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Bulli e pupe

Titolo originale: Guys and Dolls
  • 1955
  • T
  • 2h 30min
VALUTAZIONE IMDb
7,1/10
20.318
LA TUA VALUTAZIONE
Marlon Brando, Frank Sinatra, Jean Simmons, and Vivian Blaine in Bulli e pupe (1955)
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99+ foto
Classic MusicalSlapstickComedyCrimeMusicalRomance

A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.A New York, un giocatore d'azzardo è sfidato a portare una fredda missionaria ad Havana, ma i due si innamorano mentre la scommessa ha un motivo nascosto.

  • Regia
    • Joseph L. Mankiewicz
  • Sceneggiatura
    • Jo Swerling
    • Abe Burrows
    • Damon Runyon
  • Star
    • Marlon Brando
    • Jean Simmons
    • Frank Sinatra
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    20.318
    LA TUA VALUTAZIONE
    • Regia
      • Joseph L. Mankiewicz
    • Sceneggiatura
      • Jo Swerling
      • Abe Burrows
      • Damon Runyon
    • Star
      • Marlon Brando
      • Jean Simmons
      • Frank Sinatra
    • 170Recensioni degli utenti
    • 47Recensioni della critica
    • 77Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 4 Oscar
      • 3 vittorie e 8 candidature totali

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    Foto206

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    Interpreti principali99+

    Modifica
    Marlon Brando
    Marlon Brando
    • Sky Masterson
    Jean Simmons
    Jean Simmons
    • Sarah Brown
    Frank Sinatra
    Frank Sinatra
    • Nathan Detroit
    Vivian Blaine
    Vivian Blaine
    • Miss Adelaide
    Robert Keith
    Robert Keith
    • Lt. Brannigan
    Stubby Kaye
    Stubby Kaye
    • Nicely-Nicely Johnson
    B.S. Pully
    • Big Jule
    Johnny Silver
    Johnny Silver
    • Benny Southstreet
    Sheldon Leonard
    Sheldon Leonard
    • Harry the Horse
    Danny Dayton
    Danny Dayton
    • Rusty Charlie
    • (as Dan Dayton)
    George E. Stone
    George E. Stone
    • Society Max
    Regis Toomey
    Regis Toomey
    • Arvide Abernathy
    Kathryn Givney
    Kathryn Givney
    • General Cartwright
    Veda Ann Borg
    Veda Ann Borg
    • Laverne
    Mary Alan Hokanson
    Mary Alan Hokanson
    • Agatha
    Joe McTurk
    • Angie the Ox
    Kay E. Kuter
    Kay E. Kuter
    • Calvin
    • (as Kay Kuter)
    Stapleton Kent
    Stapleton Kent
    • Mission Member
    • Regia
      • Joseph L. Mankiewicz
    • Sceneggiatura
      • Jo Swerling
      • Abe Burrows
      • Damon Runyon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti170

    7,120.3K
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    Recensioni in evidenza

    Shapster11

    Simply a great screen adaptation of a stage classic!

    In 1954 Marlon Brando was THE hot actor after his performances in Streetcar Named Desire and On The Waterfront. Frank Sinatra had yet to re-invent himself on the silver screen. But Sinatra's portrayal as the erstwhile Nathan Detroit, helped re-establish Sinatra with his fans.

    It is a great screen version of a great play and the choices of leads and support players are terrific. Imagine a movie where Brando sings? This was his one and only singing role as he portrayed Sky Masterson. In addition the female leads, Jean Simmons and Vivian Blaine(replaying her stage role as Nathan's long suffering girlfriend Adelade), put in superlative efforts. Special mention goes to the great Stubby Kaye(as Nicely Nicely), and with all due respect to Eric Clapton, no one's version of Rockin' The Boat even comes close to Stubby's. Sheldon Leonard, who would go on to fame as TV producer of such shows as The Danny Thomas Show and The Dick Van Dyke Show does "Harry The Horse" wonders, B.S.Pulley is excellent as the harsh mannered and rough talking "Big Julie", and even Regis Toomey offers his excellence as "Brother Arvide".

    It is one of the fun musicals to see, good comedy, and you get Sinatra and Brando. Soooooo "Luck Be A Lady Tonight" and brother..."it's your dice"
    Chrysanthepop

    Gamblers, Showgirl & A Salvation Sargeant

    Joseph Mankiewicz's 'Guys and Dolls' is a funny musical comedy based on the famous musical play. Colourful and full of energy, filled with songs, dance and gambling, the pacing does occasionally stumble as it sometimes feels as though the songs overshadow the story. In my opinion, some of the songs could have been left out, like the pussycat number. The overall dance numbers are very well choreographed. Hats off to the art department for making the film look so beautiful and vibrant with different colours. The cinematography is brilliant.

    I never thought I'd see Brando sing and dance. It wasn't something I'd even imagined but he does a decent job. Sinatra is already familiar with this genre. However, his role is barely developed. Of the women, Vivian Blaine and Jean Simmons do a fine job using their comic flair. Stubby Kaye provides fine support as Nicely.

    Finally, in my opinion, 'Guys and Dolls' is among the better musical of the 50s. Amusing, entertaining, energetic and (at the very least) foot-tapping, just what a musical should be.
    8LouE15

    It's chemistry! Enduring and quirky musical

    I'm intrigued by the strong sense of favour towards (or sympathy for!) Sinatra in the other reviews here. I've read elsewhere that Sinatra never seems to have forgiven anyone for *not* being cast as Sky Masterson.

    OK, so who wouldn't want to be cast as Sky Masterson? – it's a great part: the charismatic successful gambler who makes a grave mistake when he allows himself to be suckered into a bet, in which he must take Salvation Army Sargeant Sarah Brown on a date to Cuba, or lose. It's not the money – it's the pride, but he and she meet their match. Meanwhile Nathan Detroit must juggle his long-suffering fiancée Adelaide with trying to find a spot for a craps game which will make him rich if it doesn't alienate his fiancée forever first.

