L'agente George Dixon e i suoi colleghi della stazione di polizia di Dock Green nell'East End di Londra si occupano della microcriminalità, controllandola con successo attraverso il buon sen... Leggi tuttoL'agente George Dixon e i suoi colleghi della stazione di polizia di Dock Green nell'East End di Londra si occupano della microcriminalità, controllandola con successo attraverso il buon senso e la comprensione umana.L'agente George Dixon e i suoi colleghi della stazione di polizia di Dock Green nell'East End di Londra si occupano della microcriminalità, controllandola con successo attraverso il buon senso e la comprensione umana.
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A middle aged Jack Warner began playing the role of his life, that of Police Constable (PC) George Dixon, in the 1950 Ealing film THE BLUE LAMP, sadly perishing in that film at the hands of a very nasty and young Dirk Bogarde.
Beginning in 1955, DIXON OF DOCK GREEN went on TV air for 432 episodes until its demise in 1976. Naturally, Warner aged with the series but never lost his good humor, warmth, and his portrayal of a copper with a family who treats the public as extended family, always within the bounds of respect and the law, implementing his impeccable approach with stickler-like care. As another viewer remarked, no bad or even remotely thoughtless language ever departed the lips of any of the staff at Dock Green police station, and least of all PC Dixon.
I am not British and did not live in the UK in the heyday of this series... but it still says a lot to me. 8/10.
Beginning in 1955, DIXON OF DOCK GREEN went on TV air for 432 episodes until its demise in 1976. Naturally, Warner aged with the series but never lost his good humor, warmth, and his portrayal of a copper with a family who treats the public as extended family, always within the bounds of respect and the law, implementing his impeccable approach with stickler-like care. As another viewer remarked, no bad or even remotely thoughtless language ever departed the lips of any of the staff at Dock Green police station, and least of all PC Dixon.
I am not British and did not live in the UK in the heyday of this series... but it still says a lot to me. 8/10.
I'm a police officer in the United States. Twenty-four years on duty and 56 years old. I was in my early thirties when I started and more aggressive in my demeanor. My wife has always been a fan of British Police programs. Initially I rolled my eyes at the "Bobby" but as I've gotten older, I've come to adopt the tactics of Dixon and others. Yes, they're fictional characters, but they are inspired by real world events. That low key approach works, saves me wear and tear and resolves things peacefully. Sometimes one must be strict, but often a soft shoe approach is better. A few younger officers are even looking towards me now which I never expected. Good show. One can learn a few things from it.
This was British TV's original police series. I'm not old enough to remember the early days of this show, but I grew up with it in the sixties and seventies. At the time, Dixon of Dock Green already seemed old fashioned compared with Z-cars or US shows like Ironside. It was a cozy and faintly sentimental representation of policing. Despite this, it retained a certain authenticity that other shows lacked. The police officers that I had met had more in common with Dixon than any other TV character. Jack Warner's perennial character George Dixon oozed calm authority and respectable self-assurance. Each programme was introduced by the whistled theme tune after which George Dixon would always begin a spoken introduction direct to camera with the words "Evening all". He would make dry observations about "villains" and the frailties of human nature. The episode's drama would then be played out. By the seventies Dixon himself rarely played a huge part in the story; he was pretty old. The programme would end with Dixon again; this time proposing a moral for the story. He invariably signed off with the words "'Night all". They don't make shows like this any more. Pity.
The most beloved of British serials that ran for 430 episodes for an entire generation - and no-one appears to have thought this worth commenting on! No series before or since has generated the viewer affection that PC George Dixon managed.
An extension of the tremendously popular Basil Dearden film of 1950 entitled THE BLUE LAMP, brit actor Jack Warner was so typecast in this role, he received truck-loads of fan-mail for almost twenty years addressed simply to "PC Dixon." He was loved and idolised by millions right up until his death from pneumonia in 1981.
I remember clearly the first episode in 1955, it was just one week after we got television...a tiny 12" screen in grainy black and white! I watched that show all my childhood. I grew up with the characters in it, yet PC Dixon NEVER changed. The epitome of one's concept of British dignity and decency, PC Dixon had a heart bigger than any. Selfless, tireless, incorruptible and representing pretty much everything that modern society has rid itself of, the stalwart of fictional Dock Green Police Station rode his bike from adventure to adventure. No smart comments, no punch-ups, bad language ANYTHING vaguely indelicate. Yet you KNEW after each episode that crime really does not pay and that we all had a choice in life.
I wish more than anything that I could meet PC Dixon today. He alone could re-establish my childhood beliefs and dreams.
An extension of the tremendously popular Basil Dearden film of 1950 entitled THE BLUE LAMP, brit actor Jack Warner was so typecast in this role, he received truck-loads of fan-mail for almost twenty years addressed simply to "PC Dixon." He was loved and idolised by millions right up until his death from pneumonia in 1981.
I remember clearly the first episode in 1955, it was just one week after we got television...a tiny 12" screen in grainy black and white! I watched that show all my childhood. I grew up with the characters in it, yet PC Dixon NEVER changed. The epitome of one's concept of British dignity and decency, PC Dixon had a heart bigger than any. Selfless, tireless, incorruptible and representing pretty much everything that modern society has rid itself of, the stalwart of fictional Dock Green Police Station rode his bike from adventure to adventure. No smart comments, no punch-ups, bad language ANYTHING vaguely indelicate. Yet you KNEW after each episode that crime really does not pay and that we all had a choice in life.
I wish more than anything that I could meet PC Dixon today. He alone could re-establish my childhood beliefs and dreams.
PC George Dixon died just 21 minutes into the film _The Blue Lamp (1950)_ (qv). When filler was needed after a season of _"Fabian of the Yard" (1954)_ (qv) ended 'Ted Willis' (qv) wrote six scripts with PC Dixon back in Dock Green. The series was steady, authentic, and even down to checking that: a) The helmet is kept on when entering a house, but b) is, out of courtesy, when addressing elderly ladies, and c) is removed and held neatly under the right arm when addressing a bishop. [not sure how many bishops where in the programme though] At a time when New York City would see more murders inn a week than Great Britain would in a year it is not surprising that Dock Green was a series of low-level crimes. A gentle series which meant George Dixon's promotion to sergeant in 1964 was a big change , caused in part by 'Jack Warner' (qv)'s arthritis and by his age . (70-year-old coppers don't walk the beat). This allowed the younger characters to come to the fore, although the violent crime rate was never increased just to keep ratings share. Jack's age and arthritis meant his character rarely left the station, and in the final seasons, rarely came from behind his desk. In 1976 the newer, more violent, cop shows won, and Dock Green Station finally closed its doors. Still, 21 minutes to 21 years isn't bad. Evenin' all
Lo sapevi?
- QuizOnly 33 of the series' 432 episodes survive: 12 from the monochrome era (1955-1968) and 21 from the colour run (1969-1976). The others were wiped by the BBC. Seasons Three, Four, Six, Eight, Ten, Twelve, Sixteen and Nineteen are missing entirely; conversely the final, 22nd season is the only one to survive completely. Off-air recorded soundtracks also exist for Double Jeopardy (1968), The Trojan Horse (1968), Nightmare Hours (1971) and There's Your Story, There's My Story - And There's the Truth (1974), which were recovered in 2015.
- Citazioni
[repeated line]
PC George Dixon: Good evening, all.
- Curiosità sui creditiEarly editions carried the sub-title: "Some Stories of a London Policeman".
- Colonne sonoreAn Ordinary Copper
(uncredited)
Composed by Jeff Darnell
Arranged and Performed by Ken Jones and his Orchestra
[Second series theme tune]
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