 24, 2012), where the series has been rediscovered by a new generation, or revisited by older ones who grew up watching this series. Mainly geared for the youthful generation when produced, LORD OF THE JUNGLE bids farewell from both Bomba the character and Johnny Sheffield, the jungle boy of many Saturday Matinée second feature presentations. (**1/2).

Lord of the Jungle (1955)

* 1/2 (out of 4)

The twelfth and final film in the series was clearly showing that the thing was out of gas and needed to be stopped. This time out Bomba (Johnny Sheffield) has to deal with a bunch of hunters out to kill a group of elephants who are stampeding villages and killing people. Bomba believes that if you kill the rouge leader that the rest will return to being good but will he have time to save them? Issues with elephants have been rampant through this series as well as other jungle adventures like Tarzan. Something I've noticed in this series is that quite often Bomba is on the fence about being a jerk at times and fighting for things that just make him look silly. I think that line is crossed here because he really does come off as a jerk and while he continues to fight for the elephants more people die yet he's still only interested in the elephants. Perhaps had the writing been stronger the character could have been filled out some more but writing and Bomba never really went together. At just 69-minutes this film goes along quite slowly and as usual we're treated to some silly stock footage, rear-projection shots and of course endless scenes of dialogue with people talking about what they're going to do. This all grows very tiresome in this entry and it turns out that the last was also one of the worst. You'd think with so many elephants that you could come up with something better but I'm going to guess that everyone knew this was it so not too much effort went into it. Sheffield fits the role nicely, as usual, but even he seems to be lacking some energy. Wayne Morris makes for a good heavy but he's actually not in the film too much. Nancy Hale plays the love interest but her character is really underwritten. LORD OF THE JUNGLE will only need to be viewed by those, like me, who enjoy watching every movie in a series no matter how poor they are. Now with all twelve Bomba films viewed, this series certainly wasn't high art but Sheffield was good.

Bomba attempts to stop elephant hunters sent by the government to kill a wild herd, convinced that one rogue pachyderm is responsible for leading the others astray. Johnny Sheffield retired his loincloth and vine rope with this 12th installment in the franchise, which writer-producer-director Ford Beebe began in 1949 via Monogram Pictures (by now transformed into Allied Artists). It was appropriately timed as Sheffield no longer looks like a Jungle Boy, apt to running away from the girls after a chaste kiss. Beebe's method of intercutting wildlife footage from stock with the African-set adventures usually results in a visual hodgepodge; with "Lord", however, the editing is pretty sharp, particularly during the exciting climax. Bomba and a stubborn young woman from London became fast friends (complete with a romantic moonlight smooch), though he ends up aiding her in a reconciliation with her bleeding-heart fiancé and walks away with his standard friendly wave. Amusingly, no female was ever able to topple this lord of the jungle! **1/2 from ****