Cacciatori di frontiera

Born Hungarian André De Toth directed seven B series western between years 1951 and 1955 (B series films in Europe means that it were made with few money and in a short time). This Bounty Hunter was one of them. It is a solid, without ups and downs, and very estimable western. This modest film deserves all the respect, admiration and gratitude possibles. An even in our times, when toughness is missing in service of computers special effects. The film has got craft agility, is very well build and adequately played by specialist stony face Randolph Scott (Boetticher's lonesome rider). We meet efficacious Ernest Borgnine in a supporting role. Western lovers will enjoy this film.

The feared bounty hunter Jim Kipp (Randolph Scott) is hired by the Pinkerton Detective Agency to track down and find three wanted killers that robbed a train one year ago and recover the stolen money. The only clue he received is that one outlaw was shot in the leg. Jim Kipp comes to Twin Forks and seeks out the local Dr. R.L. Spencer (Harry Antrim) to ask whether he recalls attending a man with wounded leg one year ago. The doctor apparently does not recall but his daughter Julie Spencer (Dolores Dorn) confirms Kipp's suspicion. Kipp decides to stay at the hotel to investigate the town and most of inhabitants are affected by his presence. Will he succeed to find the trio?

"The Bounty Hunter" is an average and entertaining western. Randolph Scott shines in the role of a tough, but fair bounty hunter, feared by outlaws and sheriffs. The identities of the killers are disclosed in the end and well resolved. My vote is seven.

Title (Brazil): "Feras Humanas" ("Human Beasts")

Randolph Scott is in my Hall of Fame. He made one solid western after another. "The Bounty Hunter" is another good one. The first half of the movie is fine but the second half is great stuff. The last half hour is very exciting. "The Bounty Hunter" is a good looking movie with a nice supporting cast. This movie is another enjoyable entry is the solid resume of Randolph Scott. Honorable mention: Ernest Borgnine. (By the way, I can't believe this movie had an Intermission. It's only 89 minutes long.)

The Bounty Hunter sees Randolph Scott star as a Bounty Hunter tracking down three murdering train robbers who may have settled down in the small town of Twin Forks. It's directed by Andre de Toth, in what was the last of six Westerns he made with Scott. It's written by Winston Miller (story) & Finlay McDermid, and features support acting from Marie Windsor, Ernest Borgnine, Dolores Dorn & Howard Petrie. Music is by David Buttolph and Edwin B. DuPar photographs it at Redrock Canyon & the Warner Ranch in California. Coming as it did during the 3D boom of 1953/54, it was shot in 3D but ended up being released in standard flat 2D. Out of Warner Brothers it was shot in their own color format known as WarnerColor.

During the early days when civilisation was pushing its frontiers farther and farther West, there roamed a special creed of men. . .neither outlaws nor officers of the law, yet more feared than either. For reward money--they tracked down criminals wanted dead or alive, and made themselves both judge and executioner in some lonely court of no appeal. They were called "Bounty Hunters".

The WarnerColor may be dull and lifeless here, but that in no way sums up this perky Randy Scott Oater. Scott was always at his best when playing loners or troubled and pained drifters, in short, when away from a group dynamic he was allowed to flourish as the fine actor he was. So it be here as he lays it on as a no nonsense good bad guy! Quipping away in the face of aggression, Scott is able to portray a man not to be messed with-who is happy to kill for cash-yet remain charming and always endearing himself to the audience. It's quite a knack to be so tough yet also be so affable. But Scott on form could do it in his sleep, and to my mind that makes this an essential film for Scott fans to consider outside of his work for Boetticher & Peckinpah.

Once he reaches Twin Forks, the film gathers apace and starts to unfold as a whodunit like mystery. Sure the writing is not forming the townsfolk with any great urgency, and by golly it isn't hard to figure out who the hiding out villains are. But watching the town start to crack under the strain of either being suspicious of thy neighbours, or fretting about being found out, makes for an entertaining piece as Scott moves about them with almost sadistic glee. The smiling assassin comes to mind! It put me in mind of one of Audie Murphy's best film's, No Name On the Bullet, so any fans of that film should certainly get much from this one.

There's nothing to write home about technically, Toth deals in standard file and rank direction and DuPar's photography is lost within the dull sheen deliverance at Warner Ranch. While the support cast are nicely dressed, and made up, but ultimately just talking props serving to let Scott grasp the film with both hands. But grasp it he does! With gun in hand, tongue in cheek and the heart of a lion, he lifts this piece above its many other budgetary failings. 7/10

This is not the best Randy Scott western, nothing to do with what he will make later with the outstanding Budd Boetticher and the seven films together, far better for Columbia and with Harry Joe Brown as producer, than the westerns made for Warner, even with the always good Andre De Toth as director. There were several with the latest too for Scott, but I repeat, more classical in the story and directing too, and I don't even mention the character study. In De Toth's films, I don't find anything that you will find in the TALL T, COMMANCHE STATION nor of course SEVEN MEN FROM NOW. So this one is rather so so for me, predictable but a good western though, only for western die hard hunters.