La sete del potere

Herbert Lehman, the adapter of the novel that serves as the basis for this corporate drama makes a tremendous contribution with his screen play. Little seems to have changed in the way corporate America did business then, which it still holds true today. The film, as directed by Robert Wise, keeps us involved in the maneuvers the executives of the company do behind the scenes when the head of the company dies suddenly.

We are given a gripping drama as to what goes on among all the possible candidates to take the helm of the business. There will only be a winner, but who can be the most qualified person to take the company to do better than it had performed under the dead man? Would it be the ambitious Loren Shaw, a man with facts and figures at the tip of his fingers? Would it be Frederich Alderan, the man who has dedicated almost 30 years of his life to the business? Or would it be McDonald Walling, the younger man who knows what's wrong with the way the company has been turning inferior products to its customers?

The all star cast assembled for the film do an outstanding job guided by Mr. Wise, the director. William Holden plays Walling, the youngest of all the executives. Mr. Holden gave an inspired performance as the man who knows where the focus of the company should be, and he is decent enough not to want to be seen as pushing to get the CEO's job.

Fredric March, one of the best actors of his generation, is one of the best things in the film. His ambitious Loren Shaw, clearly, the man who makes no bones about his aspirations, is one of the best roles he played for the screen. Mr. March's portrayal of the ruthless Shaw gives us an idea of how driven some people in those high places will react knowing the power they'll yield, not caring how they will affect the lives of those under them.

The rest of the players are good. Barbara Stanwyck has a small part as the daughter of the man that created Treadway. Walter Pigeon is Fred, the man who has given his life to this company. Paul Douglas is Walter, the straying man having an illicit relation with his secretary. Louis Calhern is the reptilian Casswell, who stands to make a lot of money out of his gamble to back up Shaw. Nina Foch, the executive secretary Erica, does a fine job in projecting the sadness of a lonely woman who has probably loved the dead man Bullard. Shelley Winters only has a couple of scenes as Eva, the secretary that suddenly sees the light in her situation with Walter.

The film offers a good look at the financial district of New York as it looked in those years. It's sad to realize what the recent events have done to that part of Manhattan and how different it looks today!

In a Friday afternoon in Wall Street, the president of the Tredway Corporation Avery Bullard has just had a meeting with investment bankers and sends a telegram scheduling a meeting at the furniture factory in Millburgh, Pennsylvania, at six PM with his executives. Bullard has never appointed an executive vice-president for the corporation after the death of the previous one but when he is getting a taxi, he has a stroke and dies on the street. A thief steals his wallet to get his money and his body goes to the morgue without identification. The investment banker George Nyle Caswell (Louis Calhern) sees Bullard's body from his window and decides to use the information to make money, asking a broker to sell as much Tredway stocks as possible until the end of the day, with the intention of buying them back Monday morning by a lower price making profit. Meanwhile the executives unsuccessfully wait for Bullard in the meeting room. When they learn that Bullard is dead, the ambitions accountant VP and Controller Loren Phineas Shaw (Fredric March) releases to the press the balance of Tredway showing profit and assumes temporarily the leadership of the company, expecting to be elected the next president by the seven-member board. However, the VP for Design and Development McDonald "Don" Walling (William Holden) and the VP and Treasurer Frederick Y. Alderson (Walter Pidgeon) oppose to Shaw. There is a struggle in the corporation for the position of president and Shaw blackmails the VP for Sales Josiah Walter Dudley (Paul Douglas) that is married and has a mistress, his secretary Eva Bardeman (Shelley Winters), to get his vote. Caswell needs to cover the 3,700 stocks he sold and Shaw promises to give to him the stocks for the price he sold if he is elected president. The VP for Manufacturing Jesse Q. Grimm (Dean Jagger) is near to retire but is a close friend of Frederick and supports him. Therefore the heir of Tredway and Bullard's mistress Julia O. Tredway (Barbara Stanwyck) will be responsible to give the casting vote. But she is disenchanted with the corporation. Who will be elected the next president?

