A 3 passi dalla forca

Gregor Stevens (Scott Brady) has 4 days shore leave. He goes to visit his brother but cannot find him. A meeting with Yvonne (Mary Castle), a boxing fan (Michael Balfour) and a visit to the "Gay Mask" nightclub give him an avenue to pursue in the circumstances that are unfolding before him. Gregor must solve the mystery before he goes back to his ship.........and, more importantly, before a hanging takes place.....

It's a fast-paced film that gets going from the beginning. It's well acted by all and has many twists to the plot. It is just on the right side of complicated.

Its a good film to keep onto and watch again.

Excellent British Film Noir "3 Steps to the Gallows" follows American Sailor Scott Brady trying to visit and then just locate his brother while docked in London. Mary Castle as the lounge singer at the Gay Mask club gives this film an extraordinary aura. Her abbreviated performance of "There's No Way Out" paves the way for Brady to commence making contact with all of the characters involved in the plot. Pay attention - no one is above suspicion. Brady is more than a bit of a bull in a china shop but the rest of the cast is more subtly believable. This moves along at a good pace with no dead time. Worth seeking out.

Scott Brady is a military man who learns that his brother is about to be hanged in "Three Steps to the Gallows" from 1953.

Brady is Gregor Stevens who arrives in London planning on visiting with his brother. His brother, however, was convicted of murder in will be executed in three days.

This doesn't give Gregor much time to find out what happened and hopefully clear his brother. He finds himself involved with smugglers but gets some help from Yvonne Durante (Mary Castle) a nightclub singer. It's risky business because these are diamond smugglers who will stop at nothing to silence anyone they think might talk.

A lot of action in this one, as Brady is constantly getting into fights. One funny part occurs when a secretary (Genevieve Brune) introduces herself as a school friend of Yvonne's. Since they were 19 years apart in age, that must have been some school.

Ferdy Mayne and Michael Balfour do excellent jobs supporting Brady, one of many American actors who made British films in the '50s. Scott Brady at that time was something of a matinee idol, though low level. He later went into character work and worked into the '80s, dying in 1985.

Most of these films starring Americans are B level, but I usually enjoy them, especially the Hammer films, of which this is one. Not the horror ones though.

Hats off to the director, John Gilling, who delivers a fast moving, action packed movie, which has a film 'noir' dimension about it. The storyline revolves around a American naval officer, Gregor Stevens, played by Scott Brady, who is on shore leave, where he hopes to meet up with his brother, but to his horror, his brother is in prison, convicted of murder, and has three days left before he will be hanged. The muscular and athletic Brady now begins to take matters into his own hands to see if he can find out as to the actual circumstances, which has led to his brother languishing in a cell, waiting to be executed. Our hero, turned sleuth, gives an energetic and powerful performance as a 'man on a mission,' where he confronts not only several shady nightclub operators and thugs, but also the blond, sultry and deliciously beautiful Yvonne, played by Mary Castle, the resident nightclub singer. Brady has plenty of opportunity to show his physical and athletic prowess in a number of scenes where he has to chase, as well as evade several underworld henchmen, who wish to 'terminate' his interest in his hunt to find out the truth. Brady's frantic investigations, where he's diving in and out of taxis and cars, also sees him confronting some very unsavoury characters, such as 'Sartago,' the smooth and suave nightclub manager, wonderfully played by Ferdy Mayne, as well as from John Blythe, who gives a convincing performance playing the cheerful and breezy cockney boxer, Dave Leary. There are many dramatic twists and turns in this fast moving storyline, which ends with a thrilling 'Hitchcockian'' climax around Olympia in London. Although the finale is a bit far fetched, the director and the cameraman should be congratulated for creating an entertaining and riveting film, where many of the action scenes have a sense of gritty realism, set against the backdrop of London in the early 1950's. Normally, these type of quick quota B films, which were made in the 50's, with an American lead actor, were mediocre 'time fillers,' shown before the main feature, but the pacy storyline and the strong acting performances by the two main protagonists, Brady and Castle, puts this on a much higher level.

As some other reviewers have mentioned, THREE STEPS TO THE GALLOWS is a highly superior British film noir which doesn't let up from beginning to end. A twisty turny mystery style plot line throws up some familiar tropes - it seems half of British crime films made during the 1950s consisted of criminal enterprises utilising nightclubs as their lairs - but runs away with them thanks to a fast pacing and a complete refusal to deviate from the thriller aspects of the storyline.

American actor Scott Brady plays a sailor who gets some shore leave to visit his brother, only to discover that he's disappeared. He soon uncovers a sinister, conspiracy-style mystery that will lead to his brother's imminent execution, so it's a race against time to prove his innocence. Along the way he tangles with femme fatales, dogged detectives, and various henchmen, often slugging it out with the latter in some engaging fight scenes.

Brady is a slightly boring main actor but the supporting cast make up for deficiencies, with Ferdy Mayne and Michael Balfour on particularly strong form. Ballard Berkeley plays a cop and must have been one of the most typecast actors of the era. Director John Gilling, who would later direct the likes of THE REPTILE for Hammer, does a sterling job, but the real star here is Welshman Paul Erickson, whose debut script is never less than compelling.