[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

Bulli e pupe

Titolo originale: Guys and Dolls
  • 1955
  • T
  • 2h 30min
VALUTAZIONE IMDb
7,1/10
20.318
LA TUA VALUTAZIONE
Marlon Brando, Frank Sinatra, Jean Simmons, and Vivian Blaine in Bulli e pupe (1955)
Guarda Trailer
Riproduci trailer4: 54
1 video
99+ foto
Classic MusicalSlapstickComedyCrimeMusicalRomance

A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.

  • Regia
    • Joseph L. Mankiewicz
  • Sceneggiatura
    • Jo Swerling
    • Abe Burrows
    • Damon Runyon
  • Star
    • Marlon Brando
    • Jean Simmons
    • Frank Sinatra
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    20.318
    LA TUA VALUTAZIONE
    • Regia
      • Joseph L. Mankiewicz
    • Sceneggiatura
      • Jo Swerling
      • Abe Burrows
      • Damon Runyon
    • Star
      • Marlon Brando
      • Jean Simmons
      • Frank Sinatra
    • 170Recensioni degli utenti
    • 47Recensioni della critica
    • 77Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 4 Oscar
      • 3 vittorie e 8 candidature totali

    Video1

    Trailer
    Trailer 4:54
    Trailer

    Foto206

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 198
    Visualizza poster

    Interpreti principali99+

    Modifica
    Marlon Brando
    Marlon Brando
    • Sky Masterson
    Jean Simmons
    Jean Simmons
    • Sarah Brown
    Frank Sinatra
    Frank Sinatra
    • Nathan Detroit
    Vivian Blaine
    Vivian Blaine
    • Miss Adelaide
    Robert Keith
    Robert Keith
    • Lt. Brannigan
    Stubby Kaye
    Stubby Kaye
    • Nicely-Nicely Johnson
    B.S. Pully
    • Big Jule
    Johnny Silver
    Johnny Silver
    • Benny Southstreet
    Sheldon Leonard
    Sheldon Leonard
    • Harry the Horse
    Danny Dayton
    Danny Dayton
    • Rusty Charlie
    • (as Dan Dayton)
    George E. Stone
    George E. Stone
    • Society Max
    Regis Toomey
    Regis Toomey
    • Arvide Abernathy
    Kathryn Givney
    Kathryn Givney
    • General Cartwright
    Veda Ann Borg
    Veda Ann Borg
    • Laverne
    Mary Alan Hokanson
    Mary Alan Hokanson
    • Agatha
    Joe McTurk
    • Angie the Ox
    Kay E. Kuter
    Kay E. Kuter
    • Calvin
    • (as Kay Kuter)
    Stapleton Kent
    Stapleton Kent
    • Mission Member
    • Regia
      • Joseph L. Mankiewicz
    • Sceneggiatura
      • Jo Swerling
      • Abe Burrows
      • Damon Runyon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti170

    7,120.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    Chrysanthepop

    Gamblers, Showgirl & A Salvation Sargeant

    Joseph Mankiewicz's 'Guys and Dolls' is a funny musical comedy based on the famous musical play. Colourful and full of energy, filled with songs, dance and gambling, the pacing does occasionally stumble as it sometimes feels as though the songs overshadow the story. In my opinion, some of the songs could have been left out, like the pussycat number. The overall dance numbers are very well choreographed. Hats off to the art department for making the film look so beautiful and vibrant with different colours. The cinematography is brilliant.

    I never thought I'd see Brando sing and dance. It wasn't something I'd even imagined but he does a decent job. Sinatra is already familiar with this genre. However, his role is barely developed. Of the women, Vivian Blaine and Jean Simmons do a fine job using their comic flair. Stubby Kaye provides fine support as Nicely.

