Il principe coraggioso

There is such a sense of childlike wonder and fun in Henry Hathaway's 1954 Camelot tale, PRINCE VALIANT, that it's easy to forgive the obvious incongruities in accents (Robert Wagner's broad American tones...hard to believe he plays Donald Crisp's son...Sterling Hayden, looking and sounding more like Wild Bill Hickok than Sir Gawain...Victor McLaglen as the most Irish Viking you'll ever see!), and concentrate, instead, on the energy, pageantry, and sweep of the adaptation of Hal Foster's classic comic strip.

Certainly, one would be hard-pressed to assemble a finer cast; in addition to Wagner, Hayden, McLaglen, and Crisp, you have James Mason as the villain, Sir Brack, dazzling, and far more believable than he had been as Rupert of Hentzau in MGM's remake of THE PRISONER OF ZENDA; Janet Leigh and Debra Paget, both ethereally beautiful as the sisters, Aleta and Ilene; and Brian Aherne, as King Arthur, so perfect in the role that you wish his part had been larger.

In the early 1950s, there was a resurgence of swashbuckling films in Hollywood, and a new sub-category appeared, 'Knights in Training', with Fox's PRINCE VALIANT, and Universal's THE BLACK SHIELD OF FALWORTH (starring Tony Curtis) both devoting ample screen time to the education of squires in the knightly skills of jousting and sword fighting. These scenes are great fun to watch, particularly for children (knights had to go to school, too!), and paint a far more accurate picture of the difficult work involved in mastering the required talents than did the recent film, A KNIGHT's TALE.

As we follow the adventures of the Viking Prince as he restores his kingdom, finds love, and wins a place at the Round Table, special credit must be given to Franz Waxman's spectacular music. One of the most memorable scores ever produced for a film, the theme has become a staple at the Hollywood Bowl, and for the Boston Pops. Once heard, it is not forgotten!

While the magical elements of the story are downplayed (the mystical powers of the 'Singing Sword' are more implied than actually shown), the story itself has such a sense of wonder that it isn't missed. The heroes of Camelot are all present (Arthur, Lancelot, Guinevere, Gawain, and Galahad), and the Round Table scenes are as majestic as any film has ever accomplished.

PRINCE VALIANT may not be in a league with EXCALIBUR, but it certainly holds it's own against KNIGHTS OF THE ROUND TABLE, CAMELOT, and FIRST KNIGHT, and as a family film it can't be beat!

In my childhood Prince Valiant was one of my favorites. There was this film and also an album to fill in with cards related to the film. Henry Hathaway did a real good work with this film, very good for all ages, but more for children. One of the things I liked was the way Valiant (Robert Wagner or his stunt) jumped and ran. He was very active and with pride. The film had a good acting of James Mason as the villain Sir Brack, Sterling Hayden as strong Sir Gawain; two beauties of those days, Janet Leigh and Debra Paget, and the ex-boxing champion, the Italian Primo Carnera as the villain Sligon, who badly talked in the scenes he participated. Although the film was made in studios, the photography and the environment shown were good.

I Know: Robert Wagner's hairdo is sort of unbearable; Janet Leigh's white wig is too much; Valiant's sword looks over-sized; Sterling Hayden behaves like a contemporary New Yorker; it's very easy to imagine who the black knight is; vikings didn't have horns in their helmets; and so on.

But somehow I found this medieval story based on Harold Foster's characters entertaining and I even enjoyed it. In fact I think that for 1954 "Prince Valiant" takes the most of Foster's novels about knights and vikings in the times of legendary King Arthur.

Good colorful locations, fine settings, good action scenes and a sort of "sticky" musical score that even sounds appropriate help the picture along with an acceptable script and Henry Hathaway's prolix direction.

Highlights o the movie are James Mason's convincing villain, Brian Aherne's fine portrayal of King Arthur and a violent and smashing final duel between Valiant and the unmasked Black Knight.

If you like medieval costume adventures you'll enjoy this one too.

Ah, for the days of King Arthur and the Knights of the Round Table, when men were knights and boys wanted to be one. "Prince Valiant" is a fantasy swashbuckler film based on the long-time syndicated comic strip of the same name by Hal Foster. Robert Wagner isn't at the level of Douglas Fairbanks Jr. or Errol Flynn, nor is this film quite the actioner of those made by those actors. But, this is a fun and entertaining film from the mid-20th century when the tales of knights, pirates and adventurers were highly popular with Hollywood and audiences.

Foster's comic strip brought to life much of the lore of the legendary early British period. And, this is one of the first films about the main characters of the legend. The film has a fine cast. It's a picturesque story with great sets and costumes as imagined for the period.

The castles, coastal scenes, sword fights and tournaments of knights should still delight young audiences of the 21st century. And, the story isn't without romance with a couple of maiden beauties for whose hands in marriage most red-blooded knights would gladly vie.

This is a particularly good film for young boys well into the 21st century. The hero, Prince Valiant, is not an invincible knight who conquers all. Instead, he's a human being with faults who makes mistakes. Robert Wagner plays the part well as a young lad with dreams who stumbles and falls a couple of times in his pursuit of valor and honor. That makes a better lesson for today than the standard fantasies of super heroes that Hollywood cranks out.

Fifty years ago moviegoers found that Fox's PRINCE VALIENT was much better than expected, thanks to Henry Hathaway's fine direction and a wealth of good sense from 20th Century-Fox. Fox was still well-taken with their new CinemaScope process that just begged for action and beautiful, colorful settings. This movie excels at all, but it's mostly the rock-solid story of King Arthur and the Vikings that makes it.

Screen beauties Janet Leigh and Debra Paget almost never showed any leg in any movie, and herein (sorry) are fully covered as usual. Anyway, it's the men who dominate this story. Robert Wagner is perfect as Valient, and Sterling Hayden is at the top of his form, as is James Mason.

Truth is that in the age of comic book movies (2000-2008) Hollywood's cocaine sniffers have no clue how to craft this genre with any classic quality. The secret is to focus on (1) story, (2) character development, (3) spectacular sets and scenery, (4) challenge, redemption, faith, patriotism. The religion and honor in Prince Valient would make today's godless movie industry cringe.

These days the focus (if any) would be on animation, choppy editing, almost no dialog, and the usual/identical musical score: vim, vim, vim, vim on a violin while a chorus belts out wordless chants. Boring! Thus films like Jerry Bruckheimer's "King Arthur" -- to name just one, is no longer even a memory, let alone a classic.

Treat yourself! Rent "Prince Valient" on DVD.