The House Across the Lake

The House Across the Lake (AKA: Heat Wave) is directed by Ken Hughes and he also adapts the screenplay from his own novel High Wray. It stars Alex Nicol, Hillary Brooke, Sid James, Susan Stephen and Paul Carpenter. Music is by Ivor Slaney and cinematography by Walter J. Harvey.

American novelist Mark Kendrick (Nicol) is living in England and trying to finish his latest novel. When he is invited for drinks at the house across the lake, Mark becomes entangled in the web of a beautiful blonde...

OK! This plot is hardly new and film noir boasts some truly excellent pictures where a man is duped into a downward spiral by a femme fatale vixen. In that respect, this Hammer Film Production can't compete, either in production value or quality of narrative, yet this is still worthy of inspection by the film noir faithful.

Nicol's (looking like a poor man's Sterling Hayden) Mark Kendrick and Brooke's Carol Forrest are classic noir characters, he tells us his weakness is women, his constant narration sombre and hapless, she's an icy cold bitch of considerable sting. And with Sid James moping around forlornly as the rich husband who is ill of health and broken of heart, the characterisations are vibrant and performed to a good standard to draw us into the play.

The air is ripe with pungent pessimism, we know from the off that Mark is in trouble, and sure enough the tale contains treachery, death and moral murkiness. Unfortunately the visuals don't quite match the mood of plotting. The lakeside shots are well done, and Kendrick's cottage with the venetian blinds briefly offer up some promise of noirish disharmony, but mostly the picture is filmed in standard black and white and a trick is missed to elevate the piece to better heights.

Visual missed chances aside, this is a good low budget Brit noir that gets in and does the job well. 7/10

Surprisingly good for a budget Hammer film. Lacking the tantalising gorgeousness of Rita Hayworth or the star-power of Orson Welles and Everett Sloane in Lady from Shanghai the similarly water-borne and much more likely inspiration, the leads do well and the director/screenwriter keeps things nicely atmospheric. The plot twists are effective. But overall the plot lacks the complexity, novelty and power of Lady from Shanghai and the ending is sudden and perfunctory. And ungallant though it might be to say so, the film's femme fatale it has to be said is mature to the point of being a femme mildly injurious but certainly is not lacking in the dramatic stakes.

A 6.5 Seen on Talking Pictures TV

Hillary Brooke plays a beautiful woman married to a much older, wealthy man. We've seen the story in film noir before. We've seen it many times.

But this 1954 picture is well written and exceptionally well cast. Its budget is clearly not high. Yet, the chemistry could blow up a chem lab. Alex Nicol is likable as a hot-tempered writer. He happens to be trying to finish a book right near this wealthy man and his wife.

The wife is played by Hillary Brooke. She is like Kathleen Turner a few decades before Turner burst on the scene: She's sly, sexual -- and that voice! She has a deep, purring voice that has elements of Tallulah Bankhead in it.

The film resembles "The Postman Always Rings Twice." Of course, that had a pedigree of its own. The stars were good but not entirely convincing together. Brooke is less beautiful than Lana Turner but she's a more compelling performer.

And there's "Double Indemnity." It's hard to think of topping that one. Barbara Stanwyck gives a peerless performance in it. So maybe Brooke could be called, at least in this movie, the poor man's Barbara Stanwyck.

An American writer (Alex Nicol), down on his luck, meets his rich neighbors who also live by the lake. He befriends the ailing husband (Sid James) and falls in love with the duplicitous wife (Hillary Brooke).

Ken Hughes directed "The House Across the Lake" (with the irrelevant American title of "Heat Wave") from his own screenplay based on his own novel. I guess he is the only one to blame for the story's blatant rip-off of James M. Cain (particularly "The Postman Always Rings Twice" and "Double Indemnity"). But at least he rips off the best, which means this crime thriller is more engaging than most of the films included in VCI's "Hammer Noir" DVD collection.

Released in the US by Lippert as "Heat Wave", The House Across The Lake (actually a more accurate title, although Heat Wave suggests some of Hillary Brooke's smoldering sensuality!) is yet another film owing a debt to both Double Indemnity and The Postman Always Rings Twice. American Alex Nicol stars as a heavy-drinking writer who lives across the lake from Hillary Brooke, a scheming Black Widow temptress who teases various men she meets while being married to a wealthy but distant husband (yes, all the cliches are here, but they play well!). Needless to say, Nicol begins a friendship with the husband while falling for the ravishing Ms. Brooke, and any lover of noir thrillers can probably predict the way the film develops. Still, it is well-played by the leads and by the British supporting cast, and Mr. Nicol convincingly portrays a man beaten-down by life, who is brought to the point where he has nothing to lose. I won't give away the ending, but it seems somewhat of a surprise while it is happening, which is what a good mystery should do, even if it is constructed from well-known plot elements of the genre. If you like post-war B&W noir-tinged mysteries of this type, it's a good way to spend 85 minutes on a rainy day--and another opportunity to re-acquaint yourselves with the two underrated American stars, Alex Nicol and Hillary Brooke (fans of Ms. Brooke should check out the early 50s gem CONFIDENCE GIRL, co-starring Tom Conway, for a real Hillary Brooke tour-de-force).