Storia di Tom Destry

Destry is directed by George Marshall and adapted to screenplay by Edmund H. North and D.D. Beauchamp from a story by Felix Jackson; itself suggested by the novel Destry Rides Again written by Max Brand. It stars Audie Murphy, Mari Blanchard, Lyle Bettger, Thomas Mitchell, Edgar Buchanan and Lori Nelson. Music is by Joseph Gershenson and cinematography by George Robinson.

When the sheriff of a small frontier town is shot and killed in mysterious circumstances, mob boss Decker (Bettger) and the crooked mayor (Buchanan) appoint the local drunk, Rags Barnaby (Mitchell), as sheriff. Thinking it will be easy to control the town now, Decker is surprised to learn that Barnaby has sent for help in the form of Tom Destry (Murphy), the son of a famous hard nosed lawman. However, when Tom arrives, he isn't exactly the all conquering macho lawman the town were expecting, in fact he doesn't even carry a gun!

OK, when judged against the James Stewart/ Marlene Dietrich starring Destry Rides Again from 1939 (also directed by George Marshall), this Audie Murphy led remake is standard stuff. The third attempt at adapting Max Brand's novel (there was also a Tom Mix version in 1932), George Marshall's movie has good production values, is well represented by the cast and all told is an amiable way to spend an afternoon. Three songs light up proceedings: Bang! Bang! If You Can Can-Can and Empty Arms (words and music by Herbert & Hughes), while the Technicolor is gorgeous (check out those costumes) and the final gun play is very well staged by Marshall and his team.

Sadly much of the picture is spent within the confines of the town, with a number of dialogue based scenarios that come off as samey. This means we miss out on ample usage of the Alabama Hills, Lone Pine, location exteriors. Yet in the capable hands of Marshall and Murphy it rounds out as a safe recommendation to B Western fans. 7/10

fNo sooner had the big budget To Hell and Back been released than everyone began to wonder if Audie Murphy, who played himself in that autobiographical flick about his WWII experiences, might be on the way out of B westerns and into major movies. It was, after all, one of the most successful films in Universal Studios history to that point in time. No such thing, though - later that same year, Murphy was back in a better-than-average remake of the classic Destry Rides Again - this time, with the title shortened to the character's name, doubtless because that was in vogue at the time: Shane (Alan Ladd), Hondo (John Wayne), Jubal (Glenn Ford), etc. While this film may never come close to the heights of the earlier A movie starring James Stewart and Marlene Dietrich, it sure rates far and above the average oater of that time. Murphy is actually far more close to the descriptions of Tom Destry in the original novel than was Stewart, and while Mari Blanchard isn't Marlene Dietrich (who was?), she is pretty terrific as the exotic saloon girl whose cynical attitude melts whenever she's around the likable young marshal. Murphy's self-effacing style may not have been acting precisely, but when one critic dubbed him a half-pint Gary Cooper, he got it right in everything except the intended insult. Murphy was, and still remains on celluloid, one of the greatest of all B movie cowboy heroes. The little boy who idolizes him is played by Lee Aaker, who that same year became "Corporal Rusty" on Rin Tin Tin. Lori Nelson, a gorgeous blonde then under contract at Universal, is the 'nice' girl. Uninspired but solid, this is as fine a representation of the era's B westerns as you could ask for - and the perfect film for anyone out there who hasn't seen one of them and is looking for a good place to start. Nice color photography, too!

Because, it followed behind the 1939 classic, Destry rides again, the 1954 movie, titled Destry, was given very little credit for being a good film.

In fact I thought that it was better written than the original version.

Most movie critics, of the time, was more determined to compare the performances of Marlene Dietrich and James Steward, to that of Audie Murphy and Mari Blanchard.

Of course there is no comparison to the kind of acting talent that Steward and Dietrich had, but Destry was still a very good film that did justice to the original version.

The film also featured three actors that would go on to successful television shows.

