Controspionaggio

Despite good performances from Lana Turner, Clark Gable and Victor Mature (in a colorful role as "The Scarf"), and some pretty location photography of Holland (filmed in Eastmancolor), there are script problems that render BETRAYED a contrived spy tale about the Dutch underground resistance to Nazis.

As one reviewer noted, "at times it is hard to tell who Clark Gable, Lana Turner and Victor Mature are spying for" -- and the revelation that there is a traitor among them comes as no great surprise.

Still, the story moves at a fair pace, Lana looks gorgeous even with a brunette hairdo, and the aging Clark Gable gives a quietly underplayed performance in his final role at Metro. Victor Mature comes off best in a colorful pivotal role. Wilfred Hyde-White, Louis Calhern and Roland Culver are wasted in supporting roles.

All in all, an average spy melodrama bolstered by some fine location photography.

For more about the film and Lana Turner, see my article on LANA TURNER: DANGEROUS CURVES in the Spring Issue 2002 of FILMS OF THE GOLDEN AGE magazine.

The surprise here is the Victor Mature's character, very unusual for him. A good movie from a director mostly known for TOWN WITHOUT PITY, excellent drama. This is a rather forgotten film, speaking of WW2, but it is worth watching, because engrossing enough to keep you glued to it. Not so many films evoked the Dutch element in this war, except THE BLACK BOOK and SOLDIER OF ORANGE from director Paul Verhoeven. However, some Tv movies were made about it, mostly underrated. But without the Victor Mature's character - I won't say more about it, not to spoil - I would have probably watched it only once, despite Lana Turner and Clark Gable. It is more espionage than purely gritty "front line" war feature, but why not? War was not only a matter of explosions and bombardments.

I've always been very found of this movie. As another reviewer wrote, the screenwriters did a good job of blending the facts of Operation Market Garden with the fictitious story. I liked the role of the dashing "The Scarf" and Victor Mature's portrayal. Most of all, I like this as the last paring of Gable and Turner. Their first was HONKY TONK in 1941 when he was still the sassy, scowling rascal of GONE WITH THE WIND and IT HAPPENED ONE NIGHT, and she was young, soft, delicate and alluring. By 1954, his scowl and sass were long gone as the result of the loss of his wife, Carole Lombard, and of the war which had made sass seem frivolous. He was older and thicker, but still a commanding screen presence. She was older, more experienced as a character and as an actress, and still alluring. When they slowly walk arm and arm, going in the wrong direction, through a line of soldiers singing "Bless Them All," this older and wiser pair had come full circle.

As someone working on creative and interesting plotting, I saw this intrigue movie as outstanding. I had to stay and watch just to find out who the 2-way spy was: was it Turner, was it Mature, oh my could it be Clark? I had no problem with the directing; I thought the last scene with Turner looking at Gable, searching his face for signs of hate or love was good.

I had a problem with the one word title, although it was relevant; it did seem to point to one character as the good guy, so it was misleading if that was the intent. (I don't think this is a spoiler, let me know).

I was glad the movie was in color; usually I prefer black and white on the older movies, however, the scenery et all was great in color.

Before I say anything else, I need to talk about the film score. While one reviewer pointed out how they liked it, I found that after what seemed like the 800th repetition of the same calliope music, I was ready to scream! I truly hated the music and it really didn't seem all that appropriate to the film--sounding more like circus or organ grinder's music than something for a WWII flick.

Now apart from all that, the film was a reasonably competent film and Gable, Turner and Mature all did fine. However, being a die-hard Clark Gable fan, I really wish he had more to do in the film. While Victor Mature got 3rd billing, he really seemed much more the star in the film and he definitely came off best of the three.

Apart from the acting, the film technically seemed only okay. Not bad, but certainly not good either. The biggest problem is that although the film was made on location in Holland (a big plus), the actors never sounded or acted Dutch in the least. Case in point, Lana Turner calling a young Dutch lad "Jan"--with a j-sound. It should have been pronounced "Yan"--and those responsible for the film should have noticed or cared. But, in the end it looked and sounded like hardly anyone connected with the film was Dutch--very strange indeed when it is a location shoot! As for the plot, it seemed to drag a little bit but was also pretty unusual and interesting--and it's because of that the film managed to score a 6.