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Drum Beat is written and directed by Delmer Daves. It stars Alan Ladd, Charles Bronson, Robert Keith, Audrey Dalton, Marisa Pavan, Rodolfo Acosta, Warner Anderson, Elisha Cook Jr and Anthony Caruso. A CinemaScope/Warnercolor production, music is scored by Victor Young and cinematography by J. Peverell Marley.

Alan Ladd is Indian fighter Johnny Mackay, who is ordered by President Ulysses Grant (Hayden Rorke) to negotiate with the Modoc Indians in an attempt to avert war...

Utterly frustrating! One of the most attractive looking Westerns of the fifties, Daves' movie doesn't quite have the courage of its convictions. The core basis of the film is sound, though as we are told from the off, it features fictionalised enhancements to further dramatic impact. Snatching from a little known part of the Indian Wars from 1872/3 (to be applauded), that of the Modoc Uprising, film is set in 1869 around the Oregon-California border. Plot and story are put in place neatly, where the characters are interesting, the back drop of various Arizona locations is simply in "scope" gorgeous, and the narrative promises some boldness as the first person killed is an innocent woman and the white man protagonists are fuelled by anger and hatred. But...

Unfortunately with a running time of one hour and fifty minutes, many passages of chatter never really expand the characters. Something which is not usually applicable to Delmer Daves when he was on form. We should be getting high grade dramatic worth from the principle players, their conversations should ping with emotion and depth, after being set up as people with voices to be heard, we never get a real grasp of Mackay's inner conflict, or Captain Jack's (Bronson) staunch loyalty to his cause, or even the depth and reasoning of Bill Satterwhite's (Keith) hatred. While there is, as the historians will tell you, a severe dilution of the story to suit the white man's cause. It's hard to believe this is the same director of Broken Arrow from four years earlier! But then Daves wasn't writing the screenplay....

Maybe Daves felt he needed to better the screenplay for Broken Arrow? To show he could put down on the page some "liberal" quality as well as directing? He would prove post Drum Beat that he could "co-write" great Western screenplays (Jubal/White Feather/The Last Wagon), but here on his own he falls short. Not only does it skulk in the shadow of Broken Arrow, it also pales into insignificance to Anthony Mann's brilliant Devil's Doorway, which was also from 1950. You can feel Daves striving for relevance in the mid fifties, but he is trumped by narrative zest elsewhere, a shame since the acting performances and production quality make Drum Beat very watchable.

Visually it's superb, Sedona's various natural beauties are excellently captured by Peverell Marley (The Left Handed Gun/Westbound), while Daves proves adept at utilising the landscapes as part of his action sequences (check out the red rock rifle engagement scene). Young's score is a goodie, blending bombastic beats with ballad strains, and the Warnercolor is gorgeous, one of the better Warnercolor productions that I have seen. Acting wise it's Bronson's movie, physically perfect and featuring a shifty aggressive ebullience that's most appealing. Ladd scores well, too, nicely underplayed at the critical moments, Keith has a thespian quality that suits the role of an Indian hating aggressor, and Elisha Cook provides weasel smarts that make us yearn for his part to have been bigger.

Some have questioned why this isn't better known or worthy of a widespread home format release? The answer is that simply it has more style than substance, and Daves, as much as us Western fans love him, is to blame from a writing perspective. Visually and aurally the film ranks a comfortable 9/10. As a whole, sadly, it rounds out as 6.5/10.

One of Alan Ladd's better post Paramount films was Drum Beat, based on a little known incident from the Indian wars.

For the first time an American general was killed during the wars against the Indian tribes. The little known Modoc war was another of those lesser known conflicts as action against the Sioux on the Great Plains and the Apache in the Arizona desert got far more attention.

The Modocs were moved from a reservation in northern California to one in Oregon to share with the Klamath, a tribe that had a long feuding history with the Modoc. That was the immediate cause of the war. It was kept going by one of the Modoc's more charismatic leaders, a chief named Captain Jack.

