The Millionaire

I used to work for a Los Angeles-based savings and loan company. Their pitch to retirees was to host "Golden Days of Television" personal appearances by 50's TV actors, including their spokesman, Harry Von Zell of Burns and Allen fame. I walked into the Alhambra, CA branch and spotted Marvin Miller holding court! I rushed over and asked the then-ultimate trivia question- "Who played John Beresford Tipton?" "Paul Frees" was the answer. He then whipped out an already-printed "check" from "The First National Bank of Silverstone", in the amount of "$1,000,000.00 in Good Wishes", signed it "Michael Anthony" and handed it to me. I've kept it for 30 years, hoping to cash it some day. As an additional bit of trivia, the establishing shot of "Silverstone" is the mansion at the corner of Orange Grove and Green Streets in Pasadena, now the headquarters of Ambassador College and built, as a winter residence, by a late president of U.S. Steel.

"The Millionaire" is a show unfairly forgotten, today; as popular in it's time as "Queen for a Day", "Private Secretary", and "Our Miss Brooks", it offered a premise that would serve as an inspiration for series as varied as "Magnum P.I,", "Fantasy Island", "Stairway to Heaven", and the current 'Reality TV' craze; top-notch casts in half-hour morality tales; and 'common sense' resolutions that would keep it an audience favorite for five seasons.

Produced for CBS by Don Fedderson Productions (who would also give America "My Three Sons" and "Family Affair"), an unseen millionaire (with obviously WAY too much free time), John Beresford Tipton (voiced by one of TV and film's best-known voice actors, Paul Frees), would dispatch his associate, the ever put-upon Michael Anthony (Marvin Miller, in his best-known role), carrying a tax-free cashier's check for a million dollars, made out to 'random' individuals, on condition that they never attempt to discover who sent it, or reveal where the money came from, except to their husband or wife.

With the frequently bemused Anthony as an observer, the new millionaires would run the gamut of possible scenarios, discovering, ultimately, that money can't buy happiness, but CAN provide a half-hour of frequently engrossing drama. Each episode would generally end with Anthony summarizing the recipient's 'lesson learned' to a satisfied Tipton.

With casts often featuring future 'stars', the series was wise without ever being overly 'preachy', with good direction and strong production values. Frequently lampooned by comedy shows of the period, "The Millionaire" ultimately would have the last laugh, outlasting most of them.

While an attempt to 'reinvent' the show would fail, in 1978, the original certainly qualifies as a TV 'classic'...

Nobody seems to remember that it wasn't actually random people to whom the million dollars was given. At the beginning of each show Tipton would send for his secretary, Michael Anthony. Tipton would say something pertaining to the person he'd decided to give the gift to, and say "Here's another Millionaire." He always knew some reason why the person needed the money or the lesson the money might teach. Anthony would fold the check into his portfolio and head out to deliver it. One episode I still remember had the money going to the young daughter of a contentious couple who needed the money. They found the million dollars notation in her bankbook and told her she shouldn't pretend and write things in the book. At the end of the show they hadn't yet discovered the money was real. It was a good show, fondly remembered.

Unfortunately, the original creator of THE MILLIONAIRE, who also authored the pilot, has not been given any credit here. His name was Walter Goetz, son of Harry Goetz (Paramount Pictures) and this wonderful series was his baby from the get-go. Due to some kind of disagreement over rights or royalties (I forget the details now) he left it all behind in the very beginning and has now, apparently, been completely forgotten. Just thought I'd mention it, having personally known him. Subsequent to his short-lived career in California, he made a living playing the music of Cole Porter, George Gershwin etc. etc. in piano bars and restaurants in Santa Fe, New Mexico. Lucky us. He was a wonderful man and it was truly an honor to know him.

John Beresford Tipton: his name evokes patrician wealth and breed. Using his executive secretary, Michael Anthony, Tipton chooses, apparently but not certainly, one person each week at random to receive, tax-free, the sum of one million dollars, in the form of a cashiers check. One million dollars was an enormous sum in the 1950s. And, if one remembers that the top tax bracket (which includes this amount) was 91% at that time, the gift becomes even more phenomenal.

Each recipient was required to sign an agreement never to reveal either the circumstances under which the money was received and the amount, other than to the spouse. (In one episode, a child received the money and a somewhat non-plussed Anthony told the child that he can reveal these details to his parents). The idea of each half-hour show was to see just how receiving the money would affect each recipient. At the end of the show, Tipton would briefly reviews what happened.

An excellent show, far and above the lunacy that pervades television today.