La polizia bussa alla porta

A very good gangster flick and evocative film-noir directed by Joseph H. Lewis. A zealous cop(Cornel Wilde) seeks the aid of a gangster's(Richard Conte) ex-girlfriend(Jean Wallace)in bringing down a crime syndicate. Conte's character is relentless as he rules his corrupt world with murder, gunplay and torture. Lee Van Cleef and Earl Holliman are his minions and Brian Donlevy is a handicapped mentor of sorts. Supporting cast features Helen Walker and Robert Middleton. Terrific lighting and photography make this an exceptional crime drama where shades of gray makes THE BIG COMBO a notch above the ordinary. Note:off-screen Wilde and Wallace are Mr. & Mrs.

Cornel Wilde stars with wife Jean Wallace, Brian Donlevy, Richard Conte, Lee van Cleef, Earl Holliman, and Robert Middleton in "The Big Combo." Wilde, who was one of the producers, had the idea of turning his wife into a serious actress. She certainly was pretty. For those who may not know it, Wallace was first married to Franchot Tone, so Wilde became their children's' stepfather.

The story concerns a police detective Diamond (Wilde) who is after the head of a far-reaching mob, Mr. Brown (Conte). He's been ordered to stop investigating because he can't find any evidence and also, he is in love with Brown's girlfriend Susan (Wallace) and the department is over budget thanks to his obsession.

When Susan attempts suicide, Diamond is allowed to follow one last lead, which is the name Alicia that Susan muttered in the hospital.

Meanwhile Brown sends his thugs, Fante and Mingo (Van Cleef and Holliman) to stop Diamond. By mistake, they murder Rita, Diamond's girlfriend. Now nothing will stop Diamond until he gets his revenge.

Good noir, with Wilde in top form a a tough guy. I admit he's never been a favorite of mine - he just does not warm up the camera at all. In order to avoid the production code, the sexual scene between Diamond and Rita is cleverly managed, and there are only subtle indications that Fante and Mingo are gay lovers - less subtle once you're aware of it and watch it again.

Helen Walker plays Brown's wife, and alas, the years weren't kind to her due to her trial and bad publicity in the 1940s. Here she's in a character role. By 1968, she would be dead, at the age of 47.

Richard Conte is fantastic as Brown, cruel and mean with no redeeming qualities. He pulls it off perfectly.

Recommended - the photography throughout is excellent, but the final shot at the end is stunning.

Couldn't help but notice the very similar beginning to Pulp Fiction. Tarintino shamelessly takes from other movies all the time. The boxing match, the girl being looked after by other gangsters for the boss, the girl overdose; ring a bell? Anyway, looks great and has a fantastic script. Ahead of its time in many respects. Its kind of grittier than most other genre entries of the time, but also has all the ingredients of a classic film noire.

Allied Artists which was Monogram Studios and mostly noted for the Bowery Boys gave us The Big Combo and they put together a stylish cast for this noir thriller. The cast is so good they cover up a lot of holes in the story.

The antagonists in this film are honest police lieutenant Cornel Wilde against ruthless syndicate chief Richard Conte. Wilde is doggedly determined to get Conte who's an article as slick as they come. His persistence reminds me a lot of Columbo without the humor.

Conte took over from a former syndicate chief who took a Johnny Torrio like 'retirement' to Sicily. Or what exactly is the real story there and who's this mysterious Alicia that throws a scare into the normally unflappable Conte?

Wilde also has a personal interest in another way as he's kind of crushing out on Jean Wallace who's Conte's main squeeze. There's a club stripper played by Carolyn Jones who's sweet on Wilde and pays for it with her life.

The Big Combo has made the list for cinema of gay interest because of the roles of Earl Holliman and Lee Van Cleef as a pair of gay trigger men who work for Conte. It's something that during the Fifties only a small studio like Allied Artists would have on screen. Today their relationship is rather obvious.

The parts are much greater than the whole and basically what Conte has done is pull a syndicate coup d'etat. But personally as the story unfolds he did a rather sloppy job in covering it up.

Rounding out the cast is syndicate banker Brian Donlevy and Wilde's police superior Robert Middleton. It's a nice noir thriller, but it should have had a much tighter story.

Now that DVD is fast becoming the medium of choice for many film enthusiasts, some lesser known, lower budget titles are finding their way to wider audiences.

Joseph Lewis's "The Big Combo" has made this trip to digital, and thankfully none of the film's captivating sleaze has been stripped away in the transfer.

What appears to be a fairly stock story of straight-arrow police detective Leonard Diamond (Cornel Wilde) obsessed with capturing a foreboding gangland chieftain, Mr. Brown, "Combo" is an unusually hardboiled, over the top tale of revenge and murder that will please and perhaps even surprise noir and crime-drama fans.

Over the course of the protracted investigation, Diamond, who has nearly lost his badge because of his stubborn determination, has fallen for the boss's dame -- a society girl gone so wrong she figures suicide is the only way out. But Mr. Brown (Richard Conte, excellent as the 'last-name only' control freak) is as omnipotent and omniscient as a head pit boss in Vegas, taunting and manipulating every one around him with an unsettling equanimity.

He tells Diamond, who is virtually powerless to do anything but temporarily hold the murderous Brown and his men on trivial charges, that "the busboys in his hotel" make more money than he does. Even Brown's right hand man, the hearing impaired McClure (Brian Donlevy)is mercilessly ridiculed for his second tier status.

And Brown is obsessed with his prowess with women as Diamond is with capturing him and wooing his moll. The film is filled with risque sexual allusions as wild as anything from director Sam Fuller.

In one scene, Brown manuevers around his girl, stopping briefly at her lips, but then dropping out of frame, seemingly down past her waist. And Diamond cavorts with a "burlesque" dancer (with a heart of gold, natch) who appears in a skimpy outfit that is titillating even by today's television standards.

But the most ribald bits to make it past the censors involve Brown's bickering henchmen, Fante and Mingo. Fante, played by the aquiline Lee Van Cleef, appears to be a typical hood, but midway through the film the lights come up in a bedroom where the two men have been sleeping in remarkably close quarters.

Later, sequestered in a mob-hideout, the two engage in thinly-veiled homoerotic banter that will leave you howling.

As will some of the other scenes -- torture by drum solo, a Casablanca inspired finale. Throughout the picture Brown and Diamond dance around one another sans gene, to the sound of gunshots and acid-tongued banter.

"The Big Combo" is taut, gutter entertainment, delivered in precise black and white. Even if you do watch it on DVD.