Corte marziale

Apparently, the Mitchell family was not particularly pleased with this film. Some of it was because the star, Gary Cooper, was nothing like Mitchell...neither in temperament nor size. Still, it is a reasonably good movie...one worth seeing.

The story is about Billy Mitchell, an Army officer who deliberately sacrificed his own career because he strongly felt the military was unfairly discounting air warfare. For example, in some tests, his superiors deliberately rigged the procedings to make the airplanes seem ineffective against naval ships. So, to prove his point, he ordered his men to make a more realistic attack...which resulted in his demotion. Still, he pressed until ultimately he was court martialed for insubbordination. This film is about the events leading up to this trial and a major portion of the film is a recreation of the trial.

Considering I am a retired history teacher, I am thrilled that this forgotten period in history hasn't been completely ignored. While a few things here and there were altered for cinematic reasons, it generally sticks to the facts...something unusual for Hollywood. Overall, it's also pretty compelling and worth your time.

Few who aren't students of the history of airpower today recognize the name of William "Billy" Mitchell. An early pilot in the U.S. Army's fledgling Air Corps, he served in World War I when no American-produced plane saw action above the trenches of France. Notwithstanding the Wright brother's initial breathtaking powered flight, by 1914 England, France and Germany were far ahead of us in not only aircraft design but also in fashioning tactics for a new kind of warfare.

Mitchell returned from the war not only a convert to the future of airpower but as a zealot advocating his prophecy to all who would listen (and to very many who didn't want to). The post-war Army suffered massive cutbacks. Mitchell reverted from brigadier general to his permanent rank of colonel, a more gentle demotion than many others experienced.

The Army's first postwar chief of staff was the only man ever to hold the rank of General of the Armies, John J. "Black Jack" Pershing. Pershing actually appreciated aviation's potential to a real degree but he faced a budget-cutting congress while leading an army with too many senior officers who dimly recalled fighting Indians from the saddle.

Mitchell was given the opportunity to sink the German war prize battleship "Ostfriesland." A rather foolish cabinet member offered to watch the aerial bombing from the warship's deck, so certain was he that the vessel couldn't be destroyed from the air. Fortunately for him his offer was not taken up.

Gary Cooper turns in a quietly passionate role as the Air Corps leader who did sink the "Ostfriesland." In the film he's shown disobeying war game rules and using one-ton bombs not approved for the exercise. That never happened. He went by the rules (that time). His and his pilots' achievements were dismissed, however, by battleship-loving admirals who claimed that the test was meaningless since the ship wasn't defending itself. Some Japanese observers were less sure that this was a valid analysis.

Gary Cooper's Billy Mitchell, despite deviations from the real story, is a remarkably accurate picture of a dedicated officer with unrestrained hubris whose public and volatile denunciations of Army and Navy superiors for numerous fatal crashes led to his then highly-publicized court-martial.

Ralph Bellamy as Congressman Frank Reid is Mitchell's chief counsel. A blistering but unreal cross-examination by the young Rod Steiger as MAJ Allan Gullion is the the dramatic high point of the film. It's something we expect from the courtroom genre. Mitchell is convicted of, in essence, disobedience, and is placed on a long-term suspended status (in reality the effective and actual termination of his military career without the continuing public interest that incarceration would have brought).

Cooper is strongly expressive while exuding a powerful sense of personal morality and duty as Mitchell defined that quality. That largely matches the real Mitchell.

As defense witnesses we see the young H.H. Arnold (to achieve five-star rank in World War II) and Carl Spaatz, a four-star architect of strategic bombing in the next war. These officers persevered in their dedication to birthing a powerful air force and they did it without losing their careers and thus their effectiveness (in that regard they mirrored young field grade officers such as George Patton and Dwight Eisenhower in their crusade to take the Army from the horse to the tank).

Cooper walks out of the film in civilian clothing, a slightly confused expression on his face. He should have been confused. For the remainder of his life, which ended before the war he predicted, he was essentially marginalized as aviation expanded and America slowly recognized the need to build a world class air force.

Overall, for historical accuracy "The Court-Martial of Billy Mitchell" is solid on the central story and fictional on the margins.

This DVD transfer, however, borders on dreadful. Colors are washed out and voice levels shift slightly over and over. But it's well worth watching.

7/10.

This is a decent film, for the most part a very watchable telling of a good true story which is worth knowing about. Gary Cooper is solid in the title role (albeit he is apparently nothing like the real-life Mitchell) and the drama moves along at a reasonable pace.