On April 11, 1873, General E.R.S. Canby among other peace commissioners who were sitting in council with Captain Jack and the other chiefs were suddenly shot and killed, in fact Captain Jack personally did shoot General Canby. Charles Bronson in his very first film with that name having dropped his real birth last name of Buckinsky plays Captain Jack. Warner Anderson plays the feckless and luckless Canby.

The horror of that incident aroused some bad public opinion against the Modocs, not to dissimilar against to what was aroused against the Japanese after Pearl Harbor and Islamist extremists after the World Trade Center attack albeit on a much smaller scale. It certainly shifted priorities for a while in the War Department from the Sioux and the Apache.

Alan Ladd plays a real frontier figure named Johnny MacKay who as the film has him was a civilian scout employed by the army to find Captain Jack. His role in real life was not at the center stage of the film, but he did play a part in the Modoc Wars. And he was not among the surviving peace commissioners he wasn't at the meeting when the assassinations happened.

For all its inaccuracies Drum Beat is the only film I know to deal with this incident that shocked a nation during The Gilded Age.

While the plot of DRUM BEAT is based on a true incident during frontier days on the plains, nothing about the film suggests that it's any more than a standard Cavalry vs. Indians western seen hundreds of times since the movies were born.

However, credit director Delmer Daves for finding some gorgeous locations for his story and casting Charles Bronson and Anthony Caruso as Indians who look marvelously authentic in their make-up. Not so fortunate are Marisa Pavan and Audrey Dalton in the weak female roles that could have been played by any young ingénue on the Warner lot.

Alan Ladd is the Indian expert hired by President Grant to make peaceful overtures to the Modocs, headed by Bronson. Elisha Cook, Jr. is interesting as a corrupt Indian trader and most of the supporting roles get good results, especially in the action scenes, all of which are well-staged by director Daves. Especially good is a climactic fight between Ladd and Bronson as they tumble down a rushing stream and fall over the rocky terrain. Ladd seems to be doing most of his stunts in this action-packed scene.

But otherwise, he delivers a rather stoic performance, showing barely any expression even in his brief love scenes with Audrey Dalton. Hard to tell if he was bored or just impatient with the routine script.

All in all, worth watching for the action scenes and the handsome landscapes filmed in beautiful WideScreen Technicolor.

It's 1872. Johnny MacKay (Alan Ladd) is the best Indian fighter in Oregon. He arrives at the White House to talk to President Grant. He is appointed peace commissioner to convince renegade Modoc Indian Captain Jack (Charles Bronson) to lead his people back to the reservation.

The history may be real but it's told from one side of the conflict. This is an old fashion western in more than one way. It definitely has the scenery. Most white folks starting with MacKay are simply trying to keep the peace. The Indians are the trouble makers along with some white settlers. It's an early role for Bronson and he does some fine red-face acting. Alan Ladd is doing very blend acting. It's probably deliberate to give this character the persona of a peace giver. It may be propaganda but it works for the audience of its day. The American government only wants to help the red savage and some just refuse to be civilized.

"Drum Beat", released in 1954 pits Alan Ladd, as an Indian fighter turned peace commissioner, against the leader of the Modoc Indians of N. California, led by Charles Bronson. Ladd, as Johnny McKay, has an intense bitterness towards Indians in general, as they had slaughtered his family years earlier. However, Pres. Grant desires him to work with the Modoc tribe, in particular, to bring peace in the area of California and Oregon. The Modoc chief, Captain Jack, played by Charles Bronson, feels that an area of land is Modoc land only, and it is his to take, and keep. He also has an intense feeling toward the army medals and blue coats, which, to him, are symbols of power and authority. He even kills a retired army colonel, and seizes the medals off the coat the man was wearing.

Ladd, with the aid of Modoc Indians that desire peace, attempts to settle the conflict, but hostilities do break out between the tribe and the soldiers. This was the role that Ladd seemed to shine best in, that of the tight-lipped, slow-to-anger, tough guy. Watchable western fare.