Obbiettivo Terra

TARGET EARTH sounds like an epic sci-fi movie on paper: see! Earth attacked by an army of killer robots with death rays! Sadly, as is usually the case with these things, the real story is far more prosaic, and a dearth of money means that this is a typically cheap and plodding sci-fi pic with more in common with ROBOT MONSTER than WAR OF THE WORLDS.

Cult producer Herman Cohen delivers us a tale of a quartet of survivors trapped in a deserted city and at the mercy of a robot seemingly made out of cardboard boxes. A few scenes of military speak are interspersed with the main narrative, no doubt to pad out the running time a little. Whit Bissell plays in support.

Nothing much happens here. There are a few cheesy death scenes and attempts at suspense that will disappoint all but the smallest child. Needless to say there are few effects. I like 1950s B-movies but this really doesn't have much going for it, although Robert Roark is fun as the human villain of the piece, Richard Denning is the likable everyman hero, and Kathleen Crowley certainly fills out a form-fitting sweater. What more could you want?

When I first viewed this movie,I was 11 years of age. Needless to say I couldn't sleep for a couple of nights. The movie is vintage post-World War II paranoia that has reached cult classic status (see The Astounding B-Monster web site).

All right!! So it isn't hi-tech or academy award winning material, however, the premise is a good story.

So what! The robot looks like a Maytag washer-dryer combo gone mad. Give us a break!! Stop comparing yesterday's movies by today's computer F/X standards. Think (if you can) what it was like in the fifties with no internet, no laptops and no cell phones! And you couldn't trust those Russians! The fifties reached their peak with UFO's sightings and stories and that's what this movie is all about.

Enough said!. Turn the lights down low, make some popcorn and enjoy this movie with a friend, because that robot might just be looking over your shoulder.

8 out of 10.

Acting: THE GOOD. Richard Reeves and Virginia Grey. Although they both started the movie completely intoxicated, they suddenly become sober at the sight of a dead body. But I found them to be the only two characters with any hint of personality in this movie. THE BAD: Everybody else. Kathleen Crowly runs through the vacant city with a smile on her face, isn't she supposed to be frightened? Richard Denning is just the opposite. His face is so straight throughout the whole movie, I was beginning to believe HE was a robot. And finally, Robert Roark...ugh!! What is that?? A Humphry Bogart impersonation?

SPECIAL EFFECTS: THE GOOD: You'll only have to look at the robots a few times,the rest is left to our imaginations. THE BAD: Is that robot bow-legged? Well, I have seen worse in other B-movies.

CLASSIC LINES: FRANK: "Take it easy, I'm not going to hurt you!" Just before slapping Nora in the face. And, FRANK: "It's(Venus)covered by a heavy layer of clouds,that means plenty of water, oxygen, and hydrogen in it's atmosphere." VICKI: "Say, where did you learn all this?" FRANK: "College." Overall, this is your average 50's sci-fi with more focus on character studies than on the cheap looking robot. Which saves it from the Ed Wood level of movie making.

This movie starts out in promising fashion. The first scene is nearly silent, with minimal use of a score, as the camera slowly pans across a woman lying in bed, a mirror, an open bottle of sleeping pills. The woman awakenings, her suicide unsuccessful. It could almost be the opening of a well-directed, stark 1950s melodrama.

Unfortunately, the best things about this movie are the first 5 minutes and the last 5 minutes (plus the fantastic poster art).

In between is a mishmash of C-grade romantic melodrama, crime melodrama, and military stock footage, blended with a few unimaginative scenes of a couple of government scientists working in a little low-budget brick room in a basement to find a way to defeat the enemy.

And of course the requisite sexism of the era. Our two main protagonists meet each other and bond over a man-on-woman slap, because, naturally, he perceives her as being hysterical. Fortunately, she apologizes, and they move on.

Regarding the latter, I don't blame this movie for being "a product of its time," but I nonetheless cannot understand why it has managed to stay in the consciousness of fans of 1950s American science fiction and Cold War pop culture. It is somewhat interesting as a post-apocalyptic Cold War melodrama, of which the movie Five is another example, and has obvious cultural relevance in that context. But there are so many other better, more interesting and entertaining examples. It might be worth one viewing for die-hard fans, but having seen it more than once now I can say it is certainly not worth repeated viewings.

Although dated, this science fiction thriller asks the question, "Is it possible for outer space aliens to invade our earth?" The script was well written and the acting was just as good. Richard Denning and Kathleen Crowley have been seen in other top notch "B" 50'S sci-fi and horror films. But this is one of the best.