    The film started life as a series of short stories by Damon Runyon: that's his unique dialogue you hear, and those are his great character names, and that's his horse-racing/nightclub/late night gambling world. Then it became a musical, and you can't help but feel that in film form it never really left the stage. The camera is unusually static and the sets remarkably – and not pleasingly – flat and childlike. Fortunately the music is so great, I don't care that much.

    My absolute favourite thing about this film, though, is the singing and acting of the two non-singers, Brando (as Sky) and Jean Simmons (as Sargeant Sarah Brown). Of course, putting pro singers into these roles would have produced better music; but what surely gets forgotten is that two such excellent actors brought something else to the party instead: what they lacked in vocal talent they more than made up for in gusto, acting ability, and pathos, pathos, pathos. You're with Sky as he argues with Sarah against reason, steadiness, pipes and safety. You enjoy Sarah's loosening up under the influence of Cuban "milk". You feel completely the suddenness and passion of their scene in the courtyard with bells ringing and an hour to go before the plane takes them home. As Sky rightly says, it's "chemistry". Pro singers – be they Broadway belters or smooth crooners – can't necessarily be relied on to make this happen. (And they certainly didn't.) I read somewhere that Brando criticised Sinatra for not putting all of himself into his role of Nathan Detroit. Sinatra in turn was infuriated by Brando's four-take acting method. As a Brando fan (does it show?!) I'm bound to take the other side, but I can't imagine that this film would have been the much-adored classic it is today if Brando and Simmons hadn't been in it with their wonderful chemistry; Brando's unpredictability; Simmons' face, all pink cheeks and brown hair, drunk and ashamed in a Cuban bar. Beautiful. I'll always want a copy of this film lying around in case I need to feel good again. You'll forgive me if give some of the Nathan (sleep)talking parts the 100% brush-off though, won't you? You won't? Oh, be quiet and have some more of Mindy's cheesecake!
    sinatrasluvchild

    flawed classic

    As much as I like this film I can still see the missed opportunities. It does work, Brando has a certain charm as Sky Masterson but be honest, he cant really do justice to the multitude of classic songs he has got. This is where the dilemma lies. Sinatra is a fantastic Nathan Detroit, but he doesnt get many songs. Sinatra could easily play both roles but Brando would not make a good Detroit. However getting these to together in a film as well as the unlikely opportunity of getting Brando singing and dancing in a musical (!!!) is its saving grace. Any other actor and it may have seemed as bizarre as it really was. However its carried off with style. Its lunacy is its backbone, heres an established "serious" actor crooning and dancing, while the serious singer acts more than he sings. Its not often you see Sinatra taking a back seat; albeit reluctantly! A great film for what it is, but if it had been given to a musical director I think it would have been in a completely different league.
    didi-5

    the oldest established ...

    Yes, its the one where the gamblers find a sort of redemption in their dolls after much singing and dancing and stuff. Maybe. This film seems to have lived alongside me for years - round exam time, through getting ditched, you name it. Sister Sarah and Sky and Nathan and Miss Adelaide and their chums were always there with those great Loesser melodies. Top of the tree is the Luck Be A Lady number which Brando puts across quite nicely, despite hardly being a singer. His great charm makes him a very good Sky. The scenes in Havana are hilarious and Vivian Blaine back at the club gives good value in her two big stage numbers. Looks like it belongs in a theatre, this film, but I bet you remember the tunes and huge chunks of the dialogue for a long time afterwards.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      After filming repeated takes of the scene where Sky (Marlon Brando) and Nathan (Frank Sinatra) first meet, they had to quit for the day when Sinatra had eaten too much cheesecake. He said he could not take one more bite. Brando, knowing how much Sinatra hated cheesecake, had purposely flubbed each take so that Sinatra would have to eat piece after piece of cheesecake. The next day, they came back and shot the scene perfectly on the first take.
    • Blooper
      Early in the movie, Uncle Arvide (Regis Toomey) asks, "Sarah, should you be able to bend a solid gold watch?" Sarah (Jean Simmons) replies, "Of course not." Gold is, in fact, the most malleable metal, that's why pure gold (24k) is rarely used in jewelry. A pure gold watch would be very susceptible to bending or denting.
    • Citazioni

      Sky Masterson: One of these days in your travels, a guy is going to show you a brand-new deck of cards on which the seal is not yet broken. Then this guy is going to offer to bet you that he can make the jack of spades jump out of this brand-new deck of cards and squirt cider in your ear. But, son, do not accept this bet, because as sure as you stand there, you're going to wind up with an ear full of cider.

    • Connessioni
      Featured in Lucy ed io: Lucy and the Dummy (1955)
    • Colonne sonore
      Guys and Dolls
      (1950) (uncredited)

      Music and Lyrics by Frank Loesser

      Played during the opening credits and sung by an offscreen chorus

      Sung by Frank Sinatra, Stubby Kaye, and Johnny Silver walking down street after Adelaide has broken up with Nathan

      Played as background music at the wedding

      Sung by an offscreen chorus at the end after the wedding

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    • How long is Guys and Dolls?Powered by Alexa
    • Who sang for Jean Simmons, or did she do her own singing?
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    • How much is their bet worth?

    Dettagli

    Modifica
    • Data di uscita
      • 23 novembre 1956 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Ellos y ellas
    • Luoghi delle riprese
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Samuel Goldwyn Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 5.500.000 USD (previsto)
    • Lordo in tutto il mondo
      • 4174 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 30 minuti
    • Proporzioni
      • 2.55 : 1

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