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La guerra dei mondi

Titolo originale: The War of the Worlds
  • 1953
  • T
  • 1h 27min
VALUTAZIONE IMDb
7,0/10
40.574
LA TUA VALUTAZIONE
Gene Barry and Ann Robinson in La guerra dei mondi (1953)
Theatrical Trailer from Paramount
Riproduci trailer2:19
1 video
99+ foto
Fantascienza epicaInvasione alienaSpazio e fantascienzaAzioneFantascienzaThriller

L'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro s... Leggi tuttoL'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro sibilo minaccioso che semina distruzione non dimenticherà mai più il loro spaventoso effett... Leggi tuttoL'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro sibilo minaccioso che semina distruzione non dimenticherà mai più il loro spaventoso effetto1.

  • Regia
    • Byron Haskin
  • Sceneggiatura
    • H.G. Wells
    • Barré Lyndon
  • Star
    • Gene Barry
    • Ann Robinson
    • Les Tremayne
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    40.574
    LA TUA VALUTAZIONE
    • Regia
      • Byron Haskin
    • Sceneggiatura
      • H.G. Wells
      • Barré Lyndon
    • Star
      • Gene Barry
      • Ann Robinson
      • Les Tremayne
    • 308Recensioni degli utenti
    • 84Recensioni della critica
    • 78Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 5 vittorie e 2 candidature totali

    Video1

    The War of the Worlds
    Trailer 2:19
    The War of the Worlds

    Foto151

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 145
    Visualizza poster

    Interpreti principali99+

    Modifica
    Gene Barry
    Gene Barry
    • Dr. Clayton Forrester
    Ann Robinson
    Ann Robinson
    • Sylvia Van Buren
    Les Tremayne
    Les Tremayne
    • Maj. Gen. Mann
    Robert Cornthwaite
    Robert Cornthwaite
    • Dr. Pryor
    • (as Bob Cornthwaite)
    Sandro Giglio
    Sandro Giglio
    • Dr. Bilderbeck
    Lewis Martin
    Lewis Martin
    • Pastor Dr. Matthew Collins
    Houseley Stevenson Jr.
    • Gen. Mann's Aide
    • (as Housely Stevenson Jr.)
    Paul Frees
    Paul Frees
    • Second Radio Reporter…
    William Phipps
    William Phipps
    • Wash Perry
    • (as Bill Phipps)
    Vernon Rich
    Vernon Rich
    • Col. Ralph Heffner
    Henry Brandon
    Henry Brandon
    • Cop at Crash Site
    Jack Kruschen
    Jack Kruschen
    • Salvatore
    Cedric Hardwicke
    Cedric Hardwicke
    • Commentary
    • (voce)
    • (as Sir Cedric Hardwicke)
    Peter Adams
    Peter Adams
    • Pine Summit Fire Watcher
    • (non citato nei titoli originali)
    Eric Alden
    Eric Alden
    • Man
    • (non citato nei titoli originali)
    Hugh Allen
    • Brigadier General
    • (non citato nei titoli originali)
    Ruth Barnell
    • Mother
    • (non citato nei titoli originali)
    Edgar Barrier
    Edgar Barrier
    • Prof. McPherson
    • (non citato nei titoli originali)
    • Regia
      • Byron Haskin
    • Sceneggiatura
      • H.G. Wells
      • Barré Lyndon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti308

    7,040.5K
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    Recensioni in evidenza

    Sargebri

    Good Adaptation

    Even though this is not a literal translation of the H.G. Welles classic, this is still a good film. I especially loved how it was updated to the 20th century and that all our modern weapons, including the atom bomb, couldn't destroy the Martians. George Pal is definitely one of the most underrated directors of science fiction and this film along his When Worlds Collide and The Time Machine stand out among the great science fiction films of all time.
    didi-5

    the little men in lime green machines

    HG Wells' futuristic novel responds well to the Technicolor splashed on it in this 50s B classic. Gene Barry over emotes in the lead now and then but the martian invasion is handled very well and the tension rises to the final scenes where the surviving populace huddle in the church as the buildings crash and burn around them.

