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IMDbPro

Il seme della violenza

Titolo originale: Blackboard Jungle
  • 1955
  • T
  • 1h 41min
VALUTAZIONE IMDb
7,4/10
10.306
LA TUA VALUTAZIONE
Glenn Ford, Anne Francis, and Margaret Hayes in Il seme della violenza (1955)
Trailer for this black and white film about classroom hooligans
Riproduci trailer2: 52
1 video
99+ foto
CrimineDrammaDramma psicologico

Un nuovo insegnante di inglese arriva ad una violenta e rude scuola di periferia ed è determinato a fare il suo lavoro al meglio, nonostante l'opposizione sia degli studenti che della scuola... Leggi tuttoUn nuovo insegnante di inglese arriva ad una violenta e rude scuola di periferia ed è determinato a fare il suo lavoro al meglio, nonostante l'opposizione sia degli studenti che della scuola stessa.Un nuovo insegnante di inglese arriva ad una violenta e rude scuola di periferia ed è determinato a fare il suo lavoro al meglio, nonostante l'opposizione sia degli studenti che della scuola stessa.

  • Regia
    • Richard Brooks
  • Sceneggiatura
    • Richard Brooks
    • Evan Hunter
  • Star
    • Glenn Ford
    • Anne Francis
    • Louis Calhern
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    10.306
    LA TUA VALUTAZIONE
    • Regia
      • Richard Brooks
    • Sceneggiatura
      • Richard Brooks
      • Evan Hunter
    • Star
      • Glenn Ford
      • Anne Francis
      • Louis Calhern
    • 120Recensioni degli utenti
    • 43Recensioni della critica
    • 67Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 4 Oscar
      • 1 vittoria e 6 candidature totali

    Video1

    Blackboard Jungle
    Trailer 2:52
    Blackboard Jungle

    Foto102

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    Interpreti principali65

    Modifica
    Glenn Ford
    Glenn Ford
    • Richard Dadier
    Anne Francis
    Anne Francis
    • Anne Dadier
    Louis Calhern
    Louis Calhern
    • Jim Murdock
    Margaret Hayes
    Margaret Hayes
    • Lois Judby Hammond
    John Hoyt
    John Hoyt
    • Mr. Warneke
    Richard Kiley
    Richard Kiley
    • Joshua Y. Edwards
    Emile Meyer
    Emile Meyer
    • Mr. Halloran
    Warner Anderson
    Warner Anderson
    • Dr. Bradley
    Basil Ruysdael
    Basil Ruysdael
    • Prof. A.R. Kraal
    Sidney Poitier
    Sidney Poitier
    • Gregory W. Miller
    Vic Morrow
    Vic Morrow
    • Artie West
    Dan Terranova
    Dan Terranova
    • Belazi
    Rafael Campos
    Rafael Campos
    • Pete V. Morales
    Paul Mazursky
    Paul Mazursky
    • Emmanuel Stoker
    Horace McMahon
    Horace McMahon
    • Detective
    Jamie Farr
    Jamie Farr
    • Santini
    • (as Jameel Farah)
    Danny Dennis
    • De Lica
    David Alpert
    • Lou Savoldi
    • (non citato nei titoli originali)
    • Regia
      • Richard Brooks
    • Sceneggiatura
      • Richard Brooks
      • Evan Hunter
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti120

    7,410.3K
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    Recensioni in evidenza

    emanuel42

    Of the 50's but very actual

    In the mid 50's, when this film was released my parents like many other people who had teenagers were very reluctant to permit them to spend their allowance money for a ticket to this one. The film is superb, very realistic , giving an in depth view over problematic educational situation. But not only this- it is also a social outcry about racial problems, poverty problems, and when I viewed this film again in 2005 (yes, I managed to enter the theater in the 50's after all..) I was very astonished to realize that later films about the same situation-and there were quite a few of those during the years to come- displayed the same situations , motives and dilemma's. One realizes a very outstanding fact , which, if you will, is heart touching: these violent juveniles can easily dodge school, nobody can make them to stay in class, they even dread to face an expulsion , because deep in their heart they know that education is essential for their future if they ever want to get out of the vicious circle of poverty and low class, that holds them inside it.
    8jotix100

    Rock around the clock

    "Blackboard Jungle" marked a turn around in films coming from Hollywood. This was a film that dealt with a reality that movies had not dared to touch before in the way they always wanted to sugar coat every picture about teens in high school. The guys one sees here are the real thing, as though taken from any high school in the inner city of that time.