    Finally, in my opinion, 'Guys and Dolls' is among the better musical of the 50s. Amusing, entertaining, energetic and (at the very least) foot-tapping, just what a musical should be.
    8pyrocitor

    Earful of cider - and how sweet it is

    Guys and Dolls really shouldn't have worked. Helmed by a director with no experience with musicals, starring two legendarily feuding leads, neither of whose singing styles (crooning/mumbling-with-notes) fit the piece, it's a testament to the fundamental fun of the Broadway show (faithfully adapted here) that its filmic companion is somehow all the more infectiously charming as a summation of its disparate parts. Call it luck, call it skill, but, over sixty years on, director Joseph L. Mankiewicz's film remains one of the most beloved and enduring movie musicals of all time, and still well worth experiencing for the first or fifty-first time.

    It's also somewhat of a time capsule for a genre in the midst of transition. Mankiewicz juxtaposing Michael Kidd's snappy, avant garde choreography with static sequences of the leads singing swooning songs to each other and the camera lands the film squarely betwixt classical and contemporary sensibilities. Amazingly, the duelling styles complement each other perfectly, infusing the seedy gambling sequences with a jazzy excitement, while painting the parallel romantic subplots with a gentle sweetness and elegance. Similarly, Mankiewicz shows a flair for infusing setting with personality, as the New York sequences bustle with a nervy energy, while colouring the dalliance to Havana with a sultry breeziness. At two-and-a-half hours, the film is indisputably overlong, but the gentle, teasing humour throughout, and little touches like the strangely eloquent gamblers and their strangely stilted, contraction-free dialogue make it a thoroughly pleasant romp, antiquated sexual politics and all.

    That said, it's the dazzling, star-studded cast who really give the film its unforgettable lustre. As infamous sex symbol Sky Masterson, Marlon Brando is suave, sparkling-eyed charisma personified, practically gliding through his scenes with the lope of a panther. However, Brando is too consummate an actor to deliver a mere caricature, and he weaves his breeziness with a deceptively nuanced undercurrent of brusque pragmatism and soft regret, to better sell Masterson's somewhat forced character arc into decency. Despite his purported distaste at playing second banana Nathan Detroit, Frank Sinatra proves perfect casting, delivering the perfect blend of fast-talking weediness and bombastic romanticism to keep relentless bum Detroit a roguishly irresistible scoundrel. Jean Simmons is a scream throughout, bustling with such gusto and perfect screwball banter to selling her 'adorably corrupted buttoned up prude' schtick as fresh and natural, while Broadway carryover Vivian Blaine is exquisitely sharp and witty as she is shrill, lending her scenes with Sinatra a vivacious energy.

    What might have seemed an ambitious gamble at the time now plays as a pair of loaded-ahem-"special" dice, as Mankiewicz's Guys and Dolls bubbles with a perfectly mischievous sense of fun and irresistible heart. It may be simpler, sweeter, and less memorable than other genre-defining classics such as Singin' in the Rain, but if you're seeking out a rollicking, robustly entertaining classical gem, you're in luck. And (you've been waiting for this), luck be a lady tonight.

    -8/10
    8LouE15

    It's chemistry! Enduring and quirky musical

    I'm intrigued by the strong sense of favour towards (or sympathy for!) Sinatra in the other reviews here. I've read elsewhere that Sinatra never seems to have forgiven anyone for *not* being cast as Sky Masterson.

    OK, so who wouldn't want to be cast as Sky Masterson? – it's a great part: the charismatic successful gambler who makes a grave mistake when he allows himself to be suckered into a bet, in which he must take Salvation Army Sargeant Sarah Brown on a date to Cuba, or lose. It's not the money – it's the pride, but he and she meet their match. Meanwhile Nathan Detroit must juggle his long-suffering fiancée Adelaide with trying to find a spot for a craps game which will make him rich if it doesn't alienate his fiancée forever first.

    The film started life as a series of short stories by Damon Runyon: that's his unique dialogue you hear, and those are his great character names, and that's his horse-racing/nightclub/late night gambling world. Then it became a musical, and you can't help but feel that in film form it never really left the stage. The camera is unusually static and the sets remarkably – and not pleasingly – flat and childlike. Fortunately the music is so great, I don't care that much.

