The Belles of St. Trinian's

The Belles of St. Trinian's was the first of the St. Trinian's film series, based on the popular cartoons by Ronald Searle, which followed the exploits of the tearaway students and scurrilous staff at a notorious all-girls boarding school.

The audience for these films can be divided into two main groups: Young kids, for whom the St.Trinian's girls' rebellious behaviour provides a source of wish fulfilment; and middle-aged men, who watch for the more shapely, older students, with their short skirts, stockings, suspenders, and oh-so-tight gym shorts. I used to be in the first category; now I'm in the second.

The plot is predictable comic book high jinks, the naughty fourth formers trying to win a bundle by betting on Arab Boy in the Gold Cup, the horse belonging to the wealthy Sultan of Makyad (Eric Pohlmann), father of new student Princess Fatima (Lorna Henderson). Meanwhile, the sixth formers attempt to steal the horse so that another nag will win the race, making a nice bundle for Clarence Fritton (Alistair Sims), brother of headmistress Millicent (who has bet the school's last few hundred pounds on Arab Boy!).

In the tradition of the great British pantomime, The Belles of St. Trinian's features a man in drag as a principle character (Sims also plays Millicent), lots of slapstick, and just a bit of sauciness. This formula has made the series a much-loved institution in the UK, the series rebooted in 2007, and the sexy schoolgirl uniform still a popular choice for fancy-dress parties and hen-nights.

The cast all look as though they're having a great time joining in on the mayhem, and the fun is infectious. Also serving to make this film hugely entertaining are Joyce Grenfell as undercover cop P.W. Sgt. Ruby Gates, George Cole as shifty spiv 'Flash' Harry (whose appearance is accompanied by his own jaunty theme music), and several familiar faces amongst the supporting players: Joan Sims, Irene Handl, and Beryl Reid as teachers, Sid James as Clarence's pal Benny, Hammer horror regular Michael Ripper as stable lad Albert, and Shirley Eaton and Barbara Windsor as students (but good luck in spotting them).

7.5/10, rounded up to 8 for tragic Brit bombshell Belinda Lee as sexy sixth form girl Amanda. Phwoar!

The Belles of St. Trinian's is directed by Frank Launder and co-written by Launder, Sidney Gilliat and Val Valentine. It stars Alastair Sim, Joyce Grenfell, George Cole, Hermione Baddeley and Betty Ann Davis. Music is by Malcolm Arnold and cinematography by Stanley Pavey.

Inspired by the cartoon drawings of Ronald Searle, The Belles of St. Trinian's is the first part of a franchise that still thrives even today. With 7 films currently under the Trinian's banner, the roguish behaviour of the girls and their manner of dress sense passed into pop culture and is still going strong today. Either for sexual titillation (the St. Trinian's look has always been popular at fancy dress parties) or as a tag for unruly girls in British schools, it's hard to believe that Searle envisaged the ever lasting appeal of his creations. Unfortunately the films are a mixed bunch, with a couple of them just plain bad. This however is not a problem with The Belles, the best of the bunch by some margin.

The Barchester Bedlam.

Pic is fronted by Sim in a dual role of brother and sister. The art of drag has been tarnished over the years by some of the more stuffy members of the human race, but in the right hands it often works so well, as evidence by the wonderful Sim here. The plot involves a gambling sting at the big horserace on the horizon, with Flash Harry (Cole) aided and abetted by the terrors of St. Trinian's. It's all very chaotic and horsey, both in the equine sense and in horseplay terms. Grenfell is the policewoman who goes under cover as a teacher in the school, where the staff roster is populated by British stars of the future like Beryl Reid, Joan Sims and Irene Handl.

The girls, of various stages of their schooling, smoke, toke, drink and take every opportunity to cause mischief. Their reputation precedes them, as the train that carries them inward bound for the new term approaches, the town citizens start to board the place up, even the chickens run off into hibernation! This is the on going joke that works right to the film's conclusion, sadly it would run out of steam by the time The Great St. Trinian's Train Robbery pulled into the station in 1966. But Belles is great fun, very British of course and very clever. From Sim being dry as the Sahara and Grenfell's Duracell Bunny performance, to those rascal girls, the school is open for frolics and energised bedlam. Enjoy. 8/10

the first and probably the best of the three original St. Trinian's films. What with Alastir Sim and Joyce Grenfell, this film will definitely make you laugh. however, I personally think what makes the film what it is is Flash Harry, the local cockney spiv played expertly well by George Cole. The interaction between Cole, Sim and Grenfell is magic. Flash Harry is a fantastic character and can't but make you laugh. A classic, classic film.

The Belles Of St Trinian's (1954) -

While I would have always said that the earlier St Trinian's films were the better ones, having only recently watched the reboot from 2007, I think that the first ever cinematic outing for the girls just lacked something that the newer one had (The sequel (2009) wasn't much good though) I can only assume that the following 'Blue Murder At' (1957) and 'Pure Hell Of' (1960) films were the ones that resonated with me as a younger viewer during school holidays. Those and 'The Great Train Robbery' (1966) of course, which I know was brilliant as it's the one I have seen most often.

This one was a bit of a simple story and the girls didn't seem to be as united as they later became, so it was difficult to know whose side to be on?

With the Rupert Everett ones, the girls are all working together to keep the school running, in order to continue their shenanigans unhampered, but this film had them all broken in to factions against the headmistress and each other, in a selfish way, which didn't show them at their best.

Alistair Sim was of course superb in the dual role of Miss Fritton and her Brother Clarence and the majority of the others did a good job too. Not to forget dear old George Cole, who will eternally be remembered as Flash Harry and how could he not be with that portrayal as good as it is.

There's no denying that it's still great fun to watch and lead the way for the others that followed admirably, as well as probably a number of other films that must surely have used this as a reference to realise genius comedy, full of innuendo for years after, but it's not my favourite of the collection.

577.22/1000.

Alistair Simms is a wonder in this. He makes such a good headmistress. The role given here for George Cole was made for him. Hence, the casting job on this film was perfect. I think it was one of those rare occasions where everything clicked. the story line was good, the comic dialogue a scream and the older prefect girls a delight!! Each character you are endeared to, even the villains. Why can't we make films like this any more. Basically, this is a very English comedy with good movement and fluidity.