But for 17 minutes towards the end it rises above that and becomes mesmerising. What makes the difference? Two words: Rod Steiger. The cross-examination scene, where he goads and scorns Cooper mercilessly, is one of those very rare moments in cinema when a performance holds the screen and burns itself into your memory. No matter how many times I have seen this film, I always spend the first hour or so waiting to relish this particular scene. And I am never disappointed.

So watch the film for two reasons: it is good in its own right. A well-played, thoughtful and dignified film about a good man who was ahead of his time. But whatever you do, make sure you don't miss the last half-hour!

In 1925 the U.S. Naval Air Force's major new piece of military hardware was a zeppelin that had been built in Germany at the end of the First World War, which was given to the U.S as a reparation, and renamed the U.S.S. Shenandoah. The craft had a crack team running it, and it had an excellent head, Commander Zachary Landowne. It was in fair demand around the country, for most people believed that the future of long distance air travel would be in airships, not airplanes. So the Navy brass frequently sent the Shenandoah on public relations flights, rather than using it for military purposes or long distance flights.

It was sent to Ohio where local politicians wanted to use the zeppelin to impress voters. Unfortunately, there was a storm front with heavy thundershowers in the path of the zeppelin, and the zeppelin had recently had some damage to a fin on it's tale. There had been no time to repair the damage. So when the zeppelin crossed into the storm front, the zeppelin was ripped apart by the winds and crashed killing Landsdowne and fourteen men.

Landsdowne's close friend, Brigadier General Billy Mitchell was exceptionally critical of the disaster. He blamed the politicians and military brass who ordered the flight. As Mitchell had been long a thorn in the side of these two groups, as he tried to push his views on air power and the need for a unified, strong air force, he was charged with insubordination and ordered to be court martial-ed.

Gary Cooper plays Mitchell well, as an honest, honorable man, who realizes that the future will be only safe for those who have a strong air arm. He is fighting old fashion ideas, mouthed by old fashioned army leaders like Fred Clark. He does have allies like his lawyer, a Congressman played by Ralph Bellamy, and like one of the judges (General Douglas MacArthur - who was the only one to vote for acquittal). But the issue goes down to the Mitchell's insubordination. And this leads to the dramatic high point, when Cooper is cross-examined by the malicious and clever Rod Steiger. Steiger is able to get Cooper to not only reveal his lack of respect for the brass but to reveal his mistrust of the Japanese. That he is correct in the long run does not save him - he is found guilty and suspended without pay from the army for five years.

Mitchell died in 1936, not in time to see his vindication five years later. But he is remembered now as the real founder of the modern American Air Force. The film is a pretty good retelling of his story, and reminds us how frequently a prophet is despised and rejected in his or her time.

Gary Cooper plays the title role in "The Court Martial of Billy Mitchell," a 1955 film based on the real-life court martial of former Brigadier General William Mitchell, who was demoted in rank after violating orders and later court-martialed for criticizing the Armed Forces in the press.

Besides also starring Ralph Bellamy, Charles Bickford, and Rod Steiger, the film also features some later TV stars - Elizabeth Montgomery, Jack Lord, John Daly, Darren McGavin and Peter Graves.

Apparently the film takes some liberties with the true facts, but Mitchell believed in the power of the airplane in war and wanted an upgrade in air power for the U.S. as well as the creation of an Air Force. Much of what he said about air power came to pass, and eventually the Air Force was formed, of which he is considered the father. However, at the time, the services were faced with budget cuts and narrow thinking. They weren't convinced of Mitchell's arguments. Mitchell (in the film) disobeys orders about the size of the bomb he's carrying, using one-ton bombs to destroy the Ostfriesland, which was an World War I prize from Germany. He is demoted in rank and sent to work in Texas. When a friend of his is killed in a "death trap" flier called The Shenendoah, Billy sets himself up for a court martial so that he can bring his cause to the American public.

This is a good movie which holds one's interest. I have a confession, which is that I am not always impressed with the acting of Gary Cooper, though I do love him, and this was one of those times. One of the posters suggested that James Cagney would have been a better choice given the real-life character of Mitchell. Possibly. Cooper is passionate in a quiet way but a little too one-dimensional in his performance. There are strong performances from everyone, most especially Rod Steiger. He doesn't chew up the scenery; instead, he uses his voice like a knife. He's very effective.

Definitely recommended though it's not Cooper's best work.