    My absolute favourite thing about this film, though, is the singing and acting of the two non-singers, Brando (as Sky) and Jean Simmons (as Sargeant Sarah Brown). Of course, putting pro singers into these roles would have produced better music; but what surely gets forgotten is that two such excellent actors brought something else to the party instead: what they lacked in vocal talent they more than made up for in gusto, acting ability, and pathos, pathos, pathos. You're with Sky as he argues with Sarah against reason, steadiness, pipes and safety. You enjoy Sarah's loosening up under the influence of Cuban "milk". You feel completely the suddenness and passion of their scene in the courtyard with bells ringing and an hour to go before the plane takes them home. As Sky rightly says, it's "chemistry". Pro singers – be they Broadway belters or smooth crooners – can't necessarily be relied on to make this happen. (And they certainly didn't.) I read somewhere that Brando criticised Sinatra for not putting all of himself into his role of Nathan Detroit. Sinatra in turn was infuriated by Brando's four-take acting method. As a Brando fan (does it show?!) I'm bound to take the other side, but I can't imagine that this film would have been the much-adored classic it is today if Brando and Simmons hadn't been in it with their wonderful chemistry; Brando's unpredictability; Simmons' face, all pink cheeks and brown hair, drunk and ashamed in a Cuban bar. Beautiful. I'll always want a copy of this film lying around in case I need to feel good again. You'll forgive me if give some of the Nathan (sleep)talking parts the 100% brush-off though, won't you? You won't? Oh, be quiet and have some more of Mindy's cheesecake!
    8jotix100

    Times Square according to Damon Runyon

    Damon Runyon's world of Times Square, in New York, prior to its Disneyfication, is the basis for this musical. Joseph L. Mankiewicz, a man who knew about movies, directed this nostalgic tribute to the "crossroads of the world" that show us that underside of New York of the past. Frank Loesser's music sounds great. We watch a magnificent cast of characters that were typical of the area. People at the edges of society tended to gravitate toward that area because of the lights, the action, the possibilities in that part of town. This underbelly of the city made a living out of the street life that was so intense.

    Some of the songs from the original production were not included in the film. We don't know whether this makes sense, but this is not unusual for a Hollywood musical to change and alter what worked on the stage. That original cast included the wonderful Vivian Blaine and Stubby Kaye, and we wonder about the decision of not letting Robert Alda, Sam Levene, Isabel Bigley repeat their original roles. These were distinguished actors that could have made an amazing contribution.

    The film, visually, is amazing. The look follows closely the fashions of the times. As far as the casting of Marlon Brando, otherwise not known for his singing abilities, Frank Sinatra and Jean Simmons, seem to work in the film. Sky Masterson is, after all, a man's man, who would look otherwise sissy if he presented a different 'look'. Frank Sinatra is good as Nathan Detroit. Jean Simmons, as Sarah Brown, does a nice job portraying the woman from the Salvation Army who suddenly finds fulfillment with the same kind of man she is trying to save.

    Vivian Blaine is a delight. She never ceases to amaze as Miss Adelaide, a woman with a heart of gold who's Nathan Detroit's love interest. Ms. Blaine makes a fantastic impression as the show girl who is wiser than she lets out to be. Stubby Kaye makes a wonderful job out of reprising his Nicely Nicely Johnson.

