La moglie e l'amante del preside di una scuola, un uomo tiranno e sadico, progettano di ucciderlo. Lo annegano in una basca da bagno e poi ne nascondono il corpo nella piscina della scuola, ... Leggi tuttoLa moglie e l'amante del preside di una scuola, un uomo tiranno e sadico, progettano di ucciderlo. Lo annegano in una basca da bagno e poi ne nascondono il corpo nella piscina della scuola, piena di acqua sporca. Ma quando la piscina viene svuotata del corpo non v'è più tracciaLa moglie e l'amante del preside di una scuola, un uomo tiranno e sadico, progettano di ucciderlo. Lo annegano in una basca da bagno e poi ne nascondono il corpo nella piscina della scuola, piena di acqua sporca. Ma quando la piscina viene svuotata del corpo non v'è più traccia
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie totali
- Christina Delassalle
- (as Vera Clouzot)
- Le photographe
- (as Camille Guerini)
- Le garçon d'hôtel
- (as Jean Temerson)
Recensioni in evidenza
Like most murder mysteries, the story is highly improbable; nevertheless, the film is still hugely entertaining, thanks in part to plot twists and turns that even Agatha Christie would admire, and to the film's B&W lighting, that renders a noirish, sinister atmosphere.
The first half is interesting and tightly plotted. But the real strength of the film's underlying premise begins at the mid-point plot turn. The second half is riveting, because the tight plot begins to ooze with mystery and suspense. It builds to a final ten minutes that are as frightening as almost any ending in film history; dark interiors, shadows, ominous light at the end of a long hallway, a general absence of sound, a gloved hand, a scream, and an unexpected image. It's the very definition of spine-tingling suspense.
There is a clue to help solve the story's mystery in the film's first ten minutes; but like any good mystery, that clue is very subtle. All the film's acting is excellent, even down to the children actors. And, Simone Signoret is as wonderful here as she is in all of her other movies.
English subtitles require a little more work for viewers who cannot understand the French dialogue; yet, the story, the acting, and the cinematography should more than offset this minor irritation. Background music occurs only during the film's title sequence and closing credits; this general absence of music thus enhances suspense.
Although not strictly speaking a whodunit, "Les Diaboliques" is a classic murder mystery that has earned a well-deserved reputation for setting the standard for cinematic suspense. The story is riveting, and the film is technically well made. More recent films have tried to copy it; but this is the original.
If you enjoy quality mysteries or thrillers, you will almost certainly enjoy this one - and if you have not seen it yet, you might just want to buy or rent it now, before you read any more reviews. This comment will avoid any discussion at all of the actual plot itself, because the less you know in advance, the more you will enjoy it. The few implausible elements in the story do not detract at all from the enjoyment.
A great plot does not all by itself make a good movie, and everything works especially well here because of the expert pacing by director Henri-Georges Clouzot and good, mostly understated acting by the main actors. We are drawn into their world very nicely. Everything about the characters and events is built up perfectly, to give the brilliant climax its full effect. Once again, see it before you find out any more.
Even if you do not normally watch black-and-white films or foreign movies (this is in French), if you enjoy thrillers, watch "Les Diaboliques" as soon as you have the chance.
"Diabolique" (1955) is a really good mystery drama. It starts as a drama and then later some of the characters must done something horrible, but the true suspense comes after something very "not according to a plan" happens.
I liked the performances in this movie. Directing and writing was also great, as well as the involving story. The ending was surprising as well.
Overall, "Diabolique" isn't a horror movie as its genre description says - its a very solid mystery drama. It has involving story and it is very well done. Good movie overall.
From the tension before the murder to the mysteries that arise afterwards, the suspense mounts to an eerie climax that remains one of the Cinema's most exciting, whether you predicted it or not. If you weren't expecting it, it will truly be a frightening and confusing (in a good way) surprise. If you successfully foretold it, it will satisfy your suspicions and still captivate your attention.
The only thing that seems sub-par about the film is the police detective's role in the incidents during the climax and after. You may wonder why he didn't arrive on the scene earlier, or whether he could have prevented certain events from occurring. It seems awkward that he shows up when he did and knows all about what just happened. One gets the idea that perhaps French Production Codes of some kind had an effect on the plot at this point, giving the ending a somewhat forced and artificial flavor.
Lo sapevi?
- QuizAfter director Henri-Georges Clouzot bought the film rights to the original novel, he reportedly beat Alfred Hitchcock by only a matter of hours.
- BlooperWhen Christina is watching the caretaker from her class as he inspects the swimming pool, she is calling out English irregular verbs for her pupils to recite the forms. As the caretaker turns to the pool, she calls out 'turn' and then as he looks in the water, she calls out 'find'. 'Turn' is not an irregular verb.
- Citazioni
Plantiveau, le concierge: Watch out, ma'am. That's the deep part where you are.
Christina Delassalle: There is no danger. I can swim.
Plantiveau, le concierge: That don't mean a thing. It's always the ones who know how that get drowned. The ones who can't, don't go near the pool.
- Curiosità sui creditiThe movie ends with a text screen commenting on what the viewer has witnessed, and a request not to spoil the ending for those who are planning to see the movie.
- Versioni alternativeUSA release in 1955 ran 107 minutes rather than 116 minutes.
- ConnessioniFeatured in Siskel & Ebert & the Movies: What's Wrong with Home Video (1988)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Las diabólicas
- Luoghi delle riprese
- Château de L'Étang-la-Ville, 8 Rue de Fonton, L'Étang-la-Ville, Yvelines, Francia(doubling for the Delasalle private school)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 12.498 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Proporzioni
- 1.37 : 1