Scandalo al collegio

"How to Be Very, Very Popular" was anything but upon its release, and has not gained any stature since. In fact, its reputation has actually grown worse. It's infamous as the picture that Marilyn Monroe refused to do, leading to her celebrated walk-out on Fox. Sheree North, a practically unknown dancer-starlet, was quickly put into the role, coiffed and made up to look almost exactly like MM. The film, needless to say, bombed, and Sheree--strong armed into being a virtual Monroe clone--bore the brunt of most of it. Betty Grable (MM's co-star from "How to Marry a Millionaire") took advantage of the film's lack of success and used it as her chance to retire from the grind. In retrospect, the film really isn't all that bad--although it's obvious why Monroe balked at playing the North role; it's little more than window-dressing. Actually, had North been given the role from the get-go, and not encouraged to look and sound EXACTLY like a carbon copy MM, the picture might've been pulled off as a cute, harmless little comedy. The film was clearly a step down for a superstar of Monroe's stature, but could've been a nice, showy stepping stone for a rising starlet. Grable is her usual warm, bright self, but she's getting a bit old to be playing scantily-clad chorines. Next to the very young North, especially, she looks decidedly matronly. North isn't given much to work with (again, it's hard to comment on a performance which was basically conceived as a blurred copy of an original), but she does get to do a splendid, wild, rock and roll dance to "Shake, Rattle & Roll." Sadly, the film's complete failure relegated the promising North to the back burner; and she had much more musical and dramatic talent than Jayne Mansfield, whom Fox began to build up instead. So, if "How to Be Very, Very Popular" should show up on television one afternoon, sit back and enjoy it. It may not be great cinema, but it's an underrated little slice of mindless entertainment.

Unpleasant comedy about two belly dances on the run from gangsters. Orson Bean carries the movie on his back. However much Orson brings the movie up Sheree North drags it back down again. A real stinker. Do yourself a favour and avoid this movie at all costs.

Anemic non-musical remake of 1934's "She Loves Me Not" stars Betty Grable and Sheree North as "hoochie koochie" dancers in San Francisco who take it on the lam after witnessing a shooting at their dive in Chinatown; seeking refuge in a college fraternity house, North is inadvertently hypnotized by an amateur psychology major. Written by producer-director Nunnally Johnson, who based his screenplay on Benjamin Glazer's '34 version, which was itself an adaptation of both Ed Hope's book and Howard Lindsay's play, later reworked in 1942 as "True to the Army" (!). With such a lopsided pedigree, it isn't any wonder why the finished results are so tepid. Terrible acting, ugly décor, poor cinematography (from the usually-reliable Milton Krasner), and lunkhead attempts at 'modern' humor cause this Twentieth Century Fox dud to look like hand-me-down goods. It also served as Grable's final bow--some actors just know when it's time to get out (and one can hardly keep from laughing when chorine Betty is described as a dancer in her twenties!). Unrelievedly noisy and dull. * from ****

The film starts off as if I was seeing "Some Like it Hot" years before. Two strip-tease dancers witness the shooting death of a Chinese stripper on stage and are pursued by police and the killer alike. Sounds funny and promising but the film soon falls into a trap of utter stupidity.

Bette Grable (too old for the part) and Sheree North are the two fleeing strippers who wind up in a college dormitory and cause mayhem there. North is accidentally hypnotized by Tommy Noonan and spends much of the picture in a hypnotic state. How fortunate for her.

There are two really good performances here by Charles Coburn, as the college dean, more interested in the college getting money than actually providing education and Alice Pearce, as a wacky housemother in the school.

Fred Clark, as the millionaire father, who doesn't know that his son, Orson Bean, has been expelled is given the part of the guy getting hit over the head as he is confused with the killer. Rhys Williams gets the same treatment as North's father.

Bette Grable plays Stormy Tornado. Stormy? This storm blew out to sea. Big-time.

With all the violence and utter filth passing as "art" coming out these days (and I don't mean the sexual sort, I mean actual filth- like graphic displays of meanness in all it's forms), how can anyone say THIS is a bad movie?! No, it's not. It's not bad AT ALL.

I like this. Haven't finished yet, but I'm confident I'll still feel the same by the end, cause the fact is, a movie of this era and type just wasn't capable of being bad- ever. And anyone who thinks it is just has no idea what an actual "bad movie" is!

But yes, this harmless bit of cute fun is what passed for "bad" back in the day, and that we today still label it as such when we should know better by now is a real shame.

GOOD movie.