Uno strano detective

A cross is stolen from Father Brown's (Alec Guinness) church by master of disguise criminal genius Flambeau (Peter Finch) so amateur detective Brown seeks him out to try and get it back and save Flambeau's soul at the same time.

Jolly little piece of whimsical fluff from the Ealing school with Guinness perhaps a little more indulgent in his characterisation than usual. This doesn't distract though and it all makes for a pleasant enough bit of afternoon matinee viewing including a few solid laughs. Finch impresses as the worldly wise but rather sadly misguided thief with English stalwarts Sid James, Joan Greenwood and Bernard Lee providing solid support.

This is another of the often ignored 'small' Guinness films from the early and mid-50's that rarely get the attention they deserve. While it had a brief revival last fall at Britain's National Film Theatre, it doesn't seem to show up that often in Guinness retrospectives.

A number of elements in this gently comic film that are worthy of notice: Sir AlecÕs performance is deft, subtle and delightfully wry whether he is playing the sleuth or spouting philosophy to the villain Flambeau.

An added treat is a cast that includes Peter Finch, who won an Oscar for Network, Joan Greenwood, who was Lady Balleston in Tom Jones and Bernard Lee who portrayed M in the James Bond series. Guinness, Greenwood and Cecil Parker (The Bishop) also appeared together in the Ealing Studio comedy, The Man in the White Suit.

Another interesting aspect is that a large part of the film was shot on location in Paris and rural France, apparently a rarity for the British films of that era.

Finally a bit of trivia: After his portrayal of Father Brown, Guinness converted to Catholicism

I'm old enough to have seen this film on its release in the cinemas, and, whilst it's not easy to think of a film these days being a success unless millions have been spent on it, this film hung on two superlative performances from Alec Guinness and Peter Finch and the screenplay was worth two of anything you'd hear today. So why, I ask, has it not been released on DVD for a new generation to enjoy? Is it thought too dated? Not exciting enough? Too cerebral? Not a bit of it. It's a thoroughly enjoyable film with moments of high tension and a supporting cast rich in character (including Bernard Lee who was the first M in the Bond films)

The police find a man dressed as a priest with his hands in a safe. They arrest him but he turns out to be Father Brown (Alec Guinness) who was returning the money stolen by a parishioner. The church is sending the Holy Cross of Saint Augustine to the Eucharistic Congress in Rome. The police tell them that elusive thief Flambeau is after the priceless artifact like the many treasures he has stolen in the last 10 years. Nobody knows what the master of disguise actually looks like. Father Brown determines that the police would be easy targets for Flambeau and transports the Cross himself. Eventually he is alone with Flambeau as intended and he tries to reform him. Flambeau refuses and escapes with the Cross. Despite the disappointment, he tries to entice Flambeau again with the help of Lady Warren.

Alec Guinness is great as Father Brown. It's a great character and Guinness is magnificent playing him. It's a fun mystery for awhile until Flambeau is revealed. Then it repeats again and again for Father Brown. It's fun to watch him in a caper to catch Flambeau. It's less fun to watch him try to convert Flambeau. Guinness always tries to keep his character light and fun.

I really enjoyed this film, "Father Brown" or "The Detective" from 1954 starring Alec Guinness, Joan Greenwood, Peter Finch, and Cecil Parker.

Based on the G. K. Chesterton character, Guinness playss Father Brown as somewhat dotty, the owner of a St. Augustine cross which is traveling to a religious convention. However, there are fears that the great criminal Flambeau (Finch) will try to steal it.

Brown wraps up several packages to bring along so no one will know which is the cross. Alas, the cross is stolen by Flambeau, whom Brown spots although he is in disguise. He decides that he wants the cross back but that he also wants to save Flambeau's soul and encourage him to return everything he's stolen.

He enlists the help of lovely Joan Greenwood to put a beautiful chess set for auction, hoping to entice Flambeau to steal it. Things take a turn from there.

Very enjoyable, with a very sweet ending.