Il vendicatore nero

There is a DVD of this movie that shows its excellent wide screen color cinematography. Another big plus factor of this movie is its basis in historical fact.

The Black Prince, portrayed by Errol Flynn, was a real person, the Prince of Wales in old England of the 1300's. He really did marry a noblewoman named Joan, here portrayed by Joanne Dru. Many of the characters portrayed in this move were real, such as the King of France who is correctly mentioned as a prisoner of England, and the Dauphin of France who was suddenly forced by circumstance to rule in his father's absence. But the big ultimate winner of all the warfare was French hero Bertrand du Guesclin, Constable of France, who is portrayed in this film. Although depicted here as losing a battle, du Guesclin really did eventually regain almost all of France from the English and other assorted groups. These characters are chronicled more fully in a fine book called "The Distant Mirror" by noted historian Barbara W. Tuchman. The book also documents the constant wars, castle sieges, attacks, counter attacks such as those presented in "The Warriors". Believe it or not, these guys really did run around in a bloody, crazy, messy hundred years of warfare all over France and parts of Italy and the Habsburg Empire. And the English did have a claim on Aquitaine and fought for a long time to retain it.

So the movie is not just swashbuckling for its own sake. For me, understanding that the circumstances and that the major figures presented here are historical adds a new perspective to what you might be tempted to call "just another swashbuckler". The only failing that I perceive to all this is that not much time can be allowed for character development (hence the Tuchman book for reference- its well written but really long).

Errol Flynn's acting is good as it always was throughout his career, but alas he is too dissipated to be able to swash many buckles, although he or his double do participate in some action scenes. Dru is not effective in her part which is only secondary to this film's story, but Peter Finch and others including a young Christopher Lee do a fine job in supporting roles. Yvonne Furneaux steals the movie from all these stars with a lovely fun performance.

So this film has a lot of action in a true historical perspective, is well made and features good wide-screen cinematography. I can't pigeon-hole this as "just a swashbuckler" because it is a historical film at the same time, and you can't just say "its another late Flynn" because in his late films he grew as an actor and still tried to deliver a performance while suffering the severe decline of his health related to alcoholism and heart failure.

"The Warriors" lacks depth but is overall a pretty good action movie.

CinemaScope historical adventure from Allied Artists and director Henry Levin. In mid-14th century France, the English under King Edward III (Michael Hordern) have proven victorious in Aquitaine. Edward leaves the surviving French noblemen in possession of their estates as long as they remain loyal subjects, but the vengeful Comte De Ville (Peter Finch) vows to continue resisting the English presence. Edward leaves his son Edward the Black Prince (Errol Flynn) as the Duke of Aquitaine, and soon enough he finds himself at arms against De Ville and his army. The Black Prince must defeat De Ville once and for all, while also rescuing the fair Lady Joan (Joanne Dru) from the French.

This was the most expensive movie ever made by Allied Artists up to that time, and the production values nearly match any of the historical action pictures of the "A" studios. Flynn is looking haggard, and many of his action scenes are done behind a convenient helmet, allowing a more energetic stunt man to take his place. Flynn was reportedly often in his cups during filming, forgetting lines and drifting off. That's not too noticeable in the final product, although he does have a certain gleam in his eye during a few scenes. Peter Finch is good as the chief villain, although he makes no attempt to sound French. Future TV star Patrick McGoohan is clearly visible in an uncredited role as an English soldier, while Christopher Lee, also uncredited, plays a French knight who gets to sword fight with Flynn, an experience that Lee claims left him with a permanent injury.

The American director Henry Levin once described THE DARK AVENGER as a "western in armour", which is an apt description of this colourful saga. The casting is hilarious: Errol Flynn, born in 1909, plays the son of Michael Hordern, born 1911. Although Sir Michael aged quickly, Flynn is no spring chicken either, and looks all of his 46 years. The result of living in the fast lane is right up there on the screen. Christopher Lee shines in one of his early roles and demonstrates keen swordmanship in his duel with Errol Flynn. Actually Lee duels with British Olympic sabre champion Raymond Paul - with Flynn taking over in the close-ups. The supporting cast is full of future TV household names. Rupert Davies and Ewen Solon had considerable success years later in "Maigret". Richard O'Sullivan, a talented child actor, went on to play swashbuckler "Dick Turpin" in the 70's. Fans of Patrick McGoohan had better not miss the beginning of this movie, the star of the cult TV classic "The Prisoner" only has a few lines in a brief appearance. This movie always crops up on Sam Kydd's filmography but spotting him is virtually impossible, maybe Sam was edited out of the finished film. THE DARK AVENGER was filmed on the abandoned IVANHOE lot and is enjoyable comic strip history, it's a good way to spend a rainy Sunday afternoon.

Once you survive the numbing and typical pageantry which marks the beginning of the picture, the intrigue gets rather interesting. The lousy dub on this commercially purchased VHS tape is another obstacle. Alas, no DVD is available (though there are some crumby DVD dubs out there, too!).

However, once I adjusted the contrast, brightness and beefed up the color level (a lot), it was a viewable tale the got very slowly more interesting as time went slowly on. This picture marks Finch's rise and Flynn's decline (no more to swash and buckle after this). Compare his "Captain Blood" twenty years previous and you can see what time and booze did to poor Errol.

Joanne Dru certainly DID look bored throughout, as was mentioned earlier. Perhaps the whole thing was just a costume romp for her.

It's such a shame when a decent copy of the film is apparently unavailable from which to make copies. I find the same problem with the 1940 version of "Our Town."

After 85mins, you will say "Seen it before" and you have. This is another swashbuckler starring Errol Flynn and it's pretty average, run-of-the-mill stuff.

The story is okay, but I don't think Errol looked that good in this one. You have the love interest and the villain, end of story.

The acting is okay, nothing bad, but not spectacular.

The widescreen frame is beautifully done, the entire width is used with perfection. Shot in Cinema Scope. The photography is quite realistic, the British certainly know how to light a film.

Overall, this is average stuff. You'd be better off watching The Sea Hawk.