Addio signora Leslie

First, it must be mentioned that Shirley Booth was a fantastic actress in both film and stage, the latter being her forte. Here was an actress who, despite the fact that she was not Hollywood model material by any means, could run rings around scores of her drop-dead gorgeous contemporaries in the acting department! It's really a pity that she became typecast as "Hazel" in her popular television series, because she could, and did, offer so much more.

That said, now comes the plot of this particular film. A fairly good looking, well to do up and comer in politics, albeit married to someone else, falls in love with Ms. Booth's somewhat frumpy character. Highly unlikely, some people would say, but it happens in this film, and it happens in real life, no matter what the media would have you believe. Robert Ryan rendered a fine performance, and both of them generated the right chemistry. This is where it gets really good. The love that's shared between these two comes across as quite genuine. In fact, it blossoms throughout the film by way of a good plot! No spoiler here! You must see the film in its entirety to understand this.

Yes, the film plays out like a soap opera for the most part, but the idea behind it, the love between these two people, no matter the odds, is very real. There are lots of sub-plots going on throughout, but they all seem to come together perfectly and sensibly in the end. Many facets and foibles of human nature are addressed quite well in the process.

This is a must see, as are all of Shirley Booth's movies, at least in my opinion. It's too bad she didn't make more of them.

Though she was known for her many roles on Broadway and an even more famous part on television, Shirley Booth did not seem to build much of a career as a movie star. Maybe this is because she was rather unlike other actresses that were headlining motion pictures in the 1950s. And that's a good thing, really, because for every Marilyn Monroe, it's kind of nice to have a Shirley Booth, who stands out and gives us something decidedly different and special.

In this film, ABOUT MRS. LESLIE, she is paired with Robert Ryan who plays against type as a mysterious magnate. It's fun to watch him make romantic gestures towards Miss Booth's character. Of course, his idea of companionship differs significantly from hers, yet a bond is forged and it is a lasting connection. Booth displays a range of emotions in this film, and she gets the chance to sing. The story of the couple's unusual courtship is told mostly in flashback, with several subplots in the present to balance out the narrative.

About Mrs Leslie,in less credible hands,would have been just another average 1950's tearjerker,but in the hands of (Oscar) winning actress "Shirley Booth" the film crosses the boundary, from maudlin to interesting. Anyone familiar with Booth's acting genius, knows that the actress could have made a film about the invention of the "pencil sharpener" worth watching. It could be said, and rightfully so that 'Robert Ryan" was miscast, as Mr. Leslie, but if given a chance, I believe you'll gladly overlook Paramount's little casting error. All in all, About Mrs Leslie, isn't "Shirley Booth's" greatest moment, but she still had reason to crow! I highly reccomend this dramatization of "Vina Delmars" best selling novel of the same name.

One of Shirley Booth's true acting performances. For audiences who thought she could only play burned out losers like the plodding,dull houswife in "Come Back,Little Sheba," this film shows she definitely had leading lady status. The story of a boarding house owner recalling her one great love in conjunction with the woes of her boarders is very good. The entire cast shines in support. The carping of Robert Ryan is a strange one.He is entirely believable as her lover. Miss Booth's appearance was almost a shock,she wears nice dresses and tailored suits with ease.Not every woman back then looked like Lana Turner!Surely show business had singers who were slightly dumpy and past their prime. Miss Booth duly projects the longing and lonliness all people feel at one time.The final scene where the last of the boarders leave is sadly sweet,as she sighs and puts out her rooms for rent sign again

If people did not accept back street arrangements like Shirley Booth did in About Mrs. Leslie a whole lot of romance novels and soap operas would never be written. In one of her few film appearances Shirley Booth plays Mrs. Leslie who owns a boardinghouse in Los Angeles and deals with the problems of her tenants while thinking back on her wartime romance with what was called then, a dollar a year man.

Her dollar a year man is Robert Ryan whom she met back east when she was singing in some second rate supper club. They more than hit it off and she accepts his proposition for a six week vacation on the southern California coast though her breaking her contract puts her career such as it is in jeopardy.

She only finds out about who this man really is when she sees a newsreel in the theater and finds out that 46 weeks a year he's a business executive and former World War I ace who married a Senator's daughter to advance his career. Ryan regrets this and Booth regrets having to settle for back street status though in the end financially she comes out well.

Combining elements of both Back Street and Maytime, About Mrs. Leslie is a fine film, one which we used to call a woman's picture. Booth made too few feature films for the big screen, but when she got there everyone was a gem.

About Mrs. Leslie is an uncut diamond. It should be broadcast more often.