Artisti e modelle

This is probably the best of the films featuring Martin and Lewis. This film is also a fine parody due to the fact that this film was shot during the period when there it was being debated over how the comic books that were out during that time were affecting children (those arguments would lead to the "comics code"). The other highlight of this film was looking at Shirley MacLaine was chasing after Jerry (the girl must have needed glasses). These scenes provide much of the humor as Jerry's character Eugene is scared to death of the aggressive Betsy. Its also interesting to note that MacLaine's character Betsy is interested in astrology and MacLaine would later become known for her new age interests, including astrology.

Lets face it, attempts to make a slapstick comedy, done after the '40's, can hardly be called good or successful ones. This movie however does work out surprisingly and it's one that is hard not to enjoy and will make you laugh, guaranteed. In all honesty, it's one of the most amusing comedies I have ever seen.

It's a movie filled with lots of physical humor, mostly coming from Jerry Lewis of course. This at the same time of course means that there is not much to the story but still the movie has a good script, which story provides the movie with plenty of fun and good characters and some nice comical situations. Still the movie at times feels as if it's trying to have too much story in it, which makes the movie drag a bit at times, certainly toward the end. It also makes the movie a bit overlong and it also easily could had been a shorter one had it cut out some of its lesser story lines. The movie should had focused more only on its comedy.

It's definitely not a too impressive looking movie. The movie didn't cost a lot of money to make. Not that it matters too much for the movie but its quality will probably still put off some people.

Dean Martin and Jerry Lewis were a screen-duo that appeared in quite a few comedies together. Lewis was there for playing the goofy characters and for adding most of the slapstick comedy of the movie, while Dean Martin was mostly there to play the pretty guy and to provide the movie with his singing skills. Kind of a strange and also unlikely duo but it worked out very well within their films. For this movie a whole bunch of other well known actors showed up. Cameos was a thing that became big and mostly popular in the '50's and lost of well known persons show up in this movie, though most of them just aren't that well known and recognizable this present day. The movie further more also features Shirley MacLaine and Eva Gabor among others in some big roles.

All in all a movie that I enjoyed watching and made me really laugh more than once.

7/10

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Dean Martin plays an artist named Rick Todd and Jerry Lewis is his buddy Eugene Fullstack.Eugene happens to be obsessed with comic books and has very bad dreams because of those.Rick gets an idea to make a comic book from Eugene's dreams.In the same building there lives Abigail Parker (Dorothy Malone), who's the author of Eugene's favorite comic book The Bat Lady and the model Bessie Sparrowbrush (Shirley MacLaine).Rick likes Abby and Bessie likes Eugene.Eddie Mayehoff is a little weird publisher Mr Murdock.Frank Tashlin's Artists and Models (1955) is an awfully funny picture from Dean Martin and Jerry Lewis.These two were magnificent together.Also other actors support the main clowns very well.Maclaine and Malone are very pretty and great actresses.Eddie Mayehoff is just hilarious as the publisher.There are also people like Eva Gabor (Zsa Zsa's sister), Anita Ekberg, Jack Elam and Kathleen Freeman.The movie is filled with great actors and funny scenes.There's one where Jerry has to keep running downstairs all the time for the telephone and Jerry on TV with many others.There are also some wonderful musical numbers, like where Shirley sings Innamorata very loud making Jerry freaked and Dean singing with the little girl.There are many scenes to remember.This movie is fifty years old (where did the time go), but it hasn't aged a bit as Jerry Lewis movies never will.Jerry never will.

I've never seen a Dean Martin/Jerry Lewis movie. This was my first and I hope it is not my last! With a wacky story line (Crazy-for-comic boy Eugene dreams up comic book stories with Vincent Vulture and Freddie Fieldmouse and his friend writes them down) and a ton of laughs ("Not only will I watch your switchboard but I'll buzz your lights and tangle your wires. Come 'ere baby." "Not while your friend's watching." "Oh, he left." "Wow! Then what are we waiting for? My saggitarius was right. Come on, boy. Don't fight.") And the cutest actors (Shirley MacLaine, Dorothy Malone). How can you not love the songs? And then there's the entire Eva Gabor thing going on. This movie is hilarious, too bad it's not popular NOW. I highly recommend it. I love it.

A feast for the eyes. It's candy box Technicolor the whole way with lots of skimpy costumes and color loaded sets. Of course, director Tashlin specialized in cartoonish fare like A and M. Team him with the cartoonish comedian of the day, Lewis, and you've got the perfect visual counterpart. Then add impish Shirley MacLaine, the perfect loopy foil to Lewis, and you've got perhaps the best Martin and Lewis feature. Forget the plot, which is incidental anyway. Then too, Lewis's antics are much at times. Instead, catch that centerpiece with MacLaine and Lewis on the stairway. It's brilliantly done, a combination of mugging and acrobatics, showcasing their athletic skills. I don't know how they rehearsed since the timing and coordination are so precise. Besides, one misstep on the staircase and somebody's sporting a plaster cast. Probably shouldn't forget Martin's tuneful rendition of Innamorata (means "female sweetheart" in Italian). As I recall, it was a popular radio hit, as well. All in all, the crazy comedy manages bouncy entertainment the whole way. It also provides a chance to catch the scene-stealing MacLaine on her way up the show biz ladder.

(In passing— the grisly content of comic books was an object of national debate in 1954, which likely accounts for the movie's comic book theme. That debate ended with a self- imposed code of content governing the industry for years.)