La mano nell'ombra

Pretty well done. Atmospheric. Jack Palance has always been a presence and he makes a good idiosyncratic villain. His deep eyes and high cheekbones express threat. His acting is quite good and the movie has a nice visual thing going for it. The problem for me is that it is so predictable. It has no surprises. It was compared to Hitchcock's "The Lodger." That film had hidden secrets and red herrings. This fails to deliver those. Jack the Ripper is loose and the British police are doing everything they can to find him. They are very good at blowing whistles when they find the next young woman murdered. Even when they are on to something, they don't do a very good job of making sure of the capture. I enjoyed this because it is so much better than most of these films, and delivers a nice story. it's just not very special.

This is a remake of the 1944 "The Lodger", which was a remake of the early Hitchock silent "The Lodger". This one isn't bad but uses most of the dialogue from the 1944 version. Jack Palance gives an excellent portrayal of the lodger who may or may not be Jack the Ripper. Palance has a certain menace here but yet you feel some sympathy for him. That voice should be trademarked!! Constance Smith plays the part of his object of affection/hatred and there is a good performance from Rhys Williams, a long time character actor, as her uncle. It's a little tough getting by Frances Bavier as Smith's aunt since to most TV viewers she will forever be Aunt Bea from Mayberry. Frankly, she can't hold a candle to Sara Allgood in the 1944 version but she passes muster. I found the 1944 version superior to this film due to the presence of Laird Cregar and George Saunders but this remake is worth watching, especially if you are a Jack Palance fan.

The performance of Jack Palance is the main reason to see The Man in the Attic. It is one of his most restrained performances and all the better for it, he is perfectly cast, looking the part with his tall slender frame and Machiavellian features, and his emotionally vulnerable and also sinister interpretation is a most interesting one.

He is well supported by most of the supporting cast, with Rhys Williams being very good and Constance Smith is very charming in a rather caricatured role. Byron Palmer is appropriately business-like in the police inspector role. Frances Bavier just about passes muster and suitably cynical but her accent with those twangy vowels(the pronunciation of bag jars) is not convincing at all while Tita Phillips is weak and wooden as maid Daisy. The Man in the Attic looks great, with Victorian London being sumptuously and chillingly evoked and the black and white cinematography is beautifully done. The Man in the Attic has a haunting, chilling even in the first five minutes(which is also the most suspenseful the film gets), music score that adds a great deal to the film's atmosphere, it is more 1950s than authentic 1888 but it is not that jarring actually.

The script while predictable in places is at times subtly amusing and often thoughtful without falling into the traps of being too speculative, one-sided or insisting it's the truth. The story is staid in action but it is involving and neatly structured with a truly exciting horse and carriage chase, having enough to keep you hooked. Slade is an interesting character, the film entertains and is well-paced, deliberate but never dull.

It's a good film that does a lot right but at the same time it felt that something was missing. It is lacking in suspense and feels at times a little too neat and too careful, with the exceptions of the opening and the chase, with not quite enough to keep you guessing, mainly because I was convinced that Slade was guilty early on. This could have been improved a little if Slade was introduced later and that more was done with the investigating, what made Jack the Ripper so infamous and the murders, while what the film did with focusing on Slade was admirable it was a little too character driven. Jack the Ripper's murders were among the most shocking in history, and The Man in the Attic handled its murders rather ordinarily with them only being described.

The Man in the Attic does end very abruptly and predictably with it being obvious how things were going to end, though keeping things ambiguous and open for interpretation was a wise move and the right(and only) thing to do, otherwise there would have been criticisms about the film butchering history. The Man in the Attic is also severely hurt by the musical numbers which should have been scrapped altogether. They are completely out of place, completely irrelevant to the story, are uninteresting choreographed(being more vulgar than sexy) and only manage to slow the film down. Overall, a good, enjoyable and well-made film with a great Palance and the many good things done very well indeed but something was missing. 6.5/10 Bethany Cox

Not a very unique nor special film in any way, and very typical early 1950s Hollywood fare with a back-lot version of London, and plenty of French can-can style dancing for titillation.

Not boring either, and Jack Palance is fine as the mysterious lodger who may or may not be Jack the Ripper. But he's done better, and is not a good enough reason to pick up this film. In fact, the only particularly good reason to pick it up is if you wish to collect all varieties of Jack the Ripper films available, or if you want the double-feature Midnight Movie release of it because it also has the superior thriller, A Blueprint for Murder.

There is no shortage of films based on London's most notorious serial killer, Jack the Ripper, but in spite of this fact: Man in the Attic is a welcome addition to the list of films concerning The Ripper. It can't be said that Man in the Attic is a great film, but it's certainly a good one and did everything I had hoped it would do. The plot here is basically the same one featured in Hitchcock's silent classic 'The Lodger', as well as a whole host of other films. We follow the plot as a mysterious man moves into a house owned by an elderly coupled and co-habited by their actress niece. The Jack the Ripper murders are happening around the same time, and it's not long before the lodger's strange nature leads the lady of the couple to believe that they may be renting their spare room to a serial killer! Director Hugo Fregonese gives the film a great atmosphere; the smoky streets of London look superb and really give this story a good place to take place in. There's also a great score that helps to add to the atmosphere. The film focuses more on Jack the Ripper himself and his situation, and there are very little details of the actual killings, and certainly no gore...which is something of a shame, but the way that the film sets its focus and sticks to it is to its advantage. The plot moves fairly slowly and the mystery is never overly exciting; but it's not too much of a problem because the characters are interesting and Jack Palance is spot on as the reclusive killer. Overall, Man in the Attic is a wholly satisfying yarn that entertains despite not being brilliant.