Alan Hale and Russel Johnson of Gillian's Island, and Edgar Buchanan of Petticoat Junction.

It is a waste of time to compare either movie. Both versions are good, but the 1954 film is my personal favorite.

Sometimes remakes do turn out for the best and Audie Murphy was a perfect in the casting of another edition of the Destry saga. I will say this though, Destry's grown up considerable. Audie uses some forensic science to clean up the town and the final gunfight is played a bit more seriously than in the James Stewart-Marlene Dietrich classic.

For those who haven't seen either film, a certain crooked saloon keeper/ town boss has been grabbing land by hook or crook and kills the sheriff who's opposing him. Lyle Bettger is every bit as nasty as Brian Donlevy was. Bettger gets the idea to make the deputy, Thomas Mitchell, the sheriff. Mitchell is the town drunk, but Mitchell fools them and sends for the son of legendary lawman Tom Destry to be his deputy.

When Audie Murphy as Destry comes to town it's without wearing firearms, but in his own quiet way Audie gets results.

Of course saloon girl Mari Blanchard ain't a patch on Marlene Dietrich, but that's pretty stiff competition for anyone. Edgar Buchanan is the mayor and does his usual foxy and calculating part and we're not quite sure where he'll wind up in the end.

Destry is one of Audie Murphy's better B westerns from the Fifties and it shows with the right casting, a classic can be done well a second time.

RELEASED IN 1954 and directed by George Marshall, "Destry" is about a tough Western town run by corrupt local mogul Decker (Lyle Bettger) and the Mayor who's in league with him (Edgar Buchanan). They appoint a drunk as the new Sheriff (Thomas Mitchell) because they know he'll be easy to control, but the Sheriff hires as his deputy the out-of-town son of an expert lawman for whom he used to work (Audie Murphy). Unfortunately, when Destry (Murphy) comes to town he quickly becomes a laughing stock because he refuses to even carry a gun!

The film is a remake of Marshall's 1939 hit "Destry Rides Again," which was a remake of the 1932 movie of the same name, a closer rendition of Max Brand's novel. Marshall desired to do the film again because he wanted to do it in color and thought he could improve upon it. While most critics say "Destry" is inferior I give it the edge because (1.) it's in color, (2.) Murphy is stalwart as the humble-yet-confident protagonist, and (3.) Mari Blanchard is hotter than Marlene Dietrich as the saloon entertainer and has the mojo to pull off the challenging role. Blanchard's saloon babe of dubious character is counterbalanced by Lori Nelson's character.

Another thing I appreciate about "Destry" is that it supports the concept of LIMITED pacifism, which is the ideology that one should only resort to violence when there's no other recourse, after more peaceable means have been sought and proved ineffective. This, by the way, is what Christ and the early church subscribed to, as detailed in the New Testament, not the idea of TOTAL pacifism, which is the idiotic mindset that a person should NEVER resort to violence in any form, even when loved ones and innocents are threatened.

The Messiah's teaching on "turning the cheek" didn't refer to responding to criminal acts and, particularly, not to a law officer responding to potentially violent criminality. Slapping someone on the cheek was considered a personal insult in 1st century Near East and therefore when Jesus instructed people to "turn the cheek" he was simply illustrating that ignoring an insult a couple of times (you only have two cheeks) is a matter of wisdom & self-control and is a good way to stave off unnecessary strife, which effectively squelches the escalation of violence (not always, but generally speaking). It helps prevent you from being victimized by fools who want to draw you into their darkness and ruin your day (or week or life). This was nothing new at the time because the Old Testament taught the same principle (e.g. Proverbs 19:11).

THE MOVIE RUNS 95 minutes and was shot at Universal Studios, Universal City; Janss Conejo Ranch, Thousand Oaks; and Alabama Hills, Lone Pine, California. WRITERS: Edmund H. North & D.D. Beauchamp from Felix Jackson's story based on Brand's book.

GRADE: A-