VALUTAZIONE IMDb
7,5/10
55.322
LA TUA VALUTAZIONE
Due cantanti e ballerini si ritrovano coinvolti in una storia d'amore con due sorelle e uniscono le loro forze per salvare il Vermont Inn in bancarotta.Due cantanti e ballerini si ritrovano coinvolti in una storia d'amore con due sorelle e uniscono le loro forze per salvare il Vermont Inn in bancarotta.Due cantanti e ballerini si ritrovano coinvolti in una storia d'amore con due sorelle e uniscono le loro forze per salvare il Vermont Inn in bancarotta.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 2 candidature totali
Vera-Ellen
- Judy Haynes
- (as Vera Ellen)
Bill Alcorn
- Dancer
- (non citato nei titoli originali)
Leon Alton
- Anniversary Party Guest
- (non citato nei titoli originali)
Al Bain
- Anniversary Party Guest
- (non citato nei titoli originali)
Frank Baker
- Anniversary Party Guest
- (non citato nei titoli originali)
Benjie Bancroft
- Anniversary Party Guest
- (non citato nei titoli originali)
Mary Bayless
- Nightclub Patron
- (non citato nei titoli originali)
Joan Bayley
- Dancer
- (non citato nei titoli originali)
Brandon Beach
- Anniversary Party Guest
- (non citato nei titoli originali)
Lulu Mae Bohrman
- Nightclub Patron
- (non citato nei titoli originali)
Recensioni in evidenza
It seems every Christmas this is one movie I must watch, and never tire of it. The cast I thought was mismatched, Danny Kaye was a poor substitute for Donald O'Connor, yet he makes the character he plays so likeable that you can't help but be drawn to his character. Danny Kaye and Bing Crosby dressed as girls has to be seen to be believed. They make the " sisters " song take on a whole other meaning.
This is a picture that shows the magic of Christmas. The last scene with the general brings a tear to the eye. Once again this proves that musicals leave you with that special feeling.
This is a picture that shows the magic of Christmas. The last scene with the general brings a tear to the eye. Once again this proves that musicals leave you with that special feeling.
The music of Irving Berlin, one of America's most distinguished composers of the 20th century, is at the center of this pleasant holiday film, that if one is to judge by the comments submitted to this forum, is a perennial favorite of audiences that discover this charming movie, or just go back to visit from time to time.
Directed by Michael Curtiz, a versatile man; he was at ease with drama as well as comedy, or musicals. He shows a light touch that helps make this a cherished film for movie fans of all ages. Based on material by another great team, Norman Panama, Norman Krasna and Melvin Frank, the movie is light as a feather. The film is sort of a variation on the theme, "let's put on a show", or even, "if we stage it, they will come", we know how it will end, but we feel good, and enjoy it even though we know the plot by heart.
The main reason for watching, besides Mr. Berlin's wonderful tunes, is hearing those standard songs delivered by the likes of Bing Crosby and Rosemary Clooney, who were at the top of their careers. They had such wonderful and melodious voices, they enhance the songs they interpret. The story is just a pretext to bring together the talented principals plus Danny Kaye, Vera Ellen, Dean Jagger, and the marvelous Mary Wickes, in a film that will delight anyone, anytime, but especially at Christmas.
Directed by Michael Curtiz, a versatile man; he was at ease with drama as well as comedy, or musicals. He shows a light touch that helps make this a cherished film for movie fans of all ages. Based on material by another great team, Norman Panama, Norman Krasna and Melvin Frank, the movie is light as a feather. The film is sort of a variation on the theme, "let's put on a show", or even, "if we stage it, they will come", we know how it will end, but we feel good, and enjoy it even though we know the plot by heart.
The main reason for watching, besides Mr. Berlin's wonderful tunes, is hearing those standard songs delivered by the likes of Bing Crosby and Rosemary Clooney, who were at the top of their careers. They had such wonderful and melodious voices, they enhance the songs they interpret. The story is just a pretext to bring together the talented principals plus Danny Kaye, Vera Ellen, Dean Jagger, and the marvelous Mary Wickes, in a film that will delight anyone, anytime, but especially at Christmas.
"White Christmas" is guilty of many of the sins catalogued by other commentators: its got a sappy story line, predictable plot twists, it plays outrageously for sentiment and patriotism (not your usual Christmas theme!). But I confess to having loved it from the first moment I saw it nearly a half century ago. I, too, like many, make it a point to view it every Christmas season, along with much better holiday fare such as "It's a Wonderful Life," "The Wizard of Oz," and "Miracle on 34th Street." I think, contrary to many folks, that Danny Kaye succeeds in the second lead role better than Fred Astaire did in "Holiday Inn," and while he isn't given an opportunity for his patented zaniness, he adds a thoroughgoing charm to the role that sometimes the rather stiff Astaire lacks.
