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5,8/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCavalry Captain Simmons attempts to prevent the delivery of Gatling Guns into the hands of hostile Indians.Cavalry Captain Simmons attempts to prevent the delivery of Gatling Guns into the hands of hostile Indians.Cavalry Captain Simmons attempts to prevent the delivery of Gatling Guns into the hands of hostile Indians.
- Regia
- Sceneggiatura
- Star
Robert Adler
- Raider
- (non citato nei titoli originali)
Carl Andre
- Raider
- (non citato nei titoli originali)
Forest Burns
- Union Soldier
- (non citato nei titoli originali)
Harry Carter
- Union Lookout
- (non citato nei titoli originali)
Gene Coogan
- Union Soldier
- (non citato nei titoli originali)
Jack Curtis
- Bartender
- (non citato nei titoli originali)
Russell Custer
- Townsman
- (non citato nei titoli originali)
Recensioni in evidenza
It's a typical 50's Technicolor Western trotting out all the usual ingredients with the usual vim – no-nonsense people and plot was the motto.
Two Rebs steal the being-developed Gatling Gun from the Feds in an ingenious segment, eventually toting it further south but ending up stuck in a small town. This town gets quickly filled to the brim with Federal soldiers still on the hunt for their gun. Van Johnson (Reb) and Joanne Dru (Fed) fall for each other of course although of course they don't realise it until the climax. What interested me was the implication that the gun could be used by civilised whites against each other in a civilised slaughter but that selling it to the savage Reds was beyond the Pale. Both Feds and Rebs are eventually united to prevent the Reds using it during the noisy 5 minute siege. And of course the implication was only the Reds were low enough to actually use the horrible weapon the Feds had had the brains to design – at the time of production America had the same idea about the Russian Reds and the atom bomb.
It has a bit of everything Western in: romance and fights, trains and horses, shootings and slapstick comedy. It's fun, I loved it.
Two Rebs steal the being-developed Gatling Gun from the Feds in an ingenious segment, eventually toting it further south but ending up stuck in a small town. This town gets quickly filled to the brim with Federal soldiers still on the hunt for their gun. Van Johnson (Reb) and Joanne Dru (Fed) fall for each other of course although of course they don't realise it until the climax. What interested me was the implication that the gun could be used by civilised whites against each other in a civilised slaughter but that selling it to the savage Reds was beyond the Pale. Both Feds and Rebs are eventually united to prevent the Reds using it during the noisy 5 minute siege. And of course the implication was only the Reds were low enough to actually use the horrible weapon the Feds had had the brains to design – at the time of production America had the same idea about the Russian Reds and the atom bomb.
It has a bit of everything Western in: romance and fights, trains and horses, shootings and slapstick comedy. It's fun, I loved it.
This western is about two unreconstructed southerners who steal a Gatling gun from Union soldiers which winds up in the hands of an outlaw who sells the gun to Indians for gold. The film dwells on character development and takes a great deal of time detailing the two southern agents' travels from town to town delivering coded messages and trying to arrange a rendezvous with a contact to deliver the Gatling. The picture is another Blue vs. Gray conflict in the west with the Indians on the warpath against the soldiers, a plot angle that has been done better in other westerns. Van Johnson is okay as the hero and Joanne Dru is the gal who falls for Johnson. Richard Boone is a standout as a gun-running renegade in a role as a heavy he would reprise in other westerns. The supporting cast and color photography are good.
In the last days of the American Civil War, a Confederate gun smuggler ends up helping to defend a Union fort when his weapons are sold to the Shawnee Indians.
Routine yet amiable western with light-hearted moments as well as tense ones. Van Johnson stars as a salesman going town with his assistance singing "tapioca." Clever bit is that it's a code word. It moves leisurely, and gets more exciting as it progresses and ends with a rousing cavalry vs Indians fight featuring a Gatling gun. Joanna Dru and Richard Boone as a villain also star. Van Johnson does well in his only western. Well photographed with fantastic rugged terrain.
Routine yet amiable western with light-hearted moments as well as tense ones. Van Johnson stars as a salesman going town with his assistance singing "tapioca." Clever bit is that it's a code word. It moves leisurely, and gets more exciting as it progresses and ends with a rousing cavalry vs Indians fight featuring a Gatling gun. Joanna Dru and Richard Boone as a villain also star. Van Johnson does well in his only western. Well photographed with fantastic rugged terrain.
Jim Farady (Van Johnson)and his associate Benjy (Milburn Stone) appear to be hucksters ,travelling the West selling patent medicine (a muscle builder)but in reality they are spies for the Confederacy and are transporting a stolen Gatling Gun to the Confederate lines ,a journey that will take them through Indian Territory ,and the natives are not friendly. They attract the attention of a shrewd Pinkerton man Frank Kelso (Jeff Morrow)and are forced to smuggle the guns out concealed in a hospital wagon driven by the unsuspecting Nora Curtis (Joanne Dru)who is attracted ,somewhat against her will to Farady.they are betrayed by their ostensible escort ,Manning (Richard Boone)who has plans to sell the guns to the Indians for an attack on a nearby fort ,plans Farady sets out to foil.
The movie is immaculately shot in Technicolor by Edward Cronjager and Rudolph Mate ensures the action moves along with vigour .The acting is good and the movie never flags ,even finding time for a unique drunk scene -the inebriate in question being Nora .
The climax may appear familiar and if so this is unsurprising -the climactic battle is lifted from Buffalo Bill ,the Joel Macrae movie from an earlier decade ,and intercut with close up of the actors in this movie
Its a solid action Western and enjoyable for lovers of the genre
The movie is immaculately shot in Technicolor by Edward Cronjager and Rudolph Mate ensures the action moves along with vigour .The acting is good and the movie never flags ,even finding time for a unique drunk scene -the inebriate in question being Nora .
The climax may appear familiar and if so this is unsurprising -the climactic battle is lifted from Buffalo Bill ,the Joel Macrae movie from an earlier decade ,and intercut with close up of the actors in this movie
Its a solid action Western and enjoyable for lovers of the genre
I don't know why, but the Van Johnson's role seems to have been inspired by a Randolph Scott's character in a western from the forties, for Warner, where he played a Confederate soldier fighting for something lost in advance; of course as a Confederate officer.... Maybe I am wrong, I have not in mind all the Randolph Scott's characters, but this Confederate soldier trying to do his best to win or at best change the course of the war, I have seen this before. However this lead character can't be shown as the evil guy, only ambivalent. This is not my Rudolph Maté's western favorite. Worth watching for any western buff.
Lo sapevi?
- QuizJean Peters was tested for a role.
- BlooperMany of the firearms shown are not those that would be used (or even invented) during the Civil War. Winchester are shown and they wouldn't be invented until after the Civil War and would not be widely sold until the early 1870s. The soldiers and Indians are using carbine single shot rifles which are correct for the period.
- ConnessioniFeatures Buffalo Bill (1944)
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Dettagli
- Tempo di esecuzione
- 1h 26min(86 min)
- Proporzioni
- 1.66 : 1
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