Gente di notte

This film is so well crafted that it still can't be faulted - 60 years later. There's not a weak player in the cast - and this must be the film to remember both Peck and Crawford by. Peck by his mastery of the very complex character he has to play, Crawford by the masterful way in which he plays his usual, boorish, stereotype - but then brilliantly wises up to reality. The scenes where Peck and Crawford interact are electric.

The plot is very, very complex. Even if you pay full attention to every word and every character nuance, you'll probably still be unprepared for the twists and turns of Nunnally Johnson's subtle and complex story.

On this topic, you'll note some reviews criticising the plot for weaknesses. Not So. It is a foolhardy reviewer who goes up against a Nunnally Johnson script! To elaborate I'd have to spoil. Suffice it to say that this story is a wild horse - and you'll have one heck of a job staying on its back as it bucks, twists and cavorts.

Worth seeing - has to be seen, some might say - more than once!

It is always difficult to watch a movie that is now 46 years old and assess it as I am continually comparing movies of the 50's to that of the 90's. With special effects, digital sound and plenty of action in movies these days, I have to be careful not to expect the same type of style from 46 yr old movies.

Night People was nominated for an academy award for screenplay I believe. The movie is certainly enjoyabe and makes you think but as others have already pointed out there is one serious flaw with the story line that detracts from the overall viewing pleasure (to which I shall explain).

The plot centres around a young American GI being kidnapped by the soviets with a view of having him exchanged for to ex Nazi's who double crossed the Germans's during the war and are now hiding in Berlin (the West side). The Russians wish to exchange the American GI (who's father just happens to be a prominent businessman who flies to Berlin to exert his influence). One questions begs answering. Why didn't the Russians just kidnap the two ex Nazi's themselves without any American involvement????

And to add insult to injury the actual exchange insults the intelligence of the viewer as the Russians appear total clutses (the hand over the hostage in American territory before they receive their Nazi's (in fact they don't anyway). Sheer stupidity.

That aside, what the movie did highlight to me was that Gregory Peck was / is an outstanding actor. He is so far above the other cast members it isn't funny. His portrayal of Col Steve Van Dyke is excellent, being harsh, caring and funny at the appropriate moments. The movie also allowed me to acknowldege Broderick Crawford's acting ability.

I gave the movie a 7/10, it is certainly enjoyable enough, but I can't help wonder how the script got an Oscar nomination?

Maybe not a barn-burner, but definitely worth seeing because of Peck. The movie actually captures quite well the tradecraft and moral dilemmas of counterespionage, and the scenes between Peck and Crawford are first-rate. Berlin locations add to the authenticity of this forgotten little movie.

The Cold War was settling in for a deep freeze when Night People was made in 1953. The story is about the kidnapping of an American corporal on occupation duty in Berlin and the efforts by our military to get him back.

Mind you this isn't any ordinary corporal. Turns out he's the son of Broderick Crawford who is doing a light version of his junk tycoon from Born Yesterday. As it is explained in a line which audiences today might not get, 'he plays golf'. That he was a businessman who played golf was meant that he played regularly with the most famous golfer in America. You could not go a week in the USA of the Fifties without reading in the newspapers or hearing on radio or television about President Eisenhower tearing it up at some golf course. No one born after 1956 or so would possibly grasp the meaning of that description.

So Crawford goes to Berlin to get some action and he runs into Gregory Peck of the Provost Marshal's office who does things in his own time and won't be bullied or influenced.

Peck's role calls for him to be soldier, diplomat, and psychologist all in one. But he's a professional and he carries it off despite a few unexpected wrinkles. One of them turns out to be Anita Bjork who has been working both sides of the Cold War in an effort to obtain her much needed absinthe.

Aiding and abetting Peck in his attempt to free the corporal are Rita Gam as his girl Friday, Sgt. Buddy Ebsen, Peck's non-com aide, and army doctor Walter Abel who has to be on standby at the climax of the film. Why is that, you have to watch Night People to find out, but Abel's needed for a potential emergency.

Berlin ever since the airlift was at the center of the Cold War with the Russians. The wall had not been built yet and after that things kind of settled to an uneasy acceptance until the fall of the Soviet Union. Night People is an average Cold War drama made better by the presence of some A list cast members and a tightly edited script by Nunnally Johnson who also directed.

Gregory Peck plays a U.S. Army Provost caught up in exchanging a married couple wanted by Russians for a captured American soldier in "Night People," set in post-war Berlin. By today's standards, this film is on the talky side, with not much action. Although the script was nominated for an Oscar, it's problematic - the denouement was much too simple, for one thing.

Broderick Crawford is the father of the captured soldier, and he does an excellent job. Rita Gam is Ricky, Peck's beautiful and feisty secretary. There are several TV faces as well: Buddy Ebsen, Walter Abel, and Max Showalter. Anita Bjork is "Hoffy," a woman who works for Peck yet may be playing both ends.

But the film is really Peck's, who does a fantastic job creating an interesting, tough, passionate, decisive, and funny character. He's instantly both likable and admirable.