    The amazing thing this high school, at the center of the action, is not typical of any other schools in that one males attended and no females are to be seen around them. By making an old male high school, Richard Brooks updated Evan Hunter's novel to show the violent nature of most of those young men that are clearly from under privileged homes, perhaps, boys whose fathers had bolted and left their women to bring up the sons they didn't want to have anything with.

    The film is important in that it marked the arrival of a strong actor that would dominate the movies like no other one, Sidney Poitier. With his handsome looks, and his great screen presence, Mr. Poitier was instrumental in breaking into the main stream movies in ways others tried, but didn't make a dent. Perhaps it was in the cards that Hollywood began dealing with a reality they tried to ignore integrating their stories with Blacks that had taken a back seat to other, not so talented performers.

    The film works because of the strong performances by Glenn Ford, Vic Morrow and Sidney Poitier. Also, the theme song of the film, "Rock Around the Clock" went to become an anthem for viewers that filled the theaters for the thrill of hearing it play as the film started, putting them in the right frame of mind to accept what they were going to see.

    Richard Brooks is the one responsible for the adaptation and the inspired direction for the movie that still resonates because of its raw energy.
    8desktopia

    Blackboard Jungle is a breakthrough film that brings up important issues about urban schools.

    I chose to watch Blackboard Jungle after I saw Rebel Without a Cause in Film class. I enjoyed the first movie and after I learned what Jungle was about, I assumed that I would enjoy it as much as Rebel. I was wrong; I enjoyed Blackboard Jungle twice as much.

    Blackboard Jungle premiered in 1955, the same year as Rebel Without a Cause and historical milestones such as Rosa Parks' monumental protest of bus segregation. In fact, race relations pay an important part in this film, which I will discuss later. The movie is about a teacher, Richard Dadier, who accepts a job at North Manual High School. At this school, he encounters a school-wide discipline problem. The two main perpetrators in Dadier's class are Gregory Miller, a black student whom Dadier comes to see much promise in, and Vic Morrow, the true instigator of violence, whose gang attacks Dadier. Over the course of the film, Dadier also encounters apathetic teachers, a principal in denial, and a wife who gives birth prematurely. Eventually, Dadier must decide if his pursuit to teach is important enough to endure the hardship.

    This movie brings up some very important issues that were just important in 1955 as they are in 2001. Violence in schools is still a major topic, culminating in the Columbine shooting which everyone should remember. Also important is how teachers are to deal with this threat. Dadier dealt with it by reaching out to Miller and by confronting Morrow. But is this a realistic scenario? Sometimes students just cannot be reached, and it is irresponsible to ask teachers to directly confront weapon-totin students who have a propensity for violence. This just goes to show that solving violence in schools is difficult. It has taken at least 46 years; it will probably take many more.

    No female students are portrayed in Blackboard Jungle. This contributes to the stereotype that usually teenage boys are the ones who instigate violence. Of course, the statistics show that male students are mostly responsible for school violence, and many stereotypes exist for a reason. Rebel Without a Cause demonstrates the female role in school insubordination well, by including a woman in the main gang. Still, I would have liked to see a female student element in Jungle, to show that girls are often involved, and that they also influence male student's behavior.

    For the era, the racial attitude of Blackboard Jungle is very progressive. Dadier confronts racial slurs in the classroom. The principal, who was tipped off by a student that Dadier was using racial epithets (when all he was demonstrating was the dangerous consequences of such racism), is not happy with this report and chastises Dadier. Both situations show that two important protagonists object to racism, signifying the film's aversion to this social aspect. This comes just after Brown v Board, simultaneous to Rosa Parks' significance, and long before the high point of the Civil Rights Movement. Blackboard Jungle should undoubtedly be recognized for its attitude on race relations and other controversial elements, such as rock and roll. At a time when rock music was still controversial and outside the mainstream, Blackboard Jungle opened and closed with Bill Haley and the Comet's "Rock Around the Clock." This was a bold step to take and was one of the reasons that the film was banned from many theatres. The relatively violent content also contributed to the barring of the movie and probably contributed to many riots that occurred in theatres while the movie was shown.

