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This color western from the 1950's is most notable for a rare, non-Lone Ranger appearance by Clayton Moore (unbilled) and Jay Silverheels. The story is engaging but most of the cast seems detached from their performances.

Jay Silverheels stands out in a great role as the Native-American leader. Gary Merrill does the best with the script given him. the action scenes are well-staged and help move the average script along.The storyline is a familiar one, but the top-notch production value makes this one worth checking out This is not a great western, but there are worse ways to kill an hour of your free time.

A remarkably ruthless outdoor western set against the backdrop of the Civil War, rather incongruously shot on attractive locations in pretty colours; it features Gary Merrill as an exceptionally venal and self-centred anti-hero supposedly working for the South but actually just in it for himself.

President Abe Lincoln would like to make peace with the Sioux Indians so he can transfer troops from the West to the South, where they are needed for Civil War duty. The Rebs hear of this and send a spy, Merrill, to pose as a Yankee and steal the gold that the Indians have promised to the Northerners.

Despite lacking some star power and bordering in average, this is a decent western that stars Gary Merrill as a spy from the South in Civil War days. He lead actor and the villain. I guess that's a unique feature. John Bromfield is actually the hero - a bland one too- but he's second fiddle to the villain. Wanda Hendrix plots to double-cross the double-crosser.

The Technicolor is rich and atmospheric, the plot is not too difficult to follow, and the Indians are treated fairly sympathetically. There's plenty of action. A satisfying twist in the tale which wraps things up nicely.

Ray Nazarro directs from a screenplay written by Ray Buffum and DeVallon Scott. It stars Gary Merrill, Wanda Hendrix, John Bromfield, Noah Beery Junior, Jay Silverheels, Fay Roope and Howard Wendell. Music is by Mischa Bakaleinikoff and Technicolor cinematography is by Ellis W. Carter.

"During the Civil War, Southern sympathisers made desperate efforts to aid the Confederacy by inciting Indian uprisings against defenceless towns along the Western frontier. The objective was to force large withdrawals of Northern troops from the main battlefronts, leaving them more vulnerable to Southern attack. This is the story of one such attempt that took place in Dakota territory in the year 1864."

A colourful and brisk picture that finds the efficient Nazarro cramming as much Oater styled fun as he can into just over an hour of film. The core basics of the story is full of intrigue, with undercover Confederate operatives moving amongst Union denizens as the Sioux argue amongst themselves about the viability of Abe Lincoln's offer of peace. There's a bit of thought gone into the screenplay, even offering up one or two genuine surprises, while it's nice to find that the lead female role played by Hendrix gives us a feisty femme of substance as opposed to the many other dressage characterisations that so dominated other 50s Oaters. California location landscapes a bonus, as is Beery Junior's commitment to his role, and Nazarro knows his way around a violent action scene.

Fun enough while it's on without ever breaking out of its very basic "B" Western worth, The Black Dakotas is regardless above average and worth some viewing time by fans of such high spirited dusters. 6/10

Gary Merrill stars in this low budget B western from Columbia in which the villain is top billed. Merrill plays a southerner sent out on a mission to disrupt treaty negotiations with the Sioux in the Dakota territory while the Civil War is on. There's a treaty on its way to the Sioux already signed on the Union end by President Abraham Lincoln and arriving later a shipment of gold for the Sioux valued at $100,000.00. That's for not attacking the settlers out in Dakota.

But Merrill is in business for himself. He shoots the American envoy and takes his place. He nearly gets away with what he's doing, but it's a question of one double cross too many.

Merrill's villainy totally dominates the proceedings here. John Bromfield is the northern boy and Wanda Hendrix the southern girl who help put a stop to things. Some more western familiar faces are here. A lot of the cast is killed most by Merrill, some on his behalf before things are set right.

A little far fetched but entertaining nonetheless.