    'War of the Worlds' deserves its place as both a highly regarded novel and a well-remembered movie. Byron Haskin and George Pal did a great job in visualising the apocalyptic bits of Wells' text, while still making the end result enjoyable and interesting for the viewer.

    Recommended for fans of intellectualised science fiction.
    DrLenera

    Flawed adaptation and a bit dated, but a definite highlight of 50s sci-fi

    H.G.Wells' The War Of The Worlds remains a terrifying novel, and two adaptations of it have justifiably passed into popular culture, the Orson Welles radio production in 1938 which convinced many Americans that creatures from Mars actually WERE invading Earth, and Jeff Wayne's 1978 musical album, which still holds up today. The film Independence Day was basically a semi-remake, and of course we are all probably looking forward to the Steven Spielberg version. Somewhat forgotten amongst all those is this 1953 film version, which is a shame. It has considerable flaws, and deviates form the book considerably. However, it's still very enjoyable.

    One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.

    Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.

    Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
    8gavin6942

    Impressive Effects For the 1950s

    The film adaptation of the H.G. Wells story told on radio of the invasion of Earth by Martians.

    So, you know, most of the backgrounds look like matte paintings, creating a set that is only about ten or twenty feet in depth. But that is unimportant. The colors, the impressive meteor and alien technology... few films -- maybe none -- were able to look so incredible in that era.

    The story has been told multiple times, and most people are probably aware of the basics. But this version may be the best, far better than the Tom Cruise version fifty years later, and maybe even better than the original radio drama.
    MChittum-California

    What more can be said?

    I was 6 when I saw War of the Worlds, my first color sci-fi film, "live" in a theater. (We did not have TV then!). I've seen all the other classics like "Invasion of the Body Snatchers", "Day the Earth Stood Still", "Them", "The Thing", etc. before and after WOTW, all good films but War of The Worlds was in a class all by itself. I know, the Brits lampoon the film all the time because it's not set in England/London, and not in the proper time period. I didn't know why it was updated and set in LA but..as a 6 year old I could have cared less...the movie was magical, frightening and memorable.

    Over the years I've read the book and and seen dozens of films within this genre. Yes, FX are far better now but 50 years ago this film set the standard. I hope the rumored remake in 2004 can be as memorable. Gene Barry and Ann Robinson did a great job. (If they're up to it, it would be neat for them to have cameos) Has anyone compared the farmhouse scene to the similar scene in "Close Encounters". Both deliver the goods...they scare the heck out of you. The sound effects were so outstanding the producers of the new film should consider using them again! All true WOTW fans know that the sounds of the "cobra" and the weapons fire are sounds you never forget..like the antenna sounds of "Them".

    Try to look past the re-locating and re-dating, kick back and enjoy a film that was king for 20-30 years, not topped until "2001", "Star Wars", "Close Encounters" and "Alien" came along.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose L'uomo che visse nel futuro (1960).
    • Blooper
      Modern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
    • Citazioni

      [last lines]

      Commentary: [voiceover] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs, which no longer affect us, began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things, which God, in His wisdom, had put upon this Earth.

    • Versioni alternative
      For the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
    • Connessioni
      Edited from Quando i mondi si scontrano (1951)
    • Colonne sonore
      Paramount on Parade
      (uncredited)

      Written by Elsie Janis and Jack King

      Played over the opening logo

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    Dettagli

    Modifica
    • Data di uscita
      • 28 gennaio 1954 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
      • Tedesco
      • Italiano
      • Hindi
    • Celebre anche come
      • La guerra de los mundos
    • Luoghi delle riprese
      • Corona, California, Stati Uniti(Opening scenes)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 27min(87 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.37 : 1

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