    Overall, I enjoyed this movie, both for the issues it addressed, its support for educators and their responsibilities, and for its entertainment value alone. I highly recommend this film to anyone who is interested in educational dilemma, or someone who simply would enjoy a classic film with a progressive, realistic attitude. However, for anyone looking for a clone of Rebel Without a Cause, they won't find what they're looking for, but I guarantee they will enjoy it just the same.
    Bats_Breath

    Kids/Teens really don't change

    I think this film is a perfect example of how children and teenagers never really change. Oh sure the music and fashion is dated and looks prehistoric, the kids use lingo from another time and dance to music from another time, but they still act like teens. They think they are the coolest kids of all time and no one will ever be cooler. Then a new batch of teens show up and a new batch and so and so on. And the unthinkable happens to everyone, they get older and then become the middle age farts who don't understand the new generation. When in reality the new generation isn't doing anything too different from any previous generation. I was a teenager in the '90s, guess what? The '90s are over and there are a new generation of teens now who think THEY are the coolest of all time.

    Teens are rebellious and act up. They think they are immortal and can never die. They always have, especially since the 1940s and 1950s of America. Even the Bible documents a group of youths making fun of Elisha's baldness 3,000 years ago, "Go on up you bald head, Go on up you bald head" Poor kids, God came down with two bears and smote them all for making fun of Elisha. Unfortunately, God won't likely solve every youth problem like that anymore. :) Ways have to be found the way Glen Ford does in this film, to reach out to the troubled youth. And adults must always remind themselves that this is not a "new problem" as they so often wish to believe.
    juliafwilliams

    The movie that launched a few careers

    After nearly 50 years, this memorable movie about a New York City high school remains a standard by which so-called 'high school' movies are judged, made and measured. Without Blackboard Jungle, there might not have been a Fast Times at Ridgemont High, Pretty in Pink, or Breakfast Club.

    Before Sidney Poitier 'came to dinner', before Vic Morrow went into 'Combat', before Richard Kiley 'dreamed the impossible dream', and, yes, even before Jamie Farr (ne Jameel Farah), donned a dress, they were all part of The Blackboard Jungle. This movie launched quite a few notable careers.

    Altri elementi simili

    Giorno maledetto
    7,7
    Giorno maledetto
    La parete di fango
    7,6
    La parete di fango
    Un grappolo di sole
    8,0
    Un grappolo di sole
    Il ricatto più vile
    7,0
    Il ricatto più vile
    Finestre sul peccato
    5,4
    Finestre sul peccato
    La straniera
    6,1
    La straniera
    G-Men della quinta strada
    6,2
    G-Men della quinta strada
    La scuola della violenza
    7,6
    La scuola della violenza
    Gioventù spavalda
    6,5
    Gioventù spavalda
    Delitto nella strada
    6,6
    Delitto nella strada
    La sete del potere
    7,4
    La sete del potere
    Indovina chi viene a cena?
    7,8
    Indovina chi viene a cena?

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Film debut of Jamie Farr.
    • Blooper
      In the garage scene, when Miller starts fixing the car, he says "nobody gives a hoot", but his lips indicates he really says "nobody gives a damn". The replacement of the profanity is made humorous by the director, who chose to play the sound effect of a car horn when the word "hoot" is uttered.
    • Citazioni

      Richard Dadier: Now, pretty soon, you're gonna be reading in the newspapers want ads for jobs, apartments, something to buy. Advertising space is expensive so abbreviations are used. Now, write out the complete words to all the abbreviations in these problem ads. All right, get started.

      [Dadier notices Belazi coping anwsers from Morales paper]

      Richard Dadier: Belazi. Let's keep your eyes on your paper.

      Belazi: Me?

      Richard Dadier: Cheating won't help you learn those abbreviations, you know.

      Artie West: He won't look for no job. His old man owns a store.

      Belazi: Yeah, and I'm not gonna buy me me no Cadillac either.

      Artie West: No, It's cheaper to steal one. That's arithmetic for ya, teach.

      Richard Dadier: All right, Belazi. Bring me your paper up here.

