Giorno maledetto

Spencer Tracy had a wonderful gift for the theater, his on screen persona was often able to offer audiences quality entertainment. Regardless of the many characters, Tracy's talent always shown through and became memories for his many fans. Here is one exceptional example. The movie, Directed by John Sturges, is called " Bad Day at Black Rock. " It relates the story of John Macreedy, (Spencer Tracy) a U.S. Army veteran who decides to visit the town of Black Rock, the hometown of a Japanese friend killed during the war. However upon arrival, he is greeted with suspicion, resentment and apathy. The longer he stays, the more questions he has to ask. Unfortunately, everyone he questions has been told not to talk to him. Led by Reno Smith (Robert Ryan), others are intimated not to co-operate with the stranger, The exceptional cast includes Dean Jagger, Walter Brennan, Ernest Borgnine, Anne Francis and Lee Marvin. Though the vast scenic desert, surrounds this forgotten town, it nevertheless allows the foreboding atmosphere to commit itself to a linger secret which prevails and haunts the towns folks. An excellent film for a time when true drama could fit well into a pleasant afternoon. ****

Produced by Dore Schary out of MGM, Bad Day at Black Rock is directed by John Sturges and stars Spencer Tracy, Robert Ryan, Anne Francis, Dean Jagger, Walter Brennan, John Ericson, Ernest Borgnine and Lee Marvin. It's adapted by Don McGuire and Millard Kaufman from the story "Bad Day at Hondo" written by Howard Breslin. It's shot on location in CinemaScope and Eastman Color at Lone Pine, Death Valley & Alabama Hills in California, with William C. Mellor on photography and André Previn scoring the music.

A classy production that combines elements of Westerns and film noir, Bad Day at Black Rock deals with racism and all the hate and bully tactics that come with such a vile subject. It tells the story of a mysterious one armed stranger, John J. Macreedy (Tracy), who arrives at a tiny isolated town in a desert of the Southwest United States in search of a Japanese-American man. From the moment he arrives he is met with hostility and mistrust. Over the course of the day Macreedy picks apart the town to uncover the secret that the towns folk had hoped had gone away forever.

From the opening sequence of a bright red train rushing towards us, it's evident that we are in the modern day West. It's just after World War II and the horse trails of the old West are now frequented by jeeps and cars. Yet the hallmarks of the old West exists and thrives because of the inhabitants of Black Rock. An ignorant group of people consisting of bullies, drunks and the head in the sand weak willed type. Yet even though the film is set mostly in the blazing sun, in a barren one horse Western town that time forgot, the film exudes a film noir sensibility. Dark secrets from the past weigh heavy on the shoulders of the towns' big players - and Tracy's High Noon like situation is moodily paced by the wily Sturges. In fact, that a film with so little "gun play" action can be so tense is actually no mean feat, with him yet again directing an ensemble cast to great effect.

Tracy is at his best when he is as he is here, playing subdued. Here he is a thinking man's protagonist, calm and reflective in the face of constant hostility. That he is facing an impressive line up of heavies really brings home just how thoughtful a performance Tracy gives in the piece. Robert Ryan does yet another fine turn as a complicated villain whose rage is bubbling away under the surface. Borgnine and Marvin are memorably vile as his right hand thugs, Dean Jagger as the drunken cowardly sheriff manages to pang the heart and Walter Brennan is his usual solid scene influencing self. Anne Francis adds the glamour but really - and sadly - it's a nondescript role that the film could easily have survived without.

Clocking in at just 81 minutes the film never outstays its welcome. It looks great on home format issue, and for those interested in commentary tracks, this one comes with a very good one from Dana Polan. Anyone who has not seen this film should try and seek it out. It was considered controversial back on release but now can be viewed as a smart message movie about racial tolerance. Tight, taut and expertly directed and acted, Bad Day At Black Rock is an important film from the 50s that still rings the bells loudly even today. 8/10

This film respects the three unities :unity of place ,unity of action and unity of time .

Unity of place:everything takes place in a one-horse town,Black Rock,where an unusually inventive use of the wide screen makes the small town even more isolated,cut off from the world.When you leave Black Rock,you find a desolate landscape where only some flowers (of death?as Tracy points out)grow.

Unity of action:something happened in "Black Rock" ,something that its inhabitants are anxious that it remains in the shadow.Enter Tracy who seems to know too many things he should.Then all the inhabitants all stand together ,and their conspiracy of silence becomes threatening.What's amazing is that John Sturges (it's probably his best film,he uses Tracy in a much better way than he did in "people against o'Hara" some years before)refuses the easy way out:take for instance the only female character played by Anne Francis ;she does not act as the audience expects .Stand-out remains Robert Ryan,always excellent in one of his villains parts:funny how an actor who was known for his liberal views should have played so many racists ,anti-Semitics (this film,but also Dmytryk's "crossfire" and Wise's "against all odds").Other good performances come from Marvin and Borgnine.

Unity of time:everything happens in the space of 24 hours;first sequence :the train arrives in Black Rock,last sequence:it leaves it.

This is a modern western,which takes place just after WW2."Bad Day at Black Rock" is also,in its own special way, a war movie ,and also an anti-war one,because Tracy's life was saved by a...

Thoroughly enjoyable ,it deserves its reputation of classic.

"Bad Day at Black Rock" is one of the more interesting "westerns" ever made. Told in the present(1955), it has all of the elements and feel of the classic western that may have taken place eighty years prior to this. From the first shot of the modern day locomotive traveling along the same path that many a stagecoach may have taken, you realize that this is a story about a way of life that has not been totally brought up to date. Where strangers are suspicious, secrets that take place in a town stay in the town.

John Sturges has done a wonderful job of bringing all of these elements together. One of the things that I found interesting was that there were very few, if any, close-ups. Most of the shots could have been master shots. For me, this made me feel as though I were a by-stander in the room with the characters while they talked. A nice touch.

As expected all of the performances are great. Tracy, Ryan, Brennan, and Jagger are all terrific. As are Lee Marvin and Ernest Borgnine (two actors at the time who were about to break out, and become top-line stars).

If you like classic westerns, and great acting, "Bad Day at Black Rock" will not disappoint.

8 out of 10

John Sturges directed this quintessentially tight-constructed masterpiece. This is how it was done in the good old days: nothing falls by the wayside. Tight, clear characterizations, with minimalist dialog, costume, manner, and facial expression all reflecting the inner lives of people in their self-constructed hell. Check out how Hector (Lee Marvin) uses the word "boy" to suggest racial overtones well in advance of the slowly-revealed background plot; how Macreedy (Spencer Tracy) in his dark suit and no-nonsense manner contrasts with everyone else's casual dress and edginess, perfectly reflecting his role as avenging angel; how Coley (Ernest Borgnine), trying to run Macreedy off the road, resembles (probably unintentionally) Joe McCarthy, especially as caricatured by Walt Kelly; and of course how the arch-villain, Reno Smith (Robert Ryan), suggests limitless power with his inimitable smirk and almost languid movements: he controls the town without actually doing anything overt--until Macreedy forces his hand. Nicely turned performances by other major players, too: Dean Jagger (the drunkard Sheriff Tim), Anne Frances (nervous Liz), and Walter Brennan (loquacious, self-justifying Doc). The suggestion that one man can--literally single-handedly--make a moral difference is inspiring (and how that one hand utterly confounds Coley is a nifty, low-key precursor of Bruce Lee-inspired acrobatics). This is a keeper.