5 contro il casinò

Uneven heist film. Making 30-somethings Madison and Keith into college students is a bit of a stretch. But I guess pairing them with the youthful Moore and Mathews presented a problem that a college dorm room could solve. Screenplay is by the celebrated TV writer Stirling Silliphant who, nonetheless, can't seem to script a line without a wise-guy quip. It's clever, but does get tiresome.

The movie has two things going for it. First is an absolutely superb performance by Brian Keith. Few actors could get more mileage out of a squint and a cigarette than this low-key tough guy. His final descent into battle-shock madness is both persuasive and oddly touching. The entire movie turns on an ability to convey the required changes and he brings them off beautifully. The other plus is the location photography in Reno. It's entertaining to watch the crowds milling around the casinos, circa 1955. How the production crew got the crowds to act so natural, without acknowledging the camera, amounts to a real feat. Also, the parking garage makes for good staging, but apparently is a commercial novelty that never caught on.

At the time, Columbia's head Harry Cohn was promoting Novak into the studio's newest sex goddess. Novak is okay in the role, but unfortunately her scenes with Madison slow down the pacing. Her role here looks like a rather awkward add-on to the main plot. In fact the heart of the film is neither the casino heist nor the Madison-Novak romance. Rather, the emotional center is the solid bond between the two Korean war vets. The chemistry between the two older men strongly portrays the kind of special kinship forged only in combat

Certainly director Phil Karlson knows his way around action movies as proved by his gripping Phenix City Story. I suspect that had he a freer hand here, a leaner, sharper, more coherent movie would have resulted. As it is, the 90 minutes is entertaining, but not front rank. As a heist movie, it's so-so; as a buddy film, it's first rate. (In passing-- Looks like the producers of Oceans 11 {1960} sat through this film more than once.)

This movie, 5 Against the House, had an interesting tag line which is why I saw it. However, I found that the build up of the story line and the build up of the characters took forever! Once the plot got going though, about thirty-five minutes in, the story took off from there and held my attention until the end. This movie is good if you are looking for an obscure film noir to view, other than that, pass on it.

This is a Columbia picture starring, according to the credits, Kim Novak, Guy Madison, Brian Keith, Kerwin Matthews and Alvy Moore It also throws in William Conrad, later of Cannon TV fame.

The film begins with four ex-army buddies on a visit to a casino town, who both there and later back at college, spend much of their time wisecracking. But Keith exhibits his 'psycho' tendencies in a night club brawl and we learn that these were induced by his experiences in the Korean War. Then its back to college where a fresher (Jack Dimond) is the butt of some humorous pranks.

In the second half of the picture the emphasis changes to thriller as three of the four plan a supposedly foolproof heist at a casino, but intend to return the money, having once proved it can be done.

Keith is however back in violent mode and Madison and girlfriend Novak are forced to become unwilling participants in the robbery. Conrad, as a casino employee, is induced at gunpoint to help with the heist and the strong wartime links between the four are put under great strain.

This picture is neither one thing nor another and those led to expect a light hearted heist film by its early light hearted approach will be surprised at how it turns out.

Worth seeing for an early Kim Novak role and for a heist picture set in Reno and not Las Vegas.

5 Against The House is a stylish noir caper film that involves four Korean War Veterans and the girl friend of one of them in a heist against a Reno casino. It was directed by Phil Karlson and while it's a bit slow in developing when the action starts, it builds up to a good climax.

The four veterans are Guy Madison, Alvy Moore, Kerwin Matthews, and Brian Keith. They're in college on the GI Bill of Rights and being a bit older than the other students there and with a shared wartime bonding, they kind of keep to themselves.

After a night in Reno where they overhear an arresting cop with a suspect who tried to rob Harold's club there saying how impossible it was. That gives Kerwin Matthews who's the genius of the group an idea to plan the perfect crime.

The others mean it as a prank to give the money back, but Keith is not a well man having spent some time in the psycho ward at the Veteran's Administration. He means to keep the money and he brings a long a pistol to enforce his argument.

It's hard for Madison to say no to Keith, he saved his life in Korea. But Madison who is also romantically involved with Kim Novak resents her being roped in on the scheme.

Best in the film is Brian Keith who does a very good job in suggesting a fundamentally decent man who's been unhinged by his wartime experiences. You have to understand that in order to understand why the film ended as it did.

Novak looks fetching and lovely as always and gets a couple of inconsequential songs to sing, no doubt dubbed as they were in Pal Joey.

5 Against The House did no harm to any of the careers among the cast here. Especially that of Kim Novak who was being prepped to take Rita Hayworth's spot as Columbia Picture's new sex goddess.

Four college buddies are out in a Reno casino when they mistakenly almost get arrested for a failed robbery. Upon proving their innocence, they hear a cop saying that robbing this particular casino is nigh on impossible. This gets young Ronnie thinking that it actually can be done, and sure enough he comes up with a fool proof plan that should be played out as a joke robbery. However, after letting his pals in on the plan, one of them, Brick, an ex army loose cannon, wants to do it for real.

There are many good things about this Phil Karlson directed picture, things that made me particularly glad I paid no attention to the meagre rating on the IMDb and watched it with no expectation. The cast is very strong, Guy Madison, Brian Keith, Alvy Moore, a young pre swash buckling Kerwin Mathews and a sultry and gorgeous Kim Novak in only her second credited role. Location work at Lake Tahoe is easy on the eye and the story from John Barnwell (adapting from Jack Finney's novel) is a good one, with a kicker of an idea in how to rob a casino.

I think that newcomers to the film should prepare for a more offbeat picture than what the plot synopsis hints at. It certainly has got tense moments, courtesy in the main from Keith's borderline psycho, but it's practically a talky picture with flecks of humour right up to the finale, where it all comes together without histrionics or fanfare. Phil Karlson, with the awesome Scandal Sheet on his CV, appeared on the face of it to be a good choice to direct, but although he has done crime/adventure/romance films very well before, blending those genres into one film was asking a bit too much. It's not bad directing, it's just an odd fusion that never really comes off, and it possibly stops the film from breaking out to a bigger and more appreciative audience. Karlson remains, though, a director well worth reappraisals because he has some excellent credits on his CV that are well worth checking out.

Still, it's an oddity of sorts, and tagging it as a Noir picture is a bit of a stretch, but this is one that's definitely recommended for the pluses that do indeed far outweigh the minuses. 7/10