"Executive Suite" is a realistic film about struggle for power in a corporation. Serious films about the Machiavellian competition in a company, such as "Glengarry Glen Ross", "Le couperet" or "El método", are usually engaging and "Executive Suite" is surprisingly great since it is not dated. The film is directed by Robert Wise, who is one of the best directors in Hollywood ever. The cast is top-notch and Fredric March has one of his best performances. The final speech of Don is a lesson for classes of motivation. My vote is eight.

Title (Brazil): "Um Homem e Dez Destinos" ("A Man and Ten Destinies")

This is a story of a fictional corporation that makes furniture. It's apparently a huge one--with enormous sales. That's why when the president of the company dies that the board of directors is in a tizzy. Various men want to control the company and to do so, they need to create alliances and connive to get the majority of the board members to vote for them. However, despite the conniving and maneuvering, the film ends with a few surprises.

This is a highly unusual film. The biggest difference is that it's an "actor's film" with little of the adornment you'd find in other films--forcing the writers and actors to carry the entire film. The first way you realize it's this sort of film is that the film is missing a sound track! Yes, when the opening credits roll and there is no music whatsoever, you know this is NOT your typical film! And, when you see the wonderful cast of leading men and women as well as noted supporting actors, you also know it's a film built around people--not action. Imagine being a director who's given the likes of Fredric March, Barbara Stanwyck, William Holden, Paul Douglas, Louis Calhern, and the rest as a cast! The only film that immediately comes to mind with less adornment and an even better cast is "12 Angry Men"...and that's a truly great film.

Overall, I liked this film a lot but also think that some may not appreciate all the machinations and the cerebral plot. If you want explosions, romance or comedy, this film certainly is not for you!

For all the MGM-ness of it -- the all-star roster of contract players and freelancers, the classy production values, Louis Calhern doing his reliable devilish-rogue act -- it has touches that one associates with neither the plush studio nor the time period. It's pretty frank about high-powered execs and their mistresses, for one, and the handheld camera of the opening sequence (through unfakeable Wall Street locations, yet) and lack of background music are more typical of independent movies of a few years later. Contrast it with "Woman's World" from the same year, which is also a corporate-power-struggle yarn (and also has June Allyson as a devoted, gauche corporate wifey), but is fake from the get-go. This one is dated in Holden's we're-all-in-this-together speechifying, not to mention the one-company factory town, and Stanwyck's histrionics are a bit over the top. (Hey, I love her too; her unchecked hysterics have to be Robert Wise's fault.) But the dialogue is terser than one generally associates with Ernest Lehman, the shady stock maneuvers are unfortunately as relevant as ever, and the juicy melodramatics still pack a punch. In fact, as corporate drama goes, it's as entertaining as all getout. Fredric March is a standout in a high-powered cast, and Shelley Winters, for once, underplays.

If you ask me, director Robert Wise could do no wrong. He hardly ever set a foot wrong, and 'Executive Suite' is vintage Wise.

Mr. Bullard, bullying president of a huge furnishing corporation, dies, leaving everyone in doubt as to who should take over. The vultures are closing in, the major stockholder, a loose canon, is shamelessly wooed, dirty deals are struck, and there is even some insider trading taking place. It sure ain't pretty, but it's the name of the game and anything goes.

Robert Wise sets a steady pace, a brisk, business-like unfolding of a drama that deserves comparison with Shakespeare. It is done with quick cutting, drab, corporate sets, and filled to the brim with those covert glances that, in the end, decide the outcome. "Efficiency has become a dirty word, budget control has a bad odor", says prospective new manager Fredric March (another brilliant, Oscar-worthy performance) when he senses that he is losing the battle, and young gun William Holden rises to the occasion with an attention-grabbing speech that is not likely to be quickly forgotten: "We will never again ask a man to do something to poison his pride in himself or his work".

'Executive Suite' is an ensemble film, and one could go on praising every single member of the cast. And yet Robert Wise remains the engineer of this masterpiece of dynamic and still highly relevant cinema.