    The wonderful production owes a lot to the talented Abe Burrows, who made the adaptation to the screen. The costumes by Irene Sharaff set the right tone.
    allegretto902

    "Ummm... Filled with such fun good fellowship..."- Nathan Detroit, "Guys and Dolls"

    "Guys and Dolls" is a thoroughly enjoyable example of musical comedy at its very best. The acting is impeccable, and what's more, almost believable (for a musical at least), the singing is pretty decent (well, Marlon Brando is another story, but I'll get to that) and the whole thing is just so amusing and entertaining that you'll be singing the tunes and quoting the lines long after you've finished watching it. Critics and viewers seem to sometimes have a difficult time with taking the film too seriously, by this I mean that a) Marlon Brando was not cast because of his singing voice (which was admittedly not good, but bearable), I like to think it was because he had irresistible charm, b) the whole premise is so unbelievable, to which I say, "name me a musical that IS wholly believable", and c) the movie moves too slowly, which is patently absurd, unless one does not have a taste for the slower pace of old movies and long, well articulated dance numbers, and romantic love scenes. This film pre-dates my existence by some 3 decades, but it still manages to rank among my very favorite pieces of movie-making and is an absolute must-see for musical and non-musical fans alike. 10/10

    Altri elementi simili

    Oklahoma!
    7,0
    Oklahoma!
    Il re ed io
    7,4
    Il re ed io
    Un giorno a New York
    7,3
    Un giorno a New York
    7 spose per 7 fratelli
    7,3
    7 spose per 7 fratelli
    Giulio Cesare
    7,2
    Giulio Cesare
    Il mio corpo ti appartiene
    7,1
    Il mio corpo ti appartiene
    Guys and Dolls
    Guys and Dolls
    L'uomo dal braccio d'oro
    7,3
    L'uomo dal braccio d'oro
    Pal Joey
    6,6
    Pal Joey
    South Pacific
    6,8
    South Pacific
    Alta società
    6,9
    Alta società
    Spettacolo di varietà
    7,4
    Spettacolo di varietà

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      After filming repeated takes of the scene where Sky (Marlon Brando) and Nathan (Frank Sinatra) first meet, they had to quit for the day when Sinatra had eaten too much cheesecake. He said he could not take one more bite. Brando, knowing how much Sinatra hated cheesecake, had purposely flubbed each take so that Sinatra would have to eat piece after piece of cheesecake. The next day, they came back and shot the scene perfectly on the first take.
    • Blooper
      Early in the movie, Uncle Arvide (Regis Toomey) asks, "Sarah, should you be able to bend a solid gold watch?" Sarah (Jean Simmons) replies, "Of course not." Gold is, in fact, the most malleable metal, that's why pure gold (24k) is rarely used in jewelry. A pure gold watch would be very susceptible to bending or denting.
    • Citazioni

      Sky Masterson: One of these days in your travels, a guy is going to show you a brand-new deck of cards on which the seal is not yet broken. Then this guy is going to offer to bet you that he can make the jack of spades jump out of this brand-new deck of cards and squirt cider in your ear. But, son, do not accept this bet, because as sure as you stand there, you're going to wind up with an ear full of cider.

    • Connessioni
      Featured in Lucy ed io: Lucy and the Dummy (1955)
    • Colonne sonore
      Guys and Dolls
      (1950) (uncredited)

      Music and Lyrics by Frank Loesser

      Played during the opening credits and sung by an offscreen chorus

      Sung by Frank Sinatra, Stubby Kaye, and Johnny Silver walking down street after Adelaide has broken up with Nathan

      Played as background music at the wedding

      Sung by an offscreen chorus at the end after the wedding

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti23

    • How long is Guys and Dolls?Powered by Alexa
    • Who sang for Jean Simmons, or did she do her own singing?
    • Is this film based on a novel?
    • How much is their bet worth?

    Dettagli

    Modifica
    • Data di uscita
      • 23 novembre 1956 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Ellos y ellas
    • Luoghi delle riprese
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Samuel Goldwyn Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 5.500.000 USD (previsto)
    • Lordo in tutto il mondo
      • 4174 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 30 minuti
    • Proporzioni
      • 2.55 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    Marlon Brando, Frank Sinatra, Jean Simmons, and Vivian Blaine in Bulli e pupe (1955)
    Divario superiore
    What is the Japanese language plot outline for Bulli e pupe (1955)?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.