      [Belazi gets up and hands over his paper to Dadier]

      Belazi: Five points off. What for?

      Richard Dadier: For having loose eyes.

      Richard Dadier: [Dadier notices that West is cheating also] West!

      Artie West: You talking to me, teach?

      Richard Dadier: Bring your paper up here West.

      Artie West: What for?

      Richard Dadier: I said bring your paper up here.

      Artie West: And I said , what for?

      Gregory W. Miller: Come on, Artie. Bring him the paper.

      Artie West: Now , look, you keep your rotten mouth out of this, black boy.

      [Miller stands up ready to pounce on West]

      Richard Dadier: Miller!... Hold it... All right. All right, Miller. It's all right. Now, bring your paper up here, West.

      [West crumbles the paper and throws it on the floor]

      Richard Dadier: All right, we're going down to see the principal.

      Artie West: We are? You gonna make me, Daddy-O? How'd you like to go to hell?

      Belazi: What's the matter, Daddy-O?

      Artie West: Yeah, how about it, teach? You got a big mouth. Tell me to do this, do that. Are you big enough to take me to the principal's office? Beacause that's what you're gonna have to do. Take me. So, come on! Take me! Come on!

      [Dadier approaches West and West pulls out a switchblade. This stops Dadier in his tracks and the rest of the class gets up and out of the way]

      Artie West: Come on. For a bright boy, you didn't learn nothing. Well, take me down. Come on. Step right up and taste a little of this , Daddy-O.

      Richard Dadier: Give me that knife, West.

      Artie West: Where do you want it? You want it in the belly? Or how about in the face, huh? Here it is. All you gotta do is take it. Come on, take it! Come on!

      Gregory W. Miller: Take it easy, chief. He's crazy, he's high, he's floating on Sneaky Pete wine.

      Pete V. Morales: He's gonna kill him.

    • Curiosità sui crediti
      "We, in the United States, are fortunate to have a school system that is a tribute to our communities and to our faith in American youth. Today we are concerned with juvenile delinquency -- its causes -- and its effects. We are especially concerned when this delinquency boils over into our schools. The scenes and incidents depicted here are fictional. However, we believe that public awareness is a first step toward a remedy for any problem. Is is in this spirit and with this faith that BLACKBOARD JUNGLE was produced."
    • Versioni alternative
      The film was originally rejected in the UK for containing "unbridled, revolting hooliganism" and having a "damaging and harmful effect (on teenagers)". Following protests from the distributor, it was viewed again but there was an even split between examiners in favor of banning it again or cutting it for an X (16) certificate. After further meetings where the distributor claimed it had a sincere moral purpose, a cuts list was drawn up which removed around five minutes of footage. This included the following:
      • The foreword which absolved the US of blame regarding its realistic depiction - this was added specifically for foreign releases following the huge controversy it caused back home. It reads: "We, in the United States, are fortunate to have a school system that is a tribute to our communities and to our faith in American youth. Today we are concerned with juvenile delinquency -- its causes -- and its effects. We are especially concerned when this delinquency boils over into our schools. The scenes and incidents depicted here are fictional. However, we believe that public awareness is a first step toward a remedy for any problem. It is in this spirit and with this faith that BLACKBOARD JUNGLE was produced."
      • Male pupils leering at women.
      • A boy assaulting a female teacher.
      • Dadier being attacked.
      • Dadier being threatened by a knife-wielding pupil.
      • The planning and execution of a van robbery.
      • Dadier fighting back against a pupil.
      Despite the heated conflict involving the BBFC and mixed reviews, the release of this X-rated cut version passed without incident and very little public feedback. No councils who viewed it chose to ban it. In 1996, it was submitted for a video release and passed uncut with a 12 certificate.
    • Connessioni
      Edited into Heavy petting, l'età degli amori (1989)
    • Colonne sonore
      Rock Around the Clock
      Written by James E. Myers and Max Freedman

      Performed by Bill Haley and the Comets

      Courtesy of Decca Records, Inc.

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    • How long is Blackboard Jungle?Powered by Alexa
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    Dettagli

    Modifica
    • Data di uscita
      • 21 febbraio 1957 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Semilla de maldad
    • Luoghi delle riprese
      • El Segundo, California, Stati Uniti
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.168.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 41 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.75 : 1

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