VALUTAZIONE IMDb
6,2/10
169
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe Young Lovers follows a couple from different backgrounds, falling in love at the Covent Garden Opera, but face bureaucracy and a potential escape from their forbidden love.The Young Lovers follows a couple from different backgrounds, falling in love at the Covent Garden Opera, but face bureaucracy and a potential escape from their forbidden love.The Young Lovers follows a couple from different backgrounds, falling in love at the Covent Garden Opera, but face bureaucracy and a potential escape from their forbidden love.
- Regia
- Sceneggiatura
- Star
- Ha vinto 2 BAFTA Award
- 2 vittorie totali
Jill Adams
- Judy
- (non citato nei titoli originali)
Jack Armstrong
- Scientist at Unveiling Ceremony
- (non citato nei titoli originali)
Robin Bailey
- Thomas Cook cashier
- (non citato nei titoli originali)
Paul Beradi
- Boat Train Passenger
- (non citato nei titoli originali)
Dora Bryan
- Switchboard Operator
- (non citato nei titoli originali)
Peter Dyneley
- Regan
- (non citato nei titoli originali)
Dwight D. Eisenhower
- Self - in photo
- (non citato nei titoli originali)
Raymond Francis
- Detective Peters
- (non citato nei titoli originali)
Robert Gregory
- Thomas Cook Travel Agent
- (non citato nei titoli originali)
Recensioni in evidenza
This is one of the many films that have a promising synopsis and fail to really engage.
It's the story of two young lovers who meet at the ballet in London. One works in the code room at the US Embassy, the other the daughter of the Soviet ambassador. They decide that love transcends politics and run away together. They have an unconvincing escape across the channel during a violent storm and are last seen sailing away together (to where no-one is sure).
All the potential for drama and conflict between the two bitter enemies is lost and the actors themselves seem unconvinced.
It's the story of two young lovers who meet at the ballet in London. One works in the code room at the US Embassy, the other the daughter of the Soviet ambassador. They decide that love transcends politics and run away together. They have an unconvincing escape across the channel during a violent storm and are last seen sailing away together (to where no-one is sure).
All the potential for drama and conflict between the two bitter enemies is lost and the actors themselves seem unconvinced.
Billed as a romantic drama, this film starts out as a very touching, "Romeo and Juliet" style love story, with the star-crossed lovers coming from opposing sides of the Iron Curtain. It then builds up into a suspenseful, cold war thriller, finishing with a thrilling chase across England through railway stations, boatyards, and small towns, with Metropolitan Police, MI 5, CIA, and KGB agents in hot pursuit of the runaway lovers.
As other reviewers have noted, the ending seems to be quite open ended, leaving a lot to the cinema audience's imagination.
However, David Kossoff gives a strong political speech towards the end of the film when reading aloud his daughter's farewell letter, with social comments about the futility of the enmity between East and West, saying that it will one day be the downfall of both sides.
The uncredited performances read like a Who's Who of the British Cinema with actors such as: Robin Bailey, Dora Bryan, Joan Sims, Betty Marsden, the ubiquitous Sam Kydd - and am I the only one who noticed Raymond Francis in a similar role to what he played in No Hiding Place as Chief Inspector Lockhart?
As other reviewers have noted, the ending seems to be quite open ended, leaving a lot to the cinema audience's imagination.
However, David Kossoff gives a strong political speech towards the end of the film when reading aloud his daughter's farewell letter, with social comments about the futility of the enmity between East and West, saying that it will one day be the downfall of both sides.
The uncredited performances read like a Who's Who of the British Cinema with actors such as: Robin Bailey, Dora Bryan, Joan Sims, Betty Marsden, the ubiquitous Sam Kydd - and am I the only one who noticed Raymond Francis in a similar role to what he played in No Hiding Place as Chief Inspector Lockhart?
(The quote above is from a review of a concert where Robert Shaw conducted Bach's mighty B-Minor Mass, then followed it with some spirituals for encores.)
A lot of water has crashed over the dam in sexual relationships since this movie was released 53 years ago. Yes, the sexual frankness is a bit higher than we expect, about at the level of "West Side Story" (a woman in her slip sitting up in bed), but the notion that two people can simply fall in love and move mountains to maintain that love seems pretty quaint to us today. You will groan at some of the clichés the lovers spout in the process.
And speaking of "West Side Story", oh, my, there's a lot of "Romeo and Juliet" here as well. There's also a bit of "A Farewell to Arms", but I won't specify what, so's not to spoil.
Well, the film satisfied a craving in the audiences of its day, and we can watch it even today with interest, though it's not particularly compelling anymore. There's good pacing, good film-making, very plausible visuals, and a great crescendo of almost Hitchcockian excitement toward the end, but the plot also depends on some very weak twists to pull it through, I'm afraid.
I stopped the film about ten minutes from the end, and asked myself, "It appears they'll either make it, or they won't. Do I care?" And yes, I had to admit, I was invested in it at that point. I cared. And so I played it, willingly, to the end.
A lot of water has crashed over the dam in sexual relationships since this movie was released 53 years ago. Yes, the sexual frankness is a bit higher than we expect, about at the level of "West Side Story" (a woman in her slip sitting up in bed), but the notion that two people can simply fall in love and move mountains to maintain that love seems pretty quaint to us today. You will groan at some of the clichés the lovers spout in the process.
And speaking of "West Side Story", oh, my, there's a lot of "Romeo and Juliet" here as well. There's also a bit of "A Farewell to Arms", but I won't specify what, so's not to spoil.
Well, the film satisfied a craving in the audiences of its day, and we can watch it even today with interest, though it's not particularly compelling anymore. There's good pacing, good film-making, very plausible visuals, and a great crescendo of almost Hitchcockian excitement toward the end, but the plot also depends on some very weak twists to pull it through, I'm afraid.
I stopped the film about ten minutes from the end, and asked myself, "It appears they'll either make it, or they won't. Do I care?" And yes, I had to admit, I was invested in it at that point. I cared. And so I played it, willingly, to the end.
It's a pleasure for a French to watch highly talented Odile Versois in an Asquith movie;born a Russian (Poliakov) ,this part was tailor made for her:her three sisters were/are also actresses ,the most famous of them being Marina Vlady.In France she was not often given the parts she deserved and she prematurely died in the early eighties.
This could be subtitled "Romeo and Juliet in the cold war" ;An American falling in love with a Russian ambassador's daughter in those somber years is a dead end.Both become suspects,accused of being traitors to their countries.Chased by their own compatriots ,on both side (of the iron curtain although it takes place in england),they take a rebel stand and send a message of love,hope and tolerance to the world.
This is a touching melodrama,well acted by the two principals.
This could be subtitled "Romeo and Juliet in the cold war" ;An American falling in love with a Russian ambassador's daughter in those somber years is a dead end.Both become suspects,accused of being traitors to their countries.Chased by their own compatriots ,on both side (of the iron curtain although it takes place in england),they take a rebel stand and send a message of love,hope and tolerance to the world.
This is a touching melodrama,well acted by the two principals.
Probably captured the mood of the times but looking extremely dated now. This was made at the height of the Cold War,so presumably people were hoping for a raproachment. Whereas attitudes of the two countries involved would have been far more cynical.
Lo sapevi?
- QuizJoseph Losey greatly admired George Tabori's original screenplay and hoped to direct this film as his debut in British cinema. However, the film was made by Anthony Asquith and a number of alterations were made to the script.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Chance Meeting
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Proporzioni
- 1.37 : 1
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