Il principe coraggioso

While not nearly as good as Hal Foster's comic strip, this film is not nearly as bad as some reviewers would have you believe. James Mason makes a fine villain, and the action scenes are well directed by Hathaway. The biggest problem is that it is, after all, a fifties film, with all the good and bad points of the fifties. I am a big fan of the fifties, because it is the decade in which I started watching movies, but I am also aware that relatively low budgets and heavy handed censorship made even the best fifties films somewhat dubious -- e.g. A Streetcar Named Desire without any hint of homosexuality. Comparing Prince Valiant to most modern knights in armor films, I find it more fun than, say, Black Knight or Timeline.

Henry Hathaway's 'Prince Valiant' is an epic adventure story set in the Golden Age of Chivalry... It is the story of a Viking Prince who pledges to go to Camelot and there strive with honor and diligence to become a Knight at King Arthur's Round Table...

'Prince Valiant' is about a ghost who plots treason, a black-armored knight who appears and vanishes at will... It is about a deadly Black Knight, who uses his disguise to make a pact with a Viking traitor to overthrow a great king...

'Prince Valiant' is about a desperate squire who dares to wear the armor and identity of a chivalrous Knight of the Round Table... And about a loyal squire who crowns a mighty knight with a rock, and tries to win a beautiful princess for himself...

'Prince Valiant' is about the son of an exiled king who seeks King Arthur's help against the usurper, and becomes involved in a court plot... It is about a courageous lad who faces the treachery of a mysterious black knight, who is scheming betrayal and murder...

James Mason portrays the shining knight Sir Brack who suffers the indignity of being challenged on the field of honor by a squire in the guise of a knight...

Janet Leigh plays the lovely damsel with one purpose, to answer love fully...

Robert Wagner plays the young hothead with one vow to fulfill before he can think of anything else...

Debra Paget plays the shy and charming dark-haired princess with a secret wish...

Sterling Hayden plays Sir Gawain, the perfect knight who knows that his duty is to find the Black Knight and destroy him before his treason ripens...

Victor McLaglen plays the Christian Viking hiding behind a red curtain with a long knife in his hand...

Donald Crisp plays the exiled King of Scandia who was overthrown by a Viking traitor and escapes with his wife and son across the North Sea to Britain...

Brian Aherne plays Arthur, King of the Britons, who assures Valiant that 'knighthood cannot be had for the asking...' It must be won! Barry Jones plays the father of two lovely princesses who suffers to get the best knight for one of his daughters...

Well... I just love this movie! Its good old magic moves me to some of the most cherished memories stored in my mind... It is an agreeable historical piece that has prowess, romance, and grace, and a breathtaking duel, one of the best you will ever see...

The Sunday comic strip character gets the CinemaScope treatment in a fine film with marquee names to attract more than passing interest. Robert Wagner is just right as the young Viking prince who seeks to restore his father's throne. Circumstances bring Valiant to King Arthur's court where an English knight becomes his mentor and trains him in the art of combat. James Mason is great as a shadowy figure who figures prominently in the picture. Janet Leigh is a lovely maiden who is smitten immediately with Valiant, and Debra Paget is on hand to be romanced by an English knight. The film has action, suspense and romance, tournaments and thrilling battles before the final confrontation between Valiant and the Black Knight. Great cinematography, beautiful scenery and Franz Waxman's brooding score round out a quality film production.

There is such a sense of childlike wonder and fun in Henry Hathaway's 1954 Camelot tale, PRINCE VALIANT, that it's easy to forgive the obvious incongruities in accents (Robert Wagner's broad American tones...hard to believe he plays Donald Crisp's son...Sterling Hayden, looking and sounding more like Wild Bill Hickok than Sir Gawain...Victor McLaglen as the most Irish Viking you'll ever see!), and concentrate, instead, on the energy, pageantry, and sweep of the adaptation of Hal Foster's classic comic strip.

Certainly, one would be hard-pressed to assemble a finer cast; in addition to Wagner, Hayden, McLaglen, and Crisp, you have James Mason as the villain, Sir Brack, dazzling, and far more believable than he had been as Rupert of Hentzau in MGM's remake of THE PRISONER OF ZENDA; Janet Leigh and Debra Paget, both ethereally beautiful as the sisters, Aleta and Ilene; and Brian Aherne, as King Arthur, so perfect in the role that you wish his part had been larger.

In the early 1950s, there was a resurgence of swashbuckling films in Hollywood, and a new sub-category appeared, 'Knights in Training', with Fox's PRINCE VALIANT, and Universal's THE BLACK SHIELD OF FALWORTH (starring Tony Curtis) both devoting ample screen time to the education of squires in the knightly skills of jousting and sword fighting. These scenes are great fun to watch, particularly for children (knights had to go to school, too!), and paint a far more accurate picture of the difficult work involved in mastering the required talents than did the recent film, A KNIGHT's TALE.

As we follow the adventures of the Viking Prince as he restores his kingdom, finds love, and wins a place at the Round Table, special credit must be given to Franz Waxman's spectacular music. One of the most memorable scores ever produced for a film, the theme has become a staple at the Hollywood Bowl, and for the Boston Pops. Once heard, it is not forgotten!

While the magical elements of the story are downplayed (the mystical powers of the 'Singing Sword' are more implied than actually shown), the story itself has such a sense of wonder that it isn't missed. The heroes of Camelot are all present (Arthur, Lancelot, Guinevere, Gawain, and Galahad), and the Round Table scenes are as majestic as any film has ever accomplished.

PRINCE VALIANT may not be in a league with EXCALIBUR, but it certainly holds it's own against KNIGHTS OF THE ROUND TABLE, CAMELOT, and FIRST KNIGHT, and as a family film it can't be beat!

Ah, for the days of King Arthur and the Knights of the Round Table, when men were knights and boys wanted to be one. "Prince Valiant" is a fantasy swashbuckler film based on the long-time syndicated comic strip of the same name by Hal Foster. Robert Wagner isn't at the level of Douglas Fairbanks Jr. or Errol Flynn, nor is this film quite the actioner of those made by those actors. But, this is a fun and entertaining film from the mid-20th century when the tales of knights, pirates and adventurers were highly popular with Hollywood and audiences.

Foster's comic strip brought to life much of the lore of the legendary early British period. And, this is one of the first films about the main characters of the legend. The film has a fine cast. It's a picturesque story with great sets and costumes as imagined for the period.

The castles, coastal scenes, sword fights and tournaments of knights should still delight young audiences of the 21st century. And, the story isn't without romance with a couple of maiden beauties for whose hands in marriage most red-blooded knights would gladly vie.

This is a particularly good film for young boys well into the 21st century. The hero, Prince Valiant, is not an invincible knight who conquers all. Instead, he's a human being with faults who makes mistakes. Robert Wagner plays the part well as a young lad with dreams who stumbles and falls a couple of times in his pursuit of valor and honor. That makes a better lesson for today than the standard fantasies of super heroes that Hollywood cranks out.