È sempre bel tempo

Just an aside,really:

You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...

A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.

Incredible.

Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.

Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.

A perfect antidote or bookend to ON THE TOWN this excellent, mature and solid cinemascope musical is an absolute knockout. Made by MGM to placate Kelly for refusing to loan him to Samuel Goldwyn for GUYS AND DOLLS this film is probably one of the few 50s MGM efforts that plays well to audiences in 2004........but only of one sees it in cinemascope. Inventive use of the widescreen allows superb choreography to become ironic and witty......and the bewildering idiocy of TV stations to only show the center of the screen is an insult to any audience seeking to enjoy this clever and thoughtful musical. A small profit on first release and a drive in future saw this pic drop from view early in its life. the dance numbers are uniformly (no pun) astonishing and sometimes hilarious (especially Dolores Gray) BUT... I yi yi...Cyd Charisse in Baby You Knock Me Out lives up to its title. Trivia alert: one of the old boxers at Stillman's Gym is Gus Mecurio, father of STRICTLY BALLROOM lead dancer and actor Paul Mecurio. Kelly on skates is as good as Kelly singin in the rain...it's the same number but on wheels!.....this is a great film and a perfect musical. Imagine Kelly's rage at MGM after refusing him the Guys and Dolls loan out and they they distribute that film for Goldwyn anyway! No wonder WEATHER is such a suitably dark film of the disillusionment met head on in the American mid 50s. A full revival is much deserved.

I just saw this again on TCM, in the only format it deserves to be viewed in: letterbox. While it is a Gene Kelly vehicle and the leads are three buddies from wartime, that's pretty much where the "On The Town" similarities end. It is a surprisingly sharp, cynical story in which the heroes' dreams are voiced, but not realized (at least not at first), due to life circumstances. The daring plot of three soldier buddies who part company at the end of the war, reunite 10 years later to settle a bet they've made with a barkeep, and then realize that they really don't have anything in common except a dislike for each other, probably broke amazing ground back in the 1950's when it dared to show what happens to friends who 'don't' live happily ever after. (After all, musicals are usually free of such cynicism and vulgarity.) Betty Comden and the late Adolph Green- responsible for so many great film scores as well as the scripts of "Auntie Mame," "Bells Are Ringing," and "What A Way To Go-" contribute very witty songs here, including the three-way, split-screen dance "Once Upon A Time-" which shows the three buddies reflecting on their wartime friendship and whether or not they'll ever get it back; Dolores Gray's wicked "Thanks A Lot, But No Thanks;" and the requisite Gene Kelly solo (on roller skates), "I Like Myself." The big revelation, however, is Cyd Charisse- fine as ever, but in a rare, 'real' acting role which calls upon a bit of cynicism and smug defensiveness. Her cool demeanor is wonderfully thawed by the wise-guy boxers who worship her in the the gymnasium ditty, "Baby, You Knock Me Out." She goes from a diva to a siren in a tight green sweater and skirt in just 2 minutes. Have mercy!!

I was fortunate enough to see this film on the huge screen at the restored deco Silver Theatre in Silver Spring, MD (now part of the AFI), so I took full advantage of the Technicolor & Cinemascope (especially the 2-3 scenes where the camera pans back to show off the huge city set). The visual quality after almost 50 years is still pretty good, but the soundtrack was "wobbly." The film needs some restoration.

As others have said, the highlights of this film are the clever dance numbers, specifically:

the garbage can lid dance by the 3 soldiers (they also hop, crawl and dance around a stopped taxi, but nobody has mentioned that one),

the wonderful roller skating sequence by Kelly (since I'm tired to death of seeing the "Singing in the Rain" puddle dance, this is a refreshing change and an excellent sample of his skills!) He even parodies his "Rain" dance when he hops off & on the curb with his skates (folks, those are metal-wheeled skates - nowhere as smooth & speedy as the polyurethane ones of today) Somebody mentioned that the skating set features a big piece of the "Rain" set, but I don't agree - we're talking films set 30 years apart & I didn't see any similarities in the "Fair Weather" set

Dolores Gray's bizarre number "Thanks but no Thanks" where she rewards the tuxedoed men bearing jewels and affection (who literally vault, flip and tumble around her) with bullets, dynamite and finally a huge trap door where they all slide away

and Cyd Charisse's gym number "Baby You Knock Me Out"

(these last 2 numbers were featured on "That's Entertainment III")

It's interesting to see Michael Kidd, mostly known for his wonderful film choreography, dance onscreen. Wish there was more of it.

And Dan Dailey I hardly know, except for the film "There's No Business Like Show Business." He's the only actor of the 3 to let himself "age" in the ensuing 10 years, and it works. He does a very good job in the acting department too.

You can see why the film is not a lasting classic in league with "On the Town" and "Singing in the Rain" - it contains elements of bitterness & disillusionment between the 3 guys. They seem to get along best when they're either drunk or fighting bad guys. And the film - this is a sign of the times - glamorizes smoking (including by Dan Dailey's character, who says he won't drink or eat heavily b/c of his health, yet he "lights up" often), fixed boxing matches, gambling and drunken sprees.

Still, it makes an excellent "sequel" of sorts for "On the Town" and they should be paired together on TV or at film fests.

Also, Previn's tunes are not really memorable - they're OK.

The film also pokes fun at early TV - Delores Gray's show is a mix btw a variety show & something like "Queen for a Day" or "This is Your Life." Sponsors (in this case, laundry detergent)were a huge deal back then. Oddly, she's not paired with one of the guys as a romantic interest. Her diva act gets a bit tiresome however.

Cyd only gets 1 dance number, and there's no dance between her & Gene. Wish there were. They sparked a HUGE amount of chemistry in their dance number in "Rain."

Look out for familiar actors in small supporting roles, like Madge Blake (she was a radio gossip at the movie premiere in "Singin in the Rain" but most of you would know her as dotty Aunt Harriett in the Batman TV series), and the actor who plays the sports columnist at the gym is a character actor who has appeared in dozens of TV shows from the 1950s & 60s, besides movie appearances. And that's June Foray's uncredited voice in the animated Kleenzrite commercial - she did the voice of Rocky Squirrel, among many other voiceovers.

Still, I do recommend it, considering it is not shown very much, let alone in the letterbox format which is necessary for the integrity of the movie. Darn that pesky pan & scan! The ahead-of-its-time plot & the clever dance numbers make this film worth your while.

It's Always Fair Weather has a somewhat ironic title, because it's not like most every other M-G-M musical in that things don't always turn out perfectly. I believe that its darker-than-average humour (for that time at least) contributed to its being ahead of its time. For instance, the plot has to do with a friendship not being the same after ten years, a boxing match being fixed, a jaded woman (Charisse), a corporation sell-out (Dailey), and a "small-time operator" (Kelly). The numbers, though, are typically excellent, particularly the dance in the beginning where the trio is drunk, Cyd's Baby You Knock Me Out, and Kelly's famous I Like Myself, in which he tap dances on rollerskates! Gene Kelly and Stanley Donen's choreography is nothing short of dazzling. And yes, Gene's smile could still melt stone. Cyd Charisse is great and beautiful as always, too bad she had only one number. So go see It's Always Fair Weather, just don't expect anything real fluffy.