Rosemary Clooney is lovely in the rather thankless role of the practical sister and was at the peak of her genius as a pop singer, Vera-Ellen does her usually charming thing, and Crosby! The master implants his genius in virtually every frame. In supporting roles veteran character actor Dean Jagger is splendid as the general, while Mary Wickes steals every scene she's in as the nosy hotel housekeeper, Emma. The singing and dancing are first-rate (even without Astaire), and the songs by Irving Berlin are among his very best, including a number of tunes written especially for the film. One that never ceases to charm me is the trifle, "Snow," sung by our four stars in the dining car of the railroad train bound from Florida to Vermont. What a magical moment, among many in this thoroughly delightful, if flawed, jewel.
Rosemary Clooney is lovely in the rather thankless role of the practical sister and was at the peak of her genius as a pop singer, Vera-Ellen does her usually charming thing, and Crosby! The master implants his genius in virtually every frame. In supporting roles veteran character actor Dean Jagger is splendid as the general, while Mary Wickes steals every scene she's in as the nosy hotel housekeeper, Emma. The singing and dancing are first-rate (even without Astaire), and the songs by Irving Berlin are among his very best, including a number of tunes written especially for the film. One that never ceases to charm me is the trifle, "Snow," sung by our four stars in the dining car of the railroad train bound from Florida to Vermont. What a magical moment, among many in this thoroughly delightful, if flawed, jewel.
Sorry, Jimmy! My apologies, Alistair! My all-time favorite Christmas was, is, and always will be, "White Christmas." First of all, there's that wonderful Irving Berlin score. "Count Your Blessings Instead of Sheep" and "Sisters" have become standards, of course. But, towering above them all, is Bing Crosby's definitive performance of the beloved Christmas favorite that he practically owned. All the performances are top-drawer, what with Bing, Danny Kaye (In a role meant for Donald O'Connor), Rosie Clooney, Vera-Ellen, Dean Jagger, and Mary Wickes, who, as you can see here, was playing nasty old things even when she was a nasty young thing!
Corny, syrupy, kitsch. Perhaps it is all of that, to some. But, to unashamed sentimentalists like me, "White Christmas" will always be THE all-time great Christmas movie, particularly when viewed by the whole family, on Christmas Day, in front of the fireplace.
God bless Bing, Berlin, and company, for making a lot of Holidays that much happier, including those of the Sorrentino family!
Corny, syrupy, kitsch. Perhaps it is all of that, to some. But, to unashamed sentimentalists like me, "White Christmas" will always be THE all-time great Christmas movie, particularly when viewed by the whole family, on Christmas Day, in front of the fireplace.
God bless Bing, Berlin, and company, for making a lot of Holidays that much happier, including those of the Sorrentino family!
White Christmas is one of those movies you can just enjoy without having to think about why the characters act the way they do. The plot is very thin, and seems to be written just to hold the musical numbers together, but it makes for a very enjoyable movie indeed. Viewing this film has become a holiday tradition in my family, and it is great fun to quote memorable lines and sing along with Bing, Danny, Vera-Ellen, and of course, the incomparable Rosemary Clooney. We have a theater here in Austin that regularly shows classic films, and the year they screened White Christmas, there was a packed house, and everyone sang along with every song and yelled out lines, sort of like Rocky Horror Picture Show without the dressing up. White Christmas is just a fun movie, and I highly recommend it for holiday viewing. The Irving Berlin songs, the dance numbers, and yes, the "schmaltz" are just the right combination to put even the Grinchiest person in the Christmas spirit.
Lo sapevi?
- QuizAccording to Rosemary Clooney, the "midnight snack" scene in which Bob Wallace expounds on his theory of what foods cause what dreams was almost entirely improvised.
- BlooperIn the first dressing room scene, Judy is pouring coffee for herself and Betty and clearly puts down the coffeepot. When the scene cuts, she is still holding the coffeepot.
- Citazioni
Phil Davis: My dear partner, when what's left of you gets around to what's left to be gotten, what's left to be gotten won't be worth getting, whatever it is you've got left.
Bob Wallace: When I figure out what that means I'll come up with a crushing reply.
- Curiosità sui creditiThis film was the first feature to use the VistaVision Paramount logo. A new logo, created especially for wide-screen, this logo appears more realistic and features a shot of a canyon with trees around it. The sky is more distant in depth and is full of contrast. The Paramount logo is pretty much the same as before here. The screen credit "Paramount (with the "P" written in their corporate font) proudly presents the first picture in" first appears over the mountain, and then the VistaVision logo appears, then the Paramount logo plays as usual (with the final notes of the Paramount on Parade march, followed by a bell sound). The Paramount mountain, with minor variations until 1986, served as the basis for the company logo for more than 30 years.
- ConnessioniFeatured in The Colgate Comedy Hour: Final Show of the Colgate Comedy Hour (1955)
- Colonne sonoreOverture
(uncredited)
Music and Lyrics by Irving Berlin
Performed by The Paramount Pictures Studio Orchestra Conducted by Joseph J. Lilley
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.800.094 USD
- Fine settimana di apertura Stati Uniti e Canada
- 566.045 USD
- 9 dic 2018
- Lordo in tutto il mondo
- 2.984.313 USD
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 1.85 : 1
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