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LA TUA VALUTAZIONE
Una contessa italiana tormentata e nevrotica tradisce la sua intera nazione per una relazione autodistruttiva con un luogotenente austriaco.Una contessa italiana tormentata e nevrotica tradisce la sua intera nazione per una relazione autodistruttiva con un luogotenente austriaco.Una contessa italiana tormentata e nevrotica tradisce la sua intera nazione per una relazione autodistruttiva con un luogotenente austriaco.
- Premi
- 3 vittorie e 2 candidature totali
Franco Arcalli
- Un soldato
- (non citato nei titoli originali)
Aldo Bajocchi
- Un soldato
- (non citato nei titoli originali)
Ottone Candiani
- Un soldato
- (non citato nei titoli originali)
Nando Cicero
- Un soldato
- (non citato nei titoli originali)
Claudio Coppetti
- Un soldato
- (non citato nei titoli originali)
Cristoforo De Hartungen
- Il generale Hauptmann
- (non citato nei titoli originali)
Tony Di Mitri
- Un soldato
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film opens in La Fenice, the Venice opera house. La Fenice was destroyed by arson in 1996, but reopened in 2003. Enlarged frames of this movie were used as a reference in reconstructing it.
- Citazioni
Il tenente Franz Mahler: It's too late! It's over! I'm not your romantic hero!
- Versioni alternativeTwo versions of the film are available on video.
- One version is missing the scene where Livia tries to explain where all the money meant for the troops went.
- Another version is missing the climatic battle sequence between the Austrian and Italian troops.
- ConnessioniEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
- Colonne sonoreSinfonia N. 7 in mi maggiore (7th Symphony)
Music by Anton Bruckner
Performed by Orchestra Sinfonica Nazionale della Rai
Conducted by Franco Ferrara
Recensione in evidenza
Senso was Visconti at his most elegant and aesthetic. It opened his series of historical spectacles. The film showed that epics and melodramas can entail political criticism as any other genres. Senso is his intelligent analysis about the Italian unification - Risorgimento. The film's criticism didn't please all the people and it suffered from censorship and it was edited several times. Nonetheless this aesthetically beautiful film still stands out as a fine ironic masterpiece.
The year is 1866 and the moment people have dreamed for decades - centuries - is in our hands. Garibaldi is coming and the Italians are beating the Austrians. In the middle of all this Visconti tells us a story about an Italian woman, who is the cousin of the leader of the underground resistance, who falls in love with an Austrian lieutenant. She is blinded by her romantic illusion and is ready to betray her family, friends, ideals and native land - these are part of the ethical problematics in Senso.
Senso was Visconti's first color film and he obviously had put a lot of effort to it. It's visually gorgeous and meant an aesthetic revolution for Italian cinema. It is no coincidence that it starts in an opera which Visconti did a lot himself too. The opening sequence shows us the basic power of Opera and melodrama - to change life, infrastructure without forgetting the concrete history.
Historical films always tell us about two different ages, intentionally or unintentionally: the one the story takes place in and the time it was made in. It's a film about the Italian unification but also a study about the deepest emotions in Italy during the 1950's. Italy after WWII, filled with neo realism - antifascist battle and hope for democracy. But also about the downside; the victory of the right-wingers and the beginning of the Cold War.
Senso is a gorgeous film which requires patience and love from its viewer. It's a political, ironic, revolutionary and aesthetic film. Truly one of the biggest landmarks in Visconti's career but also in the history of Italian cinema.
The year is 1866 and the moment people have dreamed for decades - centuries - is in our hands. Garibaldi is coming and the Italians are beating the Austrians. In the middle of all this Visconti tells us a story about an Italian woman, who is the cousin of the leader of the underground resistance, who falls in love with an Austrian lieutenant. She is blinded by her romantic illusion and is ready to betray her family, friends, ideals and native land - these are part of the ethical problematics in Senso.
Senso was Visconti's first color film and he obviously had put a lot of effort to it. It's visually gorgeous and meant an aesthetic revolution for Italian cinema. It is no coincidence that it starts in an opera which Visconti did a lot himself too. The opening sequence shows us the basic power of Opera and melodrama - to change life, infrastructure without forgetting the concrete history.
Historical films always tell us about two different ages, intentionally or unintentionally: the one the story takes place in and the time it was made in. It's a film about the Italian unification but also a study about the deepest emotions in Italy during the 1950's. Italy after WWII, filled with neo realism - antifascist battle and hope for democracy. But also about the downside; the victory of the right-wingers and the beginning of the Cold War.
Senso is a gorgeous film which requires patience and love from its viewer. It's a political, ironic, revolutionary and aesthetic film. Truly one of the biggest landmarks in Visconti's career but also in the history of Italian cinema.
- ilpohirvonen
- 24 set 2010
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Wanton Contessa
- Luoghi delle riprese
- Teatro La Fenice, Venezia, Italia(opening scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- ITL 700.000.000 (previsto)
- Lordo Stati Uniti e Canada
- 27.723 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3984 USD
- 28 ott 2018
- Lordo in tutto il mondo
- 27.723 USD
- Tempo di esecuzione1